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Aperçu le temps d'un été de la vie des habitants d'un village corse où la tradition est vénérée.

Un homme se réconcilie avec son passé après avoir assouvi son plus grand désir: assassiner le chef de la secte dont il a fait partie pendant de nombreuses années.

In 1983, Maria Schneider gives an interview for the TV show Cinéma Cinémas. The conversation takes an unexpected turn when she challenges film industry practices and is asked to talk about the controversial film Last Tango in Paris (1972).

On a hot summer day by a small lake, Mia asks Hugo - 15 years old and yet already blasé - to tell her about his love story with Chaïnes. Despite his reluctance, memories come to the surface: evenings spent at the edge of the lake trying to seduce her, the fear felt when declaring his love, the torment provoked by this exuberant but secretive girl who never shows her emotions. The moments of pleasure still hurt: afternoons spent jostling, touching, and sometimes even fighting each other. The joy of shouting, of insulting each other, of feeling alive. And all around, like a choir, Mia and her siblings, who were learning to fish that season.

Given all the injustice in the world, Margot no longer knows if life has any meaning at all. Disillusioned, no longer believing in the efficacy of political activism, she decides to leave it up to the Dardu, a legendary carp supposed to be able to foretell the future. But at the lake she discovers there is a new rule: fishing is now forbidden.

A man learns of the brutal death of his daughter, murdered by her husband. Suspended time during which oscillate a need of appeasement and desire for vengeance.

Lea begins a summer job as a cashier in a large supermarket chain. In an empty and cold environment, she soon discovers the underlying violence of the work place.