Floyd Cramer (October 27, 1933 – December 31, 1997) was an American Hall of Fame pianist who was one of the architects of the "Nashville sound". He was known for his "slip note" piano style, where an out-of-key note slides into the correct note.
Born in Shreveport, Louisiana, Cramer grew up in the small town of Huttig, Arkansas, teaching himself to play the piano. After finishing high school, he returned to Shreveport, where he worked as a pianist for the Louisiana Hayride radio show.
In 1953, he cut his first single, "Dancin' Diane", backed with "Little Brown Jug", for the local Abbott label. During 1955 he played dates with an emerging talent who would later figure significantly in his career, Elvis Presley.
Cramer moved to Nashville in 1955 where the use of piano accompanists in country music was growing in popularity. By the next year he was, in his words, "in day and night doing session". Before long, he was one of the busiest studio musicians in the industry, playing piano for stars such as Elvis Presley, Brenda Lee, Patsy Cline, the Browns, Jim Reeves, Eddy Arnold, Roy Orbison, Don Gibson, and the Everly Brothers, among others. It was Cramer's piano playing, for instance, on Presley's first RCA Victor single, "Heartbreak Hotel". However, Cramer remained strictly a session player, a virtual unknown to anyone outside the music industry.
"Goodnight, Irene" or "Irene, Goodnight," is a 20th-century American folk standard, written in 3/4 time, first recorded by American blues musician Huddie 'Lead Belly' Ledbetter in 1933.
The lyrics tell of the singer's troubled past with his love, Irene, and express his sadness and frustration. Several verses make explicit references to suicidal fantasies, most famously in the line "sometimes I take a great notion to jump in the river and drown," which was the inspiration for the 1964 Ken Kesey novel Sometimes a Great Notion and a song of the same name from John Mellencamp's 1989 album, Big Daddy, itself strongly informed by traditional American folk music.
The specific origins of "Irene" are unclear. Lead Belly was singing a version of the song from as early as 1908, which he claimed to have learned from his uncles Terell and Bob. An 1892 song by Gussie L. Davis has several lyrical and structural similarities to the latter song; a copy of the sheet music is available from the Library of Congress. Some evidence suggests the 1892 song was itself based on an even earlier song which has not survived. Regardless of where he first heard it, by the 1930s Lead Belly had made the song his own, modifying the rhythm and rewriting most of the verses.
The Balham Alligators were a band from London that mixed rock 'n' roll, cajun, country and R&B. The band centred on singer and instrumentalist Geraint Watkins.
The band came together by chance at a London pub in 1983. The original line-up consisted of Geraint Watkins, Robin McKidd, Kieran O'Connor, Arthur Kitchener, and Gary Rickard. The Alligators played a hybrid blend of musical styles, including Rock 'n' Roll', Blues, R&B, Celtic Folk, Swamp-Pop, Country, Swing, Cajun & Zydeco.
The Balham Alligators performed in venues around Europe. Early albums included The Balham Alligators and Life In A Bus Lane. The pressure of constant touring began to take its toll with the continued ill-health and eventual death of Kieran O'Connor (d. 1991), the departure of Kitchener and Ron Kavana, and despite the recruitment of Pete Dennis to replace Kitchener convinced the remaining members it was time to call it a day.
The following years were spent pursuing individual projects with Watkins and Rickard working with Charlie Hart as, Rickard, Watkins & Hart, with Watkins eventually leading his own outfit, The Wobblers, in 1992. Robin McKidd formed The Companions of The Rosy Hours a western-swing band. Despite the four years since the original band's demise, McKidd was still receiving offers of work for the Alligators, persuading Watkins and Rickard to try out a few gigs with The Wobblers as a backing band, it became apparent that the Alligators were still a viable concern. Bolstered with morale and momentum they recruited session musician, Bobby Irwin on drums and ex-Chilli Willi and the Red Hot Peppers' bass guitarist Paul Riley and by the latter half of 1995 they recorded Gateway To The South (1996) and followed by Cajun Dance Party (1997).
I bless the day I found you
I want to stay around you
And so I beg you, let it be me
Don't take this heaven from one
If you must cling to someone
Now and forever, let it be me
Each time we meet love
I find complete love
Without your sweet love what would life be
So never leave me lonely
Tell me you love me only
And that you'll always let it be me
Each time we meet love
I find complete love
Without your sweet love what would life be
So never leave me lonely
Tell me you love me only