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The pianist Kyra Steckeweh and the filmmaker Tim van Beveren search for traces where Countess Dora Pejacevic (1885-1923) lived and worked. Their documentary is a journey through time to a half brilliant, half broken Europe.

When Leipzig pianist Kyra Steckeweh realised that her repertoire almost exclusively consisted of music composed by men, she began searching for pieces written by female composers. Her research in archives, libraries, and publishing houses quickly brought to light a variety of remarkable piano pieces that have been buried in history and rarely performed.. Steckeweh sees a lot of catching up to do, which is why the focus of her piano recitals has since shifted to the music of women composers. At the beginning of 2016 her album, "En dehors", with piano works by Mel Bonis and Lili Boulanger, was released and in 2017 she recorded another album with piano works by Fanny Hensel and Emilie Mayer. With these releases she has brought to our attention and delight four very different composers, all of whom left a diverse body of work. In addition to the in-depth examination of the music, Steckeweh, as a pianist and historian, seeks to look "behind the notes": How did these women live? What barriers did they have to overcome and how did they manage to cope with the obstacles of their time? The film "Women Composers" highlights the historical and personal circumstances under which these four remarkable women created their works in the 19th and early 20th centuries. Together with Berlin filmmaker Tim van Beveren, Steckeweh commences a quest for information which leads them to France, Italy, Poland, and Germany. During their expert interviews, the film team manages to not only elicit noteworthy aspects of the composers' lives and works but also discusses to which extent the legacy of the composers has been preserved and why their music is performed so rarely. At the piano Steckeweh skilfully revives the music of Mel Bonis, Lili Boulanger, Fanny Hensel and Emilie Mayer, making the viewer feel almost personally acquainted with these remarkable composers.

It is the first investigative documentary about history and impact of what is known as Aerotoxic Syndrome, one of the aviation industry's dirty little secrets.

On April 23, 1995 at the airport of Olbia in Sardegna, Italy hundreds of aircraft components were stolen by a gang of armed thieves from the hangars of the airline Meridiana. The gang was arrested shortly later and the parts transferred to the insurance company Generali who already did reimburse Meridiana for the loss encountered. The insurance sold the parts to an entrepreneur in Rome. This triggered the attention of the state prosecutor in Sardengna and the Italian fiscal police. When they raided the company's offices at Rome the police officers found numerous sensitive aircraft parts that were illegally reworked and prepared for shipment to renown customers world wide. They also found evidence for the involvement of a US company and a questionable transaction involving 6 Airbus A30o aircraft previously owned by national carrier Alitalia. The film follows the two year long investigation that was codenamed "operation Latin Phoenix" and shows disturbing insides into an industry that normally pretend s that safety is their number one priority.