Video Editing and Post-Production Work

Se propone la implementación de la Psicología del color, como el basamento teórico
encargado de estudiar la incidencia del cromatismo en las emociones humanas, para cohesionar
las propuestas estéticas de los departamentos de Fotografía y Arte durante el proceso de
producción del cortometraje El Milagro de Lili (2017), engranando con la etapa de
postproducción durante el Etalonaje Digital.

Analysis of how the editing choices in the animation feature film "Perfect Blue" are accurately studied and performed to reflect the psychological crisis the protagonist faces.

Published on "First Frame" (Spring 2021), BFE (British Film Editors) official magazine.
Edited by: Alan Miller (https://www.imdb.com/name/nm0000083/)

Adendo do tutorial do software Adobe Premiere CS4 no quesito exportação e codecs. Esse passo-a-passo também funciona para os programas CS5 e CS6. Versão atualizada da parte do tutorial que fala da exportação do vídeo agora com o acréscimo do programa Adobe Media Encoder.

As a supplement to its popular video editing program Premiere Pro, Adobe now automatically directs new users to its series Learn More tutorials. This move to have the tool teach itself not only has the potential to sideline in-person instructors, but, under the guise of ‘neutral’ technology, naturalizes the professionalization discourse in video production pedagogy. This discourse emphasizes technical, ‘job-ready’ skill building to the exclusion of critically-minded production activities aimed at analyzing texts or challenging hegemonic representations through alternate production. Via a walkthrough analysis, I track how the Learn More tutorials reproduce the professionalism discourse by navigating users toward specific production practices and outputs. Lessons on Premiere functions including color correction, sequencing, audio mixing tools consistently foreground a technical, ‘how-to’ approach to video production, ignoring valuable ‘why’ questions of meaning and representation. I conclude by calling for media production educators to interrogate seemingly neutral technologies like the Learn More tutorials. By locating these sites of reproduction and understanding the means through which they reproduce the professionalism discourse, instructors can work to negotiate or challenge production tools to better allow critically-oriented media production approaches to take root.

Video editing jobs is a procedure carried out in deploying as well as reorganizing the video that is captured into a new video that is presentable to the audience. It is known that editing is a process that is executed during the post-production stage. The editing process involves modifying the color factors, integrating the music into video and titling, etc. When a video is to be prepared in a format that combined with audio clips then approaching a person who performs video editing jobs plays a vital role undoubtedly. They do possess knowledge in applying filters, and other types of improvements in the video. They generate a smooth transition between the video clips that are recorded by the professionals. Need for video editing operations When a video is ought to state a story or offer an information to the public then editing a video becomes an essential task that improves the video flow in order to attain the goal. The video can be improved by introducing the fun part which makes the audience to watch the video entirely. Therefore people approach editing and post production New York to add the ingredients to increase the fun activity in the video clip. A skilled video editor should produce mood changes in the video as the video proceeds to play. He/she should understand the music plus visual effects that are appealing should be included such that which makes the audience to react and get involved completely during the video progress.

Honeycomb is a Video Production Company in Bangalore, Mumbai, India. Honeycomb is a one stop solution for services related to Corporate films, Corporate videos, product videos, 2D Animation, Testimonial Videos. For more information visit www.honeycombindia.net. Or Contact us Noufel @ +91 9845128760

Adobe After Effects sau Adobe Premiere? Ce program alegem pentru editarea video? | Curs Adobe After Effects | Curs Adobe Premiere Pro | Întâlnim des această întrebare, care încă naște confuzii. Deși ambele sunt editoare video, cele două programe au destinații diferite. În Adobe Premiere, la fel ca în Sony Vegas, putem edita în întregime un proiect video, dar nu putem realiza efecte speciale și mai ales nu putem construi compoziții video. Pe de altă parte, randarea-exportul unui proiect de lungă durată în Adobe After Effects poate consuma mai mult timp decât exportul său din Adobe Premiere. În After Effects putem realiza orice compoziție video, limita fiind numai imaginația noastră: secvențe introductive de efect, animații, efecte incredibile care dau viață proiectului și îl individualizează. Așadar, fiecare program are destinația sa specifică. Ce facem însă dacă lucrăm cu un proiect care include filmări de durată, în care dorim să inserăm compoziții video sau efecte speciale? Răspunsul constă în colaborarea dintre cele două programe, After Effects și Premiere. Fluxul de lucru dintre cele două editoare se numește Dynamic Link. Pentru că ambele programe sunt extrem de puternice, pentru a realiza cât mai eficient un proiect complex este important să știm când să folosim After Effects și când să folosim Premiere Pro. Deseori, unul din ele este mai adecvat unui anume scop decât celălalt. Adobe Premiere Adobe Premiere Pro este este programul pe care majoritatea începătorilor îl deschid pentru a crea un videoclip simplu cu mai multe clipuri și muzică. Este incredibil de scalabil-ușor de utilizat pentru începători și totuși suficient de puternic pentru un editor de calibru greu. Aveți la dispoziție aproape tot ce aveți nevoie pentru a completa

ABSTRACT In this paper, we present a system for video face replacement that requires only two videos of a source actor and a target actor using only a single digital camera. Existing video face replacement techniques usually need special equipment or 3D models; the proposed system achieves a realistic replacement of faces without using 3D models or special equipment. There are many applications of the proposed system that are presented in this paper using only two footages of actors. We can replace a frontal face with another one; this gives the possibility to change the appearance of actors without makeup or any prior settings. We introduce a new technique for face blending that is based on a gradient domain method called Modified Poisson Blending (MPB) to reduce the bleeding problem of Poisson image editing, and achieve realistic results of face replacement. Experimental results demonstrate that the proposed system using MPB technique produces more realistic results than the results of other cloning techniques.

In recent years, China has become one of the largest film industries and in order to remain competitive, Chinese blockbusters are attempting to imitate Hollywood post-production qualities. As Australian post-production companies are internationally renowned for their expertise, Chinese filmmakers are seeking opportunities to collaborate with Australians. The Australian government recognises China’s enthusiasm and has begun highlighting the nation’s strength through various programmes targeted towards the Chinese film industry. Though efforts have been placed to promote Australia's post-production industry, there is currently minimal research on Chinese cinema audiences' opinions regarding this transnational collaboration. To examine the effects of transnationality in Chinese cinema, this paper analyses Chinese audiences' opinions, along with exploring how the Australian government and post-production companies are engaging with China, to understand the potential of this partnership. The paper utilises data collected from the Chinese social networking site Douban to understand audiences’ reception on the post-production elements of the Chinese film Hero (2002). Overall, the analysis demonstrates that Chinese audiences are not identifying Australia’s role, however the impact of Australian practitioners are being emphasised through complements on the film’s visual effects, showing great potential between this transnational collaboration.

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