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2007, Royal Ontario Museum
Based on the Royal Ontario Museum exhibition, "Canada Collects: Treasures from Across the Nation," this companion volume celebrates the art of collecting in Canada. More than seventy objects on loan from some fifty Canadian institutional and private collections are featured, from an original historic map and manuscript to contemporary paintings and sculptures. "Canada Collects" underlines the fraternity among great museums and individual collectors as well as Canadians’ sophisticated interest in cultures of other places. In addition to the many international artifacts selected, "Canada Collects" exhibits some of the most iconic artifacts of Canada, including a 1709 Hudson’s Bay Company map; Lucy Maud Montgomery’s original manuscript for "Anne of Green Gables" (1905); Walter S. Allward’s powerful maguette, "Justice" (c. 1925–1930) for the Vimy Ridge Memorial; artifacts from the fabled Avo Arrow aircraft (1958); the first Canadian maple leaf flag (1965); a gold Dogfish Brooch (c. 1959) by Haida artist Bill Reid; a Chromogenic transparency titled "Bad Goods" (1984) by Jeff Wall; Tim Whiten’s cast glass, "Dwelling #5" (1991); and Pierre Elliot Trudeau’s birchbark canoe (1968).
At the heart of the complex political network developed by the French with the Canadian Aboriginal Peoples from the 17th century onwards, treaties remain, after the British Conquest in 1760, essential to secure the new relationships between the English and Native Peoples. However, at that time already a shift in their use was noticeable. Being in principle, as diplomatic tools, the tangible proof of each signatory's autonomy, they rapidly became the means for the spreading out of an overwhelming colonial power over native nations, extension almost achieved in Central and East Canada at the end of the second half of 19th Century. Analyzing the political signification of these treaties shift in meaning between the end of New France in 1760 and the first Indian Act in 1876, this paper aims to analyze why they were to be inscribed in a process of colonial subjugation, territorial dispossession being just one of the many expressions of it.
The Festschrift is a collection of 47 essays on subjects related to Prof. Kouymjian’s interest over the years written by colleagues, friends, and students. Included in the selection that follows are the front cover, the titlepage, acknowledgements, Table of Contents, Preface, the editor’s Introduction, Bibliography of the honoree’s works, Tabula Gratulatoria, and back cover.
Al-ʿUṣūr al-Wusṭā, 2015
Bulletin canadien d'histoire de la médecine, 2018
Le rire a joué, en France, dans la deuxième moitié du 19e siècle et la première moitié du 20e siècle, un rôle stratégique crucial dans le combat anticlérical et antireligieux. De cet usage polémique du rire est résultée toute une production culturelle qu’on a distinguée d’une littérature « savante », qui mènerait la lutte contre la religion sur un tout autre plan, celui de la raison affrontant l’obscurantisme et le préjugé. Dans cet article, on essaye de montrer, à partir d’une analyse des contributions relevant de la « psychologie de la religion » ou « hiéropsychologie » publiées dans la Revue de l’hypnotisme, qu’il existe aussi un « ridicule savant », dont les formes, les codes et les usages sont caractéristiques du rire anticlérical que l’on peut associer au « matérialisme médical ».
A. Lossky-G. Sekulovski (red.), Traditions Recomposées: Liturgie et doctrine en harmonie ou en tension. 63. Seminaire d' études liturgiques, Paris, Institut St. Serge, 21-24 june 2016, Münster , 2017
Utopian Studies, 2014
This essay explores the ways in which the notion of “everyday life” helps us stage a theoretically productive encounter between modernism/modernity and utopia within the context of late nineteenth- and early twentieth-century literary history. Taking Virginia Woolf's critique of Edwardian writers as its starting point, it examines the hidden historical dimensions of the very idea of the everyday, its connection to modernity and, at the same time, to boredom as a specific symptom of that modernity. To illustrate the implications of this theoretical framework for literary study, I turn to two of the most emblematic texts of modernist and utopian aesthetics: James Joyce's Ulysses and William Morris's News from Nowhere. Whereas in Joyce, technical and formal experimentation becomes a means of capturing daily life (including utopian daydreaming) in terms of an oscillation between capitalist commodification and the restlessness of bored distraction, Morris grasps everyday life as both steeped in boredom and removed from the suffering and restlessness associated with it. Thus, utopia reverses the modernist logic of innovation, making “novelty” not a formal dimension of the literary text but one that pertains to its projected, anticipated content: life beyond the determinations of capitalist modernity.
2019
This Element is a contribution to the ongoing debate on what it meant to publish a book in manuscript. It offers case-studies of three twelfth-century Anglo-Norman historians: William of Malmesbury, Henry of Huntingdon, and Geoffrey of Monmouth. It argues that the contemporary success and rapid attainment of canonical authority for their histories was in significant measure the result of successfully conducted publishing activities. These activities are analysed using the concept of a 'publishing circle'. This concept, it is suggested, may have wider utility in the study of authorial publishing in a manuscript culture. Follow the link (DOI) to access the publication.
Eurasian Studies, 2014
R.J. van der Spek, 'Seleukos, self-appointed general (strategos) of Asia (311 - 305 B.C.), and the satrapy of Babylonia,' in: H. Hauben & A. Meeus eds., The Age of the Successors and the Creation of the Hellenistic Kingdoms (323-276 B.C.), (Leuven 2014), 323-342, 2014
Huntington Library Quarterly, 2011
Façonner le Québec. Population, pouvoirs et territoires. Actes des 21e et 22e colloques étudiants du CIEQ, 2017
: From Learning to Love. A Tribute Offered to Joseph Goering, ed. Tristan Sharp/Isabelle Cochelin/Greti Dinkova-Bruun/Abigail Firey/Giulio Silano, Toronto 2017 (Papers in Mediaeval Studies 29), 533 – 554 (mit Katherine Hill).
Baron de Vastey and the Origins of Black Atlantic Humanism, 2017
Literature Compass, 2006
Laval théologique et philosophique:, 2000
S.W. Holloway (ed.), Orientalism, Assyriology and the Bible, Hebrew Bible Monography 10 (Sheffield, 2006), 2006
H. Hauben and A. Meeus (eds.), The Age of the Successors and the Creation of the Hellenistic Kingdoms (323-276 B.C.), 2014
H. Hauben & A. Meeus (edd.), The Age of the Successors and the Creation of the Hellenistic Kingdoms (323-276 B.C.) (Studia Hellenistica 53), Leuven: Peeters 2014.
RACAR (Revue d’art canadienne/Canadian Art Review), 2000
The Age of the Successors and the Creation of the Hellenistic Kingdoms (323-276 B.C.), 2014
A. Cathcart (ed.), Maritime Communities of the North Atlantic Arc in the Early Modern Period, 2019