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1-15 of 15
- Mit Billie und Hella reist ein ungleiches Frauen-Couple ins italienische Apulien: Während Billie sich in selbstloser Hilfe aufopfert, sucht Hella vor allem ihren Spaß. Hella rauft sich die Haare, dass Billie im Urlaub für ihre Cousine malocht und dabei das Leben verpasst. Hella selbst will in Italien ein neues Kapitel aufschlagen. Oder an ein altes anknüpfen. Denn sie will eine frühere Urlaubsromanze wieder treffen. Wenn Billie helfen kann, ist die gelernte Krankenschwester happy. Ihren verdienten Urlaub verbringt sie jedoch nicht faulenzend am Pool, sondern geht ihrer geliebten Cousine Ariane zur Hand, um deren Reiseblog vorzubereiten. Denn ihr Influencerinnen-Dasein hat Ariane fast in den Burn-out getrieben. Hella schüttelt missbilligend den Kopf: malochen im Urlaub? Sie freut sich, ihre Jugendliebe Angelo wieder zu treffen. Hella war 35 Jahre lang glücklich verheiratet, bevor sie Witwe wurde. Per Zufall waren ihr die alten Gedichte von Angelo beim Aufräumen wieder in die Hände gefallen. Als sie den Kontakt wieder aufleben ließ, hatte Angelo sie nach Apulien eingeladen. Während sich eine beschwingte Hella auf das Wiedersehen vorbereitet, beginnt Billie mit dem charmanten Fotografen Raffaele, die Sights in Apulien mediengerecht aufzubereiten. Raffaele ist frisch getrennt und ziemlich verloren. Billies mitfühlende Art tut ihm unendlich gut, und Raffaele blüht sichtlich auf. Und mit ihm Billie. Raffaele berührt ihre Seele. So fühlt sich echte Liebe an. Aber weiß sie denn wirklich, was Liebe ist und wie Spaß im Leben geht? Hella zweifelt und überredet sie, sich bei einer Dating-App anzumelden. Über diese lernt Billie Mateo kennen, der sich Hals über Kopf in Billie verliebt. Nur sie nicht in ihn. Hektisch löscht sie ihr App-Profil, aber Mateo ist hartnäckig. Um Zeit mit ihr verbringen zu können, bietet er ihr Schwimmstunden an. Billie hat vor tiefem Wasser einen Höllenrespekt, muss aber für Ariane eine Schwimmwanderung vorbereiten. Indes erlebt Hella einen herben Dämpfer. Es trifft sie hart zu erfahren, dass Angelo vor Kurzem einem Herzinfarkt erlag. Aber noch schwerer wiegt, dass Angelo nicht der ist, für den sie ihn hielt. Denn nach und nach stellt sich heraus: Es war nicht Angelo, der diese wunderbaren Briefe geschrieben hat. Es war seine Schwester Sophia. Hella kommt ins Grübeln: Macht es einen Unterschied?
- Kati, Jochen and Lukas take a trip on magic mushrooms. Lukas is not coming back.
- A fascinating road movie tracing history and origin of a subculture of youth that is known as one of the most radical and contradictory of our time.
- A video about Neo-Nazis originating in Sweden provides the starting point of an investigation of extremists' networks in Europe, North America and Russia. Their propaganda is a message of hatred, war and segregation.
- Daniel Brühl stars as a talented boxer, accepting an offer of a dubious businessman to become a professional. Marko Stemper, 19 years old, comes from a disadvantaged background and works as a window cleaner. His father, an alcoholic, tyrannizes the whole family, so Marko's only joy in life is boxing. As he is the most promising talent in his club, Gerd Hermsbach, a local demimonde boss, offers him the opportunity to become a professional. Marko accepts, but has to pay a high price...
- Franco de Peña's movie deals with three very different love stories, all taking place on the Avenida Libertador, the main avenue of Caracas.
- Marine biologist Julika needs a break and visits her friend Natalie on the Algarve coast. There she falls in love with the surfer Miguel and also receives a job offer from entrepreneur Grevers. Both provide for surprises.
- With freedom of expression once again under fire, Who´s Afraid of Kathy Acker? explores the unbelievably extreme life of punk icon Kathy Acker, whose sexually explicit writing expanded the limits of female self-expression but was also banned in many countries. Kathy Acker, the outrageous punk icon banned in Germany but named in 2005 one of Americas original outlaw writers by the New York Times, lived life her life without boundaries. A friend of William Burroughs and Patti Smith, Acker was fascinatingly complex: A tattooed, foul-mouthed, Harley Davidson Rider who took opium & enjoyed sex with both men & women, she was also an intellectual who studied Classics at one of Americas top universities. Her celebrated novel, Blood & Guts in High School, which pioneered innovative sampling techniques, sold out within a week of its release. Proclaiming that There was no female language given me, Acker rejected her wealthy New York background to champion voices from the edge of society: the Bowery bums, crack whores, & blacks left behind by greed is good Reaganomics. Acker, the Mother of the Riot Grrls, became a myth through living life like one of her characters; inspired by the French libertine writers de Sade & Genet, she worked in sex shows on Times Square, dabbled in sadomasochistic sex & had her labia pierced high on coke. The heir to Burroughs, Acker rewrote the world in her own image, blending fact & fiction, biography & dream imagery, hardcore sex & incisive political satire in a non-narrative cyber-punk style. She stole heavily from classic fiction to rewrite the heroes as female, a transgender, appropriative method that drew both praise and criticism. Acker challenged societys ideal of femininity, daring to be tough & vulnerable at the same time. But she paid a high price for her nonconformity, suffering a double mastectomy in 1997 that she saw as a manifestation of her lifes struggle to be allowed to be who she was. Acker left behind a legacy of sixteen novels that cannot be ignored, but she learned the hard way that breaking the rules never comes cheap. (A. Standen-Raz) Director´s Statement: Over the three years I spent researching the life of the American post-punk cult author Kathy Acker, I became surprised that no film had yet been made on this uncompromising writer whose life & fiction became so blurred eventually the two were inseparable. From many interviews, the portrait of Kathy that emergedtattoos, piercings, Harley Davidson, bad languagewas of a rare individual unafraid to live like one of her characters, in a world where pulp fiction & the Classics, biography & pornography coexist. I wanted Who´s Afraid of Kathy Acker? to be more than a simple portrait of a star, to go deep into the issues which Kathy Acker raised in her work: the freedom to write about female desire, violence and explicit sex, & the underlying politics of subordination that affect us all. Kathy didnt play a clichéd female role, nor care much for social niceties. But she was brutally honest, her most endearing traither incisively witty female heroines showed women with all their joyful power, vulnerabilities & wounds, which is basically our condition. (Barbara Caspar, Director) Additional Informations: The film uses several layers to explore all sides of the contradictions of Acker as a woman, and of her work: Found footage covering Ackers entire life, from family pictures to BBC interviews; readings & performances of Kathy Acker spanning three decades; reenactments to bring characters of the books alive; interviews with young New York readers and the people who knew her best; and, last but not least, period documentary footage covering the Punk Scene, New York in the 70s and 80s, and other places of relevance to Ackers life.
- 25-year-old station announcer Alma has a beautiful voice, but suffers greatly from being overweight. When she meets the fun-loving Stefan on the Internet, a lively exchange of e-mails begin and long phone calls soon follow.
- After the death of her grandmother a female teenager is being taken care of by her mother who is a con artist.