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After a controversial promotion, Roberto faces a gradual process of isolation from his colleagues at an oil rig.

A railroad signalman is haunted by a series of strange events in this adaptation of a Charles Dickens short story. Are they truly ghostly manifestations, or the signalman's psychological response to his isolation and repetitive work?

São Paulo, 1984. Estela gets through the troubled phase of adolescence. Sex, love, friendship; everything looks too complicated. Her personal refuge is her uncle Carlos and the trip to California, where he lives, is her biggest dream. But everything falls apart when he comes back weak and ill. Between crisis and discoveries, Estela has to face a reality that will definitely change her way of seeing the world.

The worst wound consumes you from the inside. He celebrates another birthday at his parents beach house.

One day, Eduardo arrives at his house and discovers that Julia, his wife, tried to commit suicide. She left her husband and two children without saying goodbye. After some time, she comes back home. He tries everything to set her straight, but the impossibility of knowing her fully grieves him. The shadow of the suicide and the inevitable ghost of a new chance hover over their heads. Eduardo insists on understanding his wife, but an increasing jealousy and an unexpected discovery of her past torture him. He does not realize that, most of the time, the search for control easily becomes an obsession.

Virgílio Roveda is a man who devoted his life to cinema. Comedies, dramas, Westerns, horror movies, Brazilian country movies, crime thrillers, Brazilian soft-porn comedies. It's hard to find a genre Virgílio hasn't ventured into a career spanning over 50 years. He has been a cinematographer, camera operator, assistant, production manager and even executive producer. Indeed, a veritable Jack of All Trades. Inspired by the eponymous book by Mateus Trunk, the movie tells this professional's story as well as that of the São Paulo movie industry over the last half century. It also becomes a meaningful account of a generation that devoted itself to our film industry, a chronicle of characters that remain in the shadows of Brazil's cinema culture: the technicians. Anonymous professionals who who made significant contributions to the Brazilian motion-picture industry.

A man who lost his taste and his blind wife; an almost deaf girl and her consumerist stepmother; an adult movie actor in love and his completely passionate woman; a sign language teacher and his dilemmas with dumb students. Characters full of love and full of inabilities to cope with their emotional side.

Two kids serving detention discuss the right way to summon Blondie, an old Brazilian urban legend. One of them tries. It works.

Wild animals traffic is one of the most lucrative criminal activities in the world. In Brazil, institutions of the third sector try to minimize the problem but their efforts are almost in vane. Now what?

Rita de Cássia, the demure chaste damsel with a watchful father, has unshakeable faith. A devotee of Saint Anthony, she is obsessed with marriage and immersed in the mystic universe of sympathetic magic and vows. After a spell of romantic setbacks and about to give up on love, she meets an unexpected suitor who will turn her pure and tiny heart upside down.

A woman wakes up at a strange house. She had a bad dream and now she needs to organize the fragments of this dream to know what is real.

Pablito gets into a dilemma as he fails to make his first post on social media.

Henrique is a film director about to finish his feature film, when the lead actor dies. Henrique and the assistant director decides they going to shoot with the lead actor's body. Now, the crew and cast has to deal with this decision.

Singer Alice Caymmi pays tribute to Cassia Eller performing the songs "E.C.T." (1994) by Nando Reis, Marisa Monte and Carlinhos Brown and "Milagreiro" (2001) by Djavan. She's escorted by musicians Beto Gibbs (drums), Pipo Pegoraro (electric and acoustic guitar), Klaus Sena (bass), João Leão (keyboards and rattle), Mauricio Tagliari (ukulele) and Luke Raele (clarinet). On the interview section of the program Miss Caymmi tells us why she chose singer Cassia Eller to homage.

I compare the two different methods and explain which method works best for me, based on my past experience.