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During the summer, Karlo moves in with his girlfriend, but the infatuation quickly starts to evaporate. As autumn approaches, their life together becomes repetitive and it seems like the only true pleasure may be found in the past.

Young librarian Fran starts to work in the library, where once, a female librarian has mysteriously disappeared.

A nonlinear, fragmentary narrative about a young couple's romantic picnic that ends with a break up. The causes of the break up, as well as its consequences, are only hinted at, since the key events that could give a more complete picture of what's happening are completely omitted.

In the middle of the school year Noa is leaving Split for Zagreb, going to his mother's place. Every morning he wakes up due to the same nightmare that happened on Luna's 18th birthday party. In his new class he met Nika and later he fell in love with her. On his first day in school, during the history lesson, while professor is talking about Barbarossa, Noa is receiving flashbacks about Luna's birthday party. Nika realized that something is wrong with Noa, so she is trying to find out from Noa what happened.

The family comes to visit Granpa, who's left alone after his wife died. Although intending to help him in the period of grief, they ruin his peace.

Winter. The sun is gone. It was as if someone had pressed the mute button.

Love of two young people breaks. After some time they both try to move on, but is that even possible?

Matej is approached by an assistant from his college. A short conversation turns into a whole day of socializing.

Thirty-year-old Petar Pribislav Krznaric steals a car to take part in an illegal night-time drag race. But with the toxic, loving relationship he has with his mother, as well as his own delusions about reality, stealing is the least of his problems. The night comes and the race starts.

A documentary about private and professional life of (un)ordinary croatian politician Dragutin Lesar - -doing most criticised public activityin Croatia - politics.

In the midst of the COVID-19 pandemic, the film director goes to an art residency in one of the most mysterious and isolated countries of the former Soviet Union - the hermit kingdom of Solgatistan. This film is his little travelogue.

I can't remember everything I wanted to say, as if all the summers had merged into one.

A man decides to donate his body to Faculty of medicine after his death.

Filip comes to visit his parents after a year. Reconnecting with the members of his family again, things seem perfect until the past is mentioned.

Larita is a young business woman caught in the trap od a 9 to 5 job while her mind is craving a different and colorful world.

Brankec, a man in his 50s, escapes to a deserted beach, desperate for peace and silence. But his retreat is anything but quiet. The serenity of the waves is shattered by the intrusive echoes of his past, beginning with the haunting memory of his parents attempting to make love while a young Brankec lay awake nearby, ignored and powerless. This voice is soon joined by others: flirty lovers mocking his inadequacies, boastful colleagues reveling in their superiority, and discontented women voicing society's relentless criticisms. These fragments of memory and judgment create a relentless cacophony, a storm of unresolved trauma and self-doubt that pulls Brankec deeper into himself. As the onslaught of voices grows louder, Brankec's grip on reality falters. Memories, emotions, and societal expectations spiral into chaos, revealing the oppressive weight of patriarchal constructs and his own complicity in perpetuating them. Amid the din, one voice stands out-the mocking, calm tone of a psychotherapist, suggesting that Brankec himself is the root of the problem. Yet it is the therapist's parting remark, warm greetings to Brankec's mother laden with overt sexual innuendo, that triggers his ultimate collapse, dredging up long-buried feelings of betrayal and abandonment. With dark humor and raw intensity, the film dissects identity, masculinity, and the scars left by childhood trauma. Brankec's journey becomes a poignant, satirical meditation on inner conflict, asking whether peace is ever truly attainable-or if the echoes of the past will always find a way to shatter the silence we so desperately seek.