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1-31 of 31
- The artist moves toward the camera/viewer, pausing every few steps to ring a bell, at which point he is momentarily thrust back to his starting place, and then advanced again.
- Presents a succession of images of the moment of impact of violent acts of destruction, in a darkened studio, visible only as discrete individual video frames revealed by an electronic photoflash.
- Two sequences of distortions, one human and physical, the other electronic and visual, are presented in succession.
- Experimental audio/video installation, produced at the Everson Museum of Art, Syracuse, New York, featuring bank of four black-and-white monitors and two cameras in closed-circuit system with feedback and delay; amplified floor.
- The expression "semi-circular canal" refers to the portion of the human ear that regulates balance. Bill Viola constructed a platform on which he and the recording equipment counterbalanced one another, while freely suspended from a large tree. The artist appears to be sitting calmly at the center of the universe as the earth rotates.
- Live black-and-white video projection of a composite image mixed from three cameras (two on automatic-scanning motors), with three heterodyning sine tones.
- Experimental audio/video installation, produced at Syracuse University, Syracuse, New York, featuring live video and audio interchange between two indoor locations through two-way, black-and-white, cable television system.
- Bill Viola's color videotape "Polaroid Video Stills" was completed in 1973 at the Synapse Video Center at Syracuse University, New York, and recorded in mono sound. These are collected excerpts from a 10-minute original videotape.
- Experimental video installation, produced at Syracuse Video Center, Syracuse University, Syracuse, New York, featuring live black-and-white, close-circuit video projection on free-standing half wall.
- An exercise in technological reflexivity, conceived as an early investigation of the material presence of the electronic medium, where a videotape recorder tries to record itself following a technical miscalculation.
- Collected works videotape featuring three short videos shot by artist Bill Viola during the Summer of 1974 at Synapse Video Center in Syracuse, NY: Instant Breakfast (1974), Olfaction (1974), and Recycle (1974).
- Live broadcast in a small, private room at Synapse Video Center (Syracuse, NY) with black-and-white videotape-delay system using 2 monitors and one camera. The result is recorded in mono and mastered on a 20-minute 1/2 inch open-reel tape.
- Seating in an armchair against a stark background, the artist stares at the camera, his silence punctuated by screams. The camera pulls back to show he's at the end of a long hallway, and rapidly zooms again into the inside of his mouth .
- "Songs of Innocence", which directly references the visionary romanticism of William Blake, is haunted with symbolic transformations, as shifting light is charted through the passage of a day. Images of children singing on a school lawn dissolve and reappear, hovering at the edge of perception, illusion and reality, evoking what Bill Viola terms "a visual relationship between memory, the setting of the sun, and death."
- Three abrupt and violent actions are seized and suspended in time by video disc memory. Tension is held and violently released. The video refers to Carl Jung's writings on the individual and the mass.
- "Red Tape", featuring five short videos by American video art pioneer Bill Viola, is the artist's first of several collections of short pieces that function thematically as larger "meta-works."
- The artist's face, visible only as a reflected image on the surface of a cup of black coffee, slowly disappears as he consumes the coffee. The artist describes this action as "the eradication of the individual by self-consumption".
- Bill Viola's first color videotape, "Vidicon Burns" was completed in 1973 at the Synapse Video Center at Syracuse University, New York, with the collaboration of Bob Burns. These are collected excerpts from 30-minute original videotape.