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Electronic Visualisation in Arts and Culture

2013

""Electronic Visualisation in Arts and Culture explores a variety of new theory and technologies, including devices and techniques for motion capture for music and performance, advanced photographic techniques, computer generated images derived from different sources, game engine software, airflow to capture the motions of bird flight and low-altitude imagery from airborne devices. The international authors of this book are practising experts from universities, art practices and organisations, research centres and independent research. They describe electronic visualisation used for such diverse aspects of culture as airborne imagery, computer generated art based on the autoimmune system, motion capture for music and for sign language, the visualisation of time and the long term preservation of these materials. Selected from the EVA London conferences from 2009-2012, held in association with the Computer Arts Society of the British Computer Society, the authors have reviewed, extended and fully updated their work for this state-of-the-art volume. ""

Preface “To accomplish great things we must first dream, then visualize, then plan... believe... act!” – Alfred A. Montapert In this book, we present selected revised and extended papers from the EVA London Conference on Electronic Visualisation and the Arts held between 2009 and 2012. These conferences provide an interdisciplinary forum for people with a wide range of backgrounds, ranging from visual artists to computer scientists. The initial selection of chapters was largely by the audience during ‘best presentation’ competitions at these conferences, with some additions by the editors for a more rounded overall selection. George Mallen has provided a summing up at recent EVA London conferences and provides a thoughtful foreword for this book. James Hemsley is the progenitor of the EVA conferences, which began in London, but are now held annually in a number of other venues around the world, including Berlin, Florence, and Moscow. In Chapter 1, he provides a history of EVA by way of background to this book. The rest of the book is divided into themed parts. Each has been shepherded by an editor during the reviewing and revision process and includes a short introductory chapter summarising the theme and the rest of the chapters in that part, together with some suggested reading where appropriate. The annual EVA London conferences are held on behalf of the Computer Arts Society, a British Computer Society (BCS) Specialist Group of the Chartered Institute for IT. We gratefully acknowledge the assistance and support of both organisations. The editors thank the EVA London organising and programme committees for the years 2009 to 2012, especially the organising chairs and proceedings editors (for the Proceedings for these conferences, see http://www.eva-london.org). James Hemsley and George Mallen have been stalwarts of the EVA London conference series for many years. Finally, thank you to all the participants at EVA London conferences for making them such exciting and successful events. Jonathan P. Bowen Suzanne Keene Kia Ng