Floyd Cramer (October 27, 1933 – December 31, 1997) was an American Hall of Fame pianist who was one of the architects of the "Nashville sound". He was known for his "slip note" piano style, where an out-of-key note slides into the correct note.
Born in Shreveport, Louisiana, Cramer grew up in the small town of Huttig, Arkansas, teaching himself to play the piano. After finishing high school, he returned to Shreveport, where he worked as a pianist for the Louisiana Hayride radio show.
In 1953, he cut his first single, "Dancin' Diane", backed with "Little Brown Jug", for the local Abbott label. During 1955 he played dates with an emerging talent who would later figure significantly in his career, Elvis Presley.
Cramer moved to Nashville in 1955 where the use of piano accompanists in country music was growing in popularity. By the next year he was, in his words, "in day and night doing session". Before long, he was one of the busiest studio musicians in the industry, playing piano for stars such as Elvis Presley, Brenda Lee, Patsy Cline, the Browns, Jim Reeves, Eddy Arnold, Roy Orbison, Don Gibson, and the Everly Brothers, among others. It was Cramer's piano playing, for instance, on Presley's first RCA Victor single, "Heartbreak Hotel". However, Cramer remained strictly a session player, a virtual unknown to anyone outside the music industry.
"A Lover's Concerto" is a pop song, written by American songwriters Sandy Linzer and Denny Randell and recorded in 1965 by The Toys.
Their original version of the song was a major hit in the United States, the UK and elsewhere during 1965. It peaked on the US Billboard Hot 100 chart at number 2, and reached number 1 both on the US Cashbox chart, (Billboard 's main competitor) and in Canada on the RPM national singles chart. It peaked at number 5 in the UK Singles Chart. "A Lover's Concerto" sold more than two million copies and was awarded gold record certification by the R.I.A.A..
The melody of Minuet in G major by Petzold was first popularized by bandleader Freddy Martin in the 1940s; Martin's recording was released under the title "A Lover's Concerto".
Critic Dave Thompson wrote of the Toys' version, "Few records are this perfect. Riding across one of the most deceptively hook-laden melodies ever conceived ... 'A Lover’s Concerto' marks the apogee of the Girl Group sound." The song also had an unusual structure that blurred the differences between its verses and choruses.
I bless the day I found you
I want to stay around you
And so I beg you, let it be me
Don't take this heaven from one
If you must cling to someone
Now and forever, let it be me
Each time we meet love
I find complete love
Without your sweet love what would life be
So never leave me lonely
Tell me you love me only
And that you'll always let it be me
Each time we meet love
I find complete love
Without your sweet love what would life be
So never leave me lonely
Tell me you love me only