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Caballos talks about marginal characters, virtually none will assists. Scenarios decadent, full of the weariness and boredom are the days that we played in luck. This work aims to delve into the contradictions of a society: immobility, loss of illusion, the collapse of the Revolution program. Cuban Film productions in recent years have been characterized mostly by a formal and thematic lightness, seeking to establish a clearly visible manner 'here and now.' Underestimates the average viewer with narrative entertainment facility that most elementary aspire. Disbelieve the claims of aesthetic styles and trends to contemporary cinema. He denies that which is different from the canon and official discourse. We need an auteur cinema, lack the voice generational dialogue with oxygenated and art that does not represent us. There are few spaces that support the production of new filmmakers. Caballos tries to reflect from the provocation. Its greatest strength lies in the exploration of form and expression. The function of art will always be destabilizing, but with an artistic arsenal. I think this film could be a revealing document of our time. Only then will we know why a horse is a beautiful spectacle. Fabián Suárez

Carmen Aguirre and Tony Nardi star in a remarkable story of friends, lovers, seekers and thieves. Set at the intersection of the Latin American, First Nations and Italian communities, "Bella Ciao!" captures a struggle towards solidarity in East Vancouver's urban mix.

In Havana, where economic difficulties are numerous, two young people try to find out if love and aspirations can survive in a city defined by adversity.

Julia reminisces about the time she took her mother, who is suffering from Alzheimer's, and her son to the beach for the first time.

The Promises of Love It's not like before. The time for promises or child play is over. This film is about adulthood, the tragedy of feeling we're getting older alone an distanced from love and caresses. But it's also a story about happy pasts and unexpected and doubtful futures. And it all plays out in the middle of a scene where the ex-lovers lay their cards on the table hoping to uncover secrets and display truths. Who hasn't made promises out of love? Who hasn't tasted the infinite flavor of avowed loyalty and kept it as a weapon in defense of utopia and memories? How many of us do not safeguard tenderness with the perpetuity of an oath? Esteban and Mayra, by the time we meet them, are two human beings who once loved each other; who shared not only their bodily fluids, but also their hopes amidst social processes that led them to believe in impossibilities and to dream; dream of chimeras and imagine untruths. And that's the story. In a Cuba that is reluctant to lose its memories and seeks protection far from what is solemn, this is a reunion between two people who had no options. Mayra had no option when she left the island, nor did Esteban when he stayed behind in suspended, wordless animation. This encounter will lead them to shed their vestments once again, to look into each other's eyes and feel the desire to embrace the other person once more, this time perhaps forever.

Caught up in the middle of the global pandemic, a young couple, Seiko and William try to remain connected to each other in these exceptional times. Seiko only wants to protect William, but William has an obligation to his community. The world needs people like him now more than ever. With the uncertainty of the situation, emotions run high.

In the heart of a futuristic metropolis, "Chlorophyll" unveils the captivating journey of Jonathan, a man who finds solace amidst the chaos through his intimate connection with nature. As Jonathan grapples with the overwhelming presence of towering skyscrapers and incessant advertisements, his tender care for a single potted plant becomes a poignant symbol of his longing for authenticity in a world dominated by artificiality.