Victorian Literature

From Henry David Thoreau to Bill McKibben, critics and philosophers have long sought to demonstrate how a sufficient life—one without constant, environmentally damaging growth—might still be rich and satisfying. Yet one crucial episode in the history of sufficiency has been largely forgotten. Green Victorians tells the story of a circle of men and women in the English Lake District who attempted to create a new kind of economy, turning their backs on Victorian consumer society in order to live a life dependent not on material abundance and social prestige but on artful simplicity and the bonds of community.
         
At the center of their social experiment was the charismatic art critic and political economist John Ruskin. Albritton and Albritton Jonsson show how Ruskin’s followers turned his theory into practice in a series of ambitious local projects ranging from hand spinning and woodworking to gardening, archaeology, and pedagogy. This is a lively yet unsettling story, for there was a dark side to Ruskin’s community as well—racist thinking, paternalism, and technophobia. Richly illustrated, Green Victorians breaks new ground, connecting the ideas and practices of Ruskin’s utopian community with the problems of ethical consumption then and now.

Christopher Otter, Ohio State University
"This highly original, absorbing, and beautifully written work rethinks Ruskin by anchoring his thought, and that of his friends and associates, in their daily routines, showing how a style of thought we might call “ecological” emerged through prosaic practices. But it also shows the difficulties inherent in creating such a style of thought, and the complexities and compromises that emerged alongside ecological thinking. The issues raised in this book, vital today, will become only more significant in the future."

Mark Frost, University of Portsmouth
"Green Victorians provides a welcome exploration of an important but overlooked aspect of British environmental history. A valuable addition to the recent upsurge of interest in Ruskin's sociocultural work and legacies, it also brilliantly revises the history of environmentalism, making a powerful case for tracing the roots of modern ideas on sustainability, low growth, and artisanship to John Ruskin and his lakeland disciples. This is a Victorian book for the Anthropocene."

Julia Adeney Thomas, University of Notre Dame
"Green Victorians traces the critique of consumer society and the fossil fuel economy to John Ruskin’s circle in England’s Lake District.  There among the hills, the erratic, brilliant art historian and an idiosyncratic band of visionaries including London barrister Albert Fleming, the charismatic Coniston gardener Susanna Beever, and Canon Hardwicke Rawnsley tried to revive handicraft production and simpler modes of life divorced from consumerism.  This bracing story, eloquently told, traces the allure of the ‘culture of sufficiency’ and its downfall.  A joy to read as well as an edgy political challenge, Green Victorians looks at the past with an eye to our future."

Mark Fiege, Colorado State University
“Here is a remarkable and prescient recovery of a forgotten moment when a group of people tried to reenvision what it means to be modern. Their struggles to achieve what the authors call a ‘culture of sufficiency’ remind us of the enduring need for all people to live fulfilling lives without laying waste to the planet. Thoughtful, beautifully written, and profoundly unsettling, this is a model history suited to the new epoch in which we find ourselves.”

This volume brings together scholars of modern and ancient culture to explore historical, textual, material and theoretical interactions between classics and imperialism during the heyday of the British Empire from the late eighteenth through to its collapse in the early decades of the twentieth century. It examines the multiple dialogues that developed between Classics and colonialism in this period and argues that the two exerted a formative influence on each other at various levels. Most at issue in the contexts where Classics and empire converge is the critical question of ownership: to whom does the classical past belong? Did the modern communities of the Mediterranean have pre-eminent ownership of the visual, literary and intellectual culture of Greece and Rome? Or could the populations and intellectual centres of Northern Europe stake a claim to this inheritance? And in what ways could non-European communities and powers – Africa, India, America – commandeer the classical heritage for themselves? In exploring the relationship between classics and imperialism in this period, this volume examines trends that are of current importance both to the discipline of Classics and to modern British cultural and intellectual history. Both classics and empire, this volume contests, can be better understood by examining them in tandem: the development of classical ideas, classical scholarship and classical imagery in this period was often directly or indirectly influenced by empire and imperial authority, and the British Empire itself was informed, shaped, legitimised and evaluated using classical models.