Advanced search

The last female bee-hunter in Europe must save the bees and return the natural balance in Honeyland, when a family of nomadic beekeepers invade her land and threaten her livelihood.

After an emotional exchange between a Lebanese Christian and a Palestinian refugee escalates, the men end up in a court case that gets national attention.

After 11 years in a coma, Dana wakes up to find family secrets from past threaten to ruin her life yet again.

A professional Qatari photographer is intrigued by the rebellion of a teenage girl from her conservative family as they take pictures of the frescoes in a cultural village. She pursues the teenage girl, documenting her rebellion, until the family rebukes her. After discovering the girl's hideout, the photographer follows her into an amphitheater, where she expresses her inner voice.

Panoptic explores Lebanon's schizophrenia. Depicting a nation thriving for modernity while ignoring the vices preventing it from achieving its goal, director Rana Eid examines this paradox through sound, iconic monuments and secret hideouts.

Baha'a is preparing to leave the war-torn city of Aleppo to return to his hometown, with other travelers he will have to stop because of ongoing fighting. Foreigners are stuck to each other, they will try to bring back to life a destroyed village while waiting for the end of the war. Would she finish one day?

Dana unsuccessfully searches for a job to build a semblance of a life and is reminded that she does not fit into 2018.

Dana is sleeping with her married ex-boyfriend, while her family and friends plan her surprise birthday party that does not go well.

Mistrust and betrayal are the theme with all three sisters as Dana is suspicious that Ghassan is hiding something; Jinane almost gets caught cheating on her husband and Lama gets attacked by one of Fawzi's henchmen.

Dana Nasr, 33, wakes up from an 11-year coma, but a lot has changed during that time, including the Nasr family.

Ghassan is torn on whether or not to hire Dana at RPM, and Dana discovers that her mother wanted to pull the plug and end her life while she was in a coma.

Dana begins working at RPM, Ghassan's ad agency, while struggling to forgive her mother. Dana's sister Jinane tries to get pregnant without any success and gives Dana a lesson she won't soon forget.

Imaginary Dana has disappeared and so has Dana's creative edge. She overloads herself and things take a turn for the worse.

We go back to Dana's life before she falls into a coma, up until the fateful day when she is caught at the site of a car bomb assassination.

In the coma, Dana and Imaginary Dana are in a dreamlike space inside her imagination where she must overcome her fears and figure out what she wants.

Dana's awake again and notices a few strange things about her father Walid, who has put himself in a mess by trying to get out of the drug business for good.

Ghassan gets the news that his girlfriend is pregnant and he's torn between leaving her to be with Dana or doing the right thing.

Joe, the one who betrayed Ghassan, comes back to RPM and strikes up a friendship with Dana that pushes Ghassan to confess his love for her.

Love is in the air as Dana and Ghassan jump into their relationship, Nour and Lama share intimate moments, Jinane actually takes the leap into an affair with Joe and even Walid makes a good impression on Mariam.

Dana becomes suspicious that Ghassan is hiding something from her; Jinane begins an extra-marital affair with Joe; and Lama and Nour become closer than ever because of a shared trauma that will end up changing everything.

Everything falls apart as secrets are revealed ending in heartbreak and death.

Imaginary Dana reappears as Dana's rage takes over; little does she know that there is a Detective milling about her family.