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A long film compiled from sexual tapes recorded by the directors. It documents a six-year relationship in which mutual trust is being replaced little by little by isolation and distance.

A collage of suspicious deaths that have taken place in Thailand over the past 90 years, from kings to citizens and stateless people, died on the piece of land that kings used as a holiday home. Danse Macabre begins with a prologue about Thai law stating that a film can be banned if it is "offensive to moral decency, national security or the monarchy".

This hybrid film was shot in an area called Santikhiri, which means 'the Hill of Peace', the name granted by the Kingdom of Thailand in 1978 in order to create a new image for this land. Located in the northernmost part of the country, the are is now a significant tourist destination due to its mix of cultures between Thai and Chinese, despite a CIA report in 1971 that the area was one of the biggest centers of heroin production in Southeast Asia. However, after General Prem's government came to power in the 80s, everything - drugs, communism, corruption, human trafficking, and stateless persons - in this area was entirely suppressed to foster order and peace. But, in reality, can this place be as peaceful as its new name? Since that time, what has been its continued impact up to this very day and beyond? These are the questions that the film poses. Director's note This film is a Sonata in three movements, indicating the present, past, and future. Forty years ago, when I was a kid, the TV was filled with propaganda, instilling in people's minds that the military government protected the country from different threats, while simultaneously emphasizing political violence in foreign countries: the Gwangju Uprising in 1980 in South Korea, the 8888 Uprising in 1988 in Myanmar, and even the Tiananmen Square Protests of 1989 in China. Coverage of these was used to create the illusion that Thailand was a peaceful and developing country. However, forty years have now passed, and while other countries are developing rapidly, Thailand remains sluggish. The unwavering illusion and pride in the country's status of never having been colonized have successfully shaped our blind nationalism. Just like Napoleon once said: "What is history, but a fable agreed upon?"

When Einstein discovered the theory of relativity, he combined the dimension of time with that of space. This was later known as space-time, which in turn creates a variety of realities according to different perspectives of space and/or time. Inspired by this idea, the film experiments with mixing the dimensions of still and moving images with the simplest and most ordinary means. An attempt to explore reality and non-reality in documentaries and fiction, the film employs objective perspectives that gradually transform into subjective ones, pushing the audience from identifying with the film's characters to distancing themselves as observers. Here, reality is distorted by space and/or time, revealing a secret that is indistinguishable between real and constructed memories. Sometimes reality is unbelievable bizarre, ridiculous, and nonsensical, while fiction can be realistic, serious, and sad. Four men travel to a place of their memory. Two of them used to date ten years ago. The story is told through an interviewer and interviewees. Past stories are unearthed and overlap with the present, leading to a new story that seems like something totally different from what it started from. When they start playing Truth or Dare, secrets are revealed, yet it is uncertain whether they are real or merely lies. Their secrets, told amidst an atmosphere filled with destruction, death, and hope, are sarcastic, ridiculous, nonsensical, obsessed, and severely painful.

"The southern border of Thailand is dangerous, scary, you shouldn't live there, it's full of violence." That is how it's mostly presented in the media. But what is the southern border really like? This documentary will guide you to another perspective through the eyes of a female-female couple.