Reporter Lucy Sherriff on fleeing from the LA fires: I Saw the Beginning of Hell. “A father ran up the street with his daughter in her school uniform. ‘I can see my house, my house is burning! Mommy’s there, Mommy’s going to die!’” Jesus.
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The Weirdest TV Crossovers of All Time include St. Elsewhere + Cheers, Arrested Development + Law & Order: SVU, Alice + The Dukes of Hazzard, and Mr. Robot + Alf.
You Don’t Need A Full-Size Pickup Truck, You Need a Cowboy Costume. “The most popular vehicles in America may be the greatest examples of overcompensation ever invented.”
Some New Site Features to Report
Hey folks, I just wanted to update you on some things I’ve launched recently at the ol’ dot org. (RSS reader folk, you’re going to have to click through to the actual WWW to see these…don’t be scared, you can do it.)
1. Last month, I added the ability for members to fave comments, to see comments they’ve posted and faved, and the ability to sort comments in threads. You can read about those features here.
2. Image zooming. If you click on images in posts (on the Embroidery Journaling post or the Eadweard Muybridge image at the top of this post), the image will zoom to fill the browser. Clicking it again will shrink it again. (Oh and I’m testing a feature that does the same thing for videos.)
3. For the Quick Link URL cards/unfurls, I’m displaying the embedded video instead of a cover image. For example, see this post about the special overalls that Finnish university students wear.
4. I refreshed the design of the newsletter a little bit and added a link to the comment section of each post. Because HTML email is a pain in the ass, it doesn’t look/work quite how I want it to yet, but it’s getting there. More tbd.
5. And the best for last: I can now pull Bluesky & Mastodon posts into comment threads in the form of reposts. You can see it in action in the posts about Meta’s Free Speech Grift, HTML: the Most Significant Computing Language Ever Developed, and The Truth About January 6th. I’m using it to collect noteworthy direct comments to my posts on those platforms but also a curated collection of posts and links that I think are particularly relevant to particular posts. So far, it’s been such a quick & easy way to pull in more information and voices around a topic.
Inspiration for this feature came from social media (retweeting, etc.) but also from the original reblog concept developed by Jonah Peretti, Mike Frumin, and others at Eyebeam while we were all there. Their software was the inspiration for Tumblr’s reblog feature, Twitter’s retweet, and Facebook’s share. Going back to the source (and the linkblogging & feedreaders that they were inspired by) is a useful reminder that these sorts of features aren’t just available to Twitter & FB. And in fact, we’ve let social media sites pull in so much content & activity from the open web…it’s time to start pulling back a little.
Right now, reposting is something only I can do (*rubs hands together diabolically*) but I might open it up to others after I iron out a few kinks and if there’s interest. It only works with Bluesky & Mastodon rn, but I’m going to add email (for threads like this) and Threads, although after this bullshit, I may not bother. Anyway, this feature was on the original roadmap for comments and I’m so glad I found the time to finally make it happen.
Ok, that’s all for now. As always, let me know in the comments if you have questions, comments, concerns. âď¸
Simon Willison shares his approach to running a link blog. “I don’t like to recommend something if I’ve not read that thing myself, and sticking in a detail that shows I read past the first paragraph helps keep me honest about that.” Ditto. đ
The Dune Bible
Recently sold at auction for ÂŁ277,200, The Dune Bible is the storyboard for Alejandro Jodorowsky’s film adaptation of Frank Herbert’s Dune, which was famously never made. From an Instagram tour of the book:
The book contains a complete storyboard that tells the narrative of the proposed Dune film shot by shot, in addition to depictions of all the featured characters, vehicles, and environments by the greatest sci-fi artists of the time.
The auction house believes that only 20 of these bibles were ever made and only 10 have survived. An imperfect scan of the book appears to be available on The Internet Archive and here’s a sample of around 46 images.
A similar copy of the book was sold for $3 million in 2021 to a bunch of crypto-dopes who “believed that the purchase granted them the copyright to the book, which they intended to splice and sell as NFTs before burning the physical copy”.
The Most Scathing Book Reviews of 2024. Here’s Ron Charles on Kristi Noem’s memoir: “…a hodgepodge of worn chestnuts and conservative maxims, like a fistful of old coins and buttons found between the stained cushions in a MAGA lounge”.
Surviving President Tr*mp: Lessons from the 1960s and Octavia E. Butler. “First, breathe. Meditate. Journal. Dance. Hydrate. Get enough rest. If you’re an artist, CREATE.”
The Days They Changed the Gauge
After the Civil War, the economic recovery of the southern United States hinged on trade with the North and moving goods westward via the railroad. But there was a problem. Tracks in the South had been built with a gauge (or track width) of 5 feet but the majority of tracks in the North had a 4-foot 9-inch gauge (more or less). So after much planning, over a concentrated two-day period in the summer of 1886, the width of thousands of miles of railroad track (and the wheels on thousands of rail cars) in the South was reduced by three inches.
Only one rail would be moved in on the day of the change, so inside spikes were hammered into place at the new gauge width well in advance of the change, leaving only the need for a few blows of the sledgehammer once the rail was placed. As May 31 drew near, some spikes were pulled from the rail that was to be moved in order to reduce as much as possible the time required to release the rail from its old position.
Rolling stock, too, was being prepared for rapid conversion. Contemporary accounts indicate that dish shaped wheels were provided on new locomotives so that on the day of the change, reversing the position of the wheel on the axle would make the locomotive conform to the new gauge. On some equipment, axles were machined to the new gauge and a special ring positioned inside the wheel to hold it to the 5-foot width until the day of the gauge change. Then the wheel was pulled, the ring removed, and the wheel replaced.
To shorten the axles of rolling stock and motive power that could not be prepared in advance, lathes and crews were stationed at various points throughout the South to accomplish the work concurrently with the change in track gauge.
And you thought deploying software was difficult.
Update: In their book Information Rules, Carl Shapiro and Hal Varian point out that sometimes having different standards from the norm is a good thing.
As things turned out, having different gauges was advantageous to the South, since the North could not easily use railroad to move its troops to battle in southern territory during the Civil War. Noting this example, the Finns were careful to ensure that their railroads used a gauge different from the Russian railroads! The rest of Europe adopted a standard gauge, which made things easy for Hitler during World War II: a significant fraction of German troop movements in Europe were accomplished by rail.
They also describe the efforts that the South went through to support the stronger standard of the North without switching over:
In 1862, Congress specified the standard gauge for the transcontinental railroads. By this date, the southern states had seceded, leaving no one to push for the 5-foot gauge. After the war, the southern railroads found themselves increasingly in the minority. For the next twenty years, they relied on various imperfect means of interconnection with the North and West: cars with a sliding wheel base, hoists to lift cars from one wheel base to another, and, most commonly, a third rail.
At home, I have a drawer full of sliding wheel bases and third rails in the form of Euro-to-US & Asia-to-US power adapters.
Study: More Americans Buying Firearms To Defend Selves From Toddlers Who Found Their Guns. “If a child ever gets into their nightstand or unlocked gun safe, they just want a chance to fight back.”
You’ll Never Get Off the Dinner Treadmill. “It’s not just the cooking that wears me down, but the meal planning and the grocery shopping and the soon-to-be-rotting produce sitting in my fridge.” Everything after the “but” is my daily nemesis.
How to Make the World’s Rarest Pasta
In this excerpt from Custodians of Wonder: Ancient Customs, Profound Traditions, and the Last People Keeping Them Alive, author Eliot Stein travels to a city in Sardinia to learn how to make the world’s rarest pasta, su filindeu.
As much as I would hate to see su filindeu fade away, I understand why Abraini doesn’t want to teach it to any Canadian or Greek chef who calls her out of the blue. Sure, after several years, she may succeed in passing on the skill, but as she told me, when you take something that is so intertwined with a specific place, a specific event, and a specific pastoral code, and you present it in a different context, “it’s no longer the threads of God; it’s just pulled pasta.”
Only a few people in the world know how to make this pasta properly, and they all belong to the same family.
“There are only three ingredients: semolina wheat, water and salt,” Abraini said, vigorously kneading the dough back and forth. “But since everything is done by hand, the most important ingredient is elbow grease.”
Abraini patiently explained how you work the pasta thoroughly until it reaches a consistency reminiscent of modelling clay, then divide the dough into smaller sections and continue working it into a rolled-cylindrical shape.
Then comes the hardest part, a process she calls, “understanding the dough with your hands.” When she feels that it needs to be more elastic, she dips her fingers into a bowl of salt water. When it needs more moisture, she dips them into a separate bowl of regular water. “It can take years to understand,” she beamed. “It’s like a game with your hands. But once you achieve it, then the magic happens.”
Here’s a 30-minute video on how su filindeu is prepared â there are a couple of shorter videos as well.
From MIT Technology Review, the 8 worst technology failures of 2024. Includes AI slop, Boeing’s Starliner, and woke AI.
Features of Adulthood
I enjoyed Randall Munroe’s take on what he thought adult life would be like as a kid…in the form of a graph, naturally. All those Looney Tunes reruns & 80s movies led us Gen Xers astray.
Exercise is “the single most potent medical intervention ever known”. “People sleep better. They have better mood. They’re able to breathe better. There are just so many ways in which exercise helps.”
The 2024 Architecture and Design Awards. There’s a children’s book museum in Kansas City? And Miranda July renovated the kitchen in her rental apartment without her landlord knowing?
HTML: the Most Significant Computing Language Ever Developed
Tim Carmody has a great appreciation of HTML in Wired magazine: HTML Is Actually a Programming Language. Fight Me.
HTML is somehow simultaneously paper and the printing press for the electronic age. It’s both how we write and what we read. It’s the most democratic computer language and the most global. It’s the medium we use to connect with each other and publish to the world. It makes perfect sense that it was developed to serve as a library â an archive, a directory, a set of connections â for all digital knowledge.
I love HTML!
The Criterion Channel’s collection of Surveillance Cinema, including The Conversation, Gattaca, Minority Report, Sliver, and The Lives of Others.
Meta’s Free Speech Grift
From The Verge: Meta abandons fact-checking on Facebook and Instagram in favor of Community Notes.
Facebook, Instagram, and Threads are ditching third-party fact-checkers in favor of a Community Notes program inspired by X, according to an announcement penned by Meta’s new Trump-friendly policy chief Joel Kaplan. Meta is also moving its trust and safety teams from California to Texas.
Here is Mark Zuckerberg’s thread about the announcement:
It’s time to get back to our roots around free expression and giving people voice on our platforms. Here’s what we’re going to do:
1/ Replace fact-checkers with Community Notes, starting in the US.
2/ Simplify our content policies and remove restrictions on topics like immigration and gender that are out of touch with mainstream discourse.
3/ Change how we enforce our policies to remove the vast majority of censorship mistakes by focusing our filters on tackling illegal and high-severity violations and requiring higher confidence for our filters to take action.
4/ Bring back civic content. We’re getting feedback that people want to see this content again, so we’ll phase it back into Facebook, Instagram and Threads while working to keep the communities friendly and positive.
5/ Move our trust and safety and content moderation teams out of California, and our US content review to Texas. This will help remove the concern that biased employees are overly censoring content.
6/ Work with President Trump to push back against foreign governments going after American companies to censor more. The US has the strongest constitutional protections for free expression in the world and the best way to defend against the trend of government overreach on censorship is with the support of the US government.
It’ll take time to get this all right and these are complex systems so they’ll never be perfect. But this is an important step forward and I’m looking forward to this next chapter!
I wildly underestimated how quickly the big media and social media companies were going to kowtow to the incoming president. From The NY Times:
Meta’s move is likely to please the administration of President-elect Donald J. Trump and its conservative allies, many of whom have disliked Meta’s practice of adding disclaimers or warnings to questionable or false posts. Mr. Trump has long railed against Mr. Zuckerberg, claiming the fact-checking feature treated posts by conservative users unfairly.
Since Mr. Trump won a second term in November, Meta has moved swiftly to try to repair the strained relationships he and his company have with conservatives.
Mr. Zuckerberg noted that “recent elections” felt like a “cultural tipping point towards once again prioritizing speech.”
In late November, Mr. Zuckerberg dined with Mr. Trump at Mar-a-Lago, where he also met with his secretary of state pick, Marco Rubio. Meta donated $1 million to support Mr. Trump’s inauguration in December. Last week, Mr. Zuckerberg elevated Mr. Kaplan, a longtime conservative and the highest-ranking Meta executive closest to the Republican Party, to the company’s most senior policy role. And on Monday, Mr. Zuckerberg announced that Dana White, the head of the Ultimate Fighting Championship and a close ally of Mr. Trump’s, would join Meta’s board.
BTW, Dana White, a violent man who assaulted his wife, got a warm welcome to Meta’s board from Instagram/Threads chief Adam Mosseri: “Excited to have you on board!” Everyone is falling in line. And all those $1 million donations to Trump’s inaugural fund from tech & media companies and CEOs are nothing but racket protection payments.
I don’t think this actually has a whole lot to do with Zuckerberg’s or Meta’s commitment to free speech. What Zuckerberg and Meta have realized is the value, demonstrated by Trump, Musk, and MAGA antagonists, of saying that you’re “protecting free speech” and using it as cover for almost anything you want to do. For Meta, that means increasing engagement, decreasing government oversight and interference, and lowering their labor costs (through cutting their workforce and strengthening their bargaining position vs labor) â all things that will make their stock price go up and increase the wealth of their shareholders.
Decreasing moderation and allowing more political & hate speech (I don’t now how else to read “remove the vast majority of censorship mistakes by focusing our filters on tackling illegal and high-severity violations” â hate speech is protected speech in the US) will increase engagement overall, any AI bots they want to unleash to spur engagement don’t have to be moderated, TX is more labor- and corporate-friendly than CA (I’m sure this is also part of Meta’ ongoing negotiation with CA about letting them have more leeway or they’ll leave the state), and I think the benefit of rethinking their rules to be more friendly to conservatives is self-explanatory.
The Militia and the Mole. “A wilderness survival trainer spent years undercover, climbing the ranks of right-wing militias. He didn’t tell police or the FBI. He didn’t tell his family or friends.” He returned with a trove of documents.
DOOM: The Gallery Experience
Have you ever wanted to browse art from the Metropolitan Museum in a first-person shooter interface? You are in luck because DOOM: The Gallery Experience exists.
DOOM: The Gallery Experience was created as an art piece designed to parody the wonderfully pretentious world of gallery openings.
In this experience, you will be able to walk around and appreciate some fine art while sipping some wine and enjoying the complimentary hors d’oeuvres in the beautifully renovated and re-imagined E1M1 of id Software’s DOOM (1993).
They sourced the art from the Met’s Open Access collection and in the game you can click through to see each piece on the Met’s website. Here’s a video of the gameplay:
And of course people are speedrunning it. (via waxy.org)
My friends Matt & Kay have written a book about travelling to all 14 National Women’s Soccer League stadiums in the US, documenting the highs and lows of each stadium. This is extremely niche and I love it.
Do You Enjoy This Amazing Newsletter? Here’s How You Can Help.
Every month, my friend Jodi Ettenberg sends out one of the best links roundups around, her *free* Curious About Everything newsletter. This month’s issue came out yesterday and there’s really so much good stuff in there â Spotify’s ghost artists, biofarming animals for live-saving chemicals, the history of risotto, and a look at how the Vatican picks saints.
This issue also includes a sad update on her health:
After two years of slowly making progress on my ‘uptime’ from my spinal CSF leak, I slid in the shower on Christmas Day when, unknown to me, my body scrub tipped over and oil dripped down onto the floor. The shower was very slippery even with shower slippers on â they’re no match for body scrub, apparently. I felt my the tearing at my leak site as my leg shot forward, and my heart sunk.
It’s now January, and many symptoms that had disappeared have come rushing back. The screeching tinnitus, the nausea, dizziness, and shakiness upright, the ‘brain sag’ at the back of my head yanking my skull downward the minute I stand, and the searing pain at my leak sites. Before I slid, I was averaging 7-8 non-consecutive hours upright a day. Now, I’m back to being almost entirely bedbound.
You can read more about Jodi’s disability in a piece she wrote for CNN.
As I mentioned above, the Curious About Everything (CAE) newsletter is completely free and Jodi relies on financial support from her Patreon members to fund her activities, which includes not only the newsletter but her work as the president of board of directors of the Spinal CSF Leak Foundation (I’m assuming not a paid position) and other projects as well (you might know her from Legal Nomads). And this is where you come in. If you enjoy Jodi’s newsletter, consider supporting her on Patreon today.
Jodi acknowledges that until she gets better, the CAE newsletter might be a lot shorter or might not be sent out at all. To which you might say, well why should I support now when I might not get anything from it? My response to that is that we need to stop thinking transactionally and in the short term about our support of the things and people we love. Jodi is a freelance creator, writer, artist, and activist and if we want her to be in the best possible position to produce work that enriches our lives and helps other people for years to come, we need to support her now. We’re her social safety net â our investment in times of rebuilding, regeneration, and rebirth can make a huge difference. Here’s that link to Jodi’s Patreon again if you’d like to help out. Thank you.
Director Steven Soderbergh’s annual list of everything he watched and read in 2024. (I would love to read little media diet-style reviews of all this from him.)
“I will never understand how Jan. 6 was not the end of Trump. So, what happened? The blame largely lies with Republican political leaders.” Remember: Mitch McConnell plainly stated that Trump incited the attack…then voted not to impeach him.
The Truth About January 6th
Today is the fourth anniversary of the attack on Congress and attempted coup of the United States government and the man who incited it will be sworn in as President of the United States later this month. On this dark day, it is important to remember what happened and why, so I went back and looked at some of what I posted in the aftermath of the attack. Here are a few of the videos, articles, and thoughts worth a second look.
This video investigation by the NY Times (YouTube video) lays out what happened that day very clearly:
Most of the videos we analyzed were filmed by the rioters. By carefully listening to the unfiltered chatter within the crowd, we found a clear feedback loop between President Trump and his supporters.
As Mr. Trump spoke near the White House, supporters who had already gathered at the Capitol building hoping to disrupt the certification responded. Hearing his message to “walk down to the Capitol,” they interpreted it as the president sending reinforcements. “There’s about a million people on their way now,” we heard a man in the crowd say, as Mr. Trump’s speech played from a loudspeaker.
Another excellent video of Jan 6 footage was taken by Luke Mogelson, a war reporter for The New Yorker:
Mogelson’s accompanying article, Among the Insurrectionists, is a must-read:
The America Firsters and other invaders fanned out in search of lawmakers, breaking into offices and revelling in their own astounding impunity. “Nancy, I’m ho-ome! ” a man taunted, mimicking Jack Nicholson’s character in “The Shining.” Someone else yelled, “1776 â it’s now or never.” Around this time, Trump tweeted, “Mike Pence didn’t have the courage to do what should have been done to protect our Country. … USA demands the truth!” Twenty minutes later, Ashli Babbitt, a thirty-five-year-old woman from California, was fatally shot while climbing through a barricaded door that led to the Speaker’s lobby in the House chamber, where representatives were sheltering. The congresswoman Alexandria Ocasio-Cortez, a Democrat from New York, later said that she’d had a “close encounter” with rioters during which she thought she “was going to die.” Earlier that morning, another representative, Lauren Boebert â a newly elected Republican, from Colorado, who has praised QAnon and promised to wear her Glock in the Capitol â had tweeted, “Today is 1776.”
Importantly, Mogelson’s piece connects Jan 6th to other right-wing militant actions incited by Republicans and Trump:
In April, in response to Whitmer’s aggressive public-health measures, Trump had tweeted, “Liberate Michigan!” Two weeks later, heavily armed militia members entered the state capitol, terrifying lawmakers.
In an Instagram video and a Buzzfeed news interview a few days after the insurrection attempt, Representative Alexandria Ocasio-Cortez was quoted as saying:
Wednesday was an extremely traumatizing event. And it was not an exaggeration to say that many members of the House were nearly assassinated.
And:
The Democrat said that she worried during the storming of the Capitol about other members of Congress knowing her location and did not feel safe going to the same secure location as her colleagues because of members who believe in the QAnon collective delusion and “frankly, white supremacist members of Congress … who I know and who I have felt would disclose my location,” saying she was concerned there were colleagues “who would create opportunities to allow me to be hurt, kidnapped, etc.” She said that she “didn’t feel safe around other members of Congress.”
AOC’s comments and concerns highlight something I’ve been trying to be clear about in my own writing here: this was not an attack on the Capitol Building. This was an attack on Congress, the United States Government, and elected members of our government. It was a coup attempt. Can you imagine what the mob in those videos would have done had they found Nancy Pelosi? Kidnapping or a hostage situation at the very least, assassination in the worst case. Saying that this was an “attack on the Capitol” is such an anodyne way of describing what happened on January 6th that it’s misleading. Words matter and we should use the correct ones when describing this consequential event.
From the Washington Post, an account of the attack from the perspective of the DC police:
“We weren’t battling 50 or 60 rioters in this tunnel,” he said in the first public account from D.C. police officers who fought to protect the Capitol during last week’s siege. “We were battling 15,000 people. It looked like a medieval battle scene.”
Someone in the crowd grabbed Fanone’s helmet, pulled him to the ground and dragged him on his stomach down a set of steps. At around the same time, police said, the crowd pulled a second officer down the stairs. Police said that chaotic and violent scene was captured in a video that would later spread widely on the Internet.
Rioters swarmed, battering the officers with metal pipes peeled from scaffolding and a pole with an American flag attached, police said. Both were struck with stun guns. Fanone suffered a mild heart attack and drifted in and out of consciousness.
All the while, the mob was chanting “U.S.A.” over and over and over again.
“We got one! We got one!” Fanone said he heard rioters shout. “Kill him with his own gun!”
Here are two of those DC police officers speaking to CNN:
For This American Life, Emmanuel Felton interviewed “several Black Capitol Police officers in the days after the attack on the Capitol on January 6th to find out what it was like for them to face off with this mostly white mob”:
Emmanuel Felton: Have you ever been in a fight like that?
Officer Jones: No, not like that. No way. These people were deranged, and they were determined. I’ve played video games before. Well, you know, zombie games â Resident Evil, Call of Duty. And the zombies are just coming after you, and you’re just out there. I guess that’s what I could relate it to â Call of Duty zombies. And the further you go, the more and more zombies just coming. You’re just running, running, running. And they wouldn’t stop. You’re seeing they’re getting their heads cracked with these batons, and we’re spraying them, and they don’t care! It was insane.
Historian Heather Cox Richardson placed January 6th within the context of the history of right-wing terrorism in the US, setting it alongside Ruby Ridge, Waco, the Oklahoma City bombing, and the Bundys:
Right-wing terrorism in American has very deep roots, and those roots have grown since the 1990s as Republican rhetorical attacks on the federal government have fed them. The January 6 assault on the Capitol is not an aberration. It has been coming for a very long time.
Gigantic SUVs are a public health threat. Why don’t we treat them like one? “Like tobacco, its use can â and often does â kill innocent bystanders. I’m talking about oversized cars.”
Clip is a “plug & play” unit that upgrades almost any bike to an e-bike. The “no-tools” gadget clips onto to the front forks of a bike and provides up to 12 miles of range.
I loved the first volume of this, so I’m pleased to see that David Whyte is back with Consolations II. “To become intimate is to become vulnerable not only to what I want and desire in my life, but to the fear I have of my desire being met.”
Male college enrollment could be dropping because of male flight. “Male flight describes a similar phenomenon when large numbers of females enter a profession, group, hobby or industryâthe men leave. That industry is then devalued.”
Man-Made Structures Now Outweigh the Mass of the Living World
Biocubes is a visualization comparing the mass of the living world (biomass) to the mass that’s been generated by humans (technomass). From a piece in the Times about the visualization:
“The website enables many comparisons that, once seen, can no longer be unseen,” he said. For instance, humans outweigh wild animals 10 to 1, a fact that surprised Dr. MĂŠnard. (“In my experience, most people expect the opposite.”) But we weigh only half as much as the livestock herds we maintain to eat. Perhaps more ominously, humans use 100 times their own mass in plastic.
Update: As noted in the comments and in my inbox, it should probably be “humans outweigh wild mammals 10 to 1”.
A list of advice for defeating the authoritarian threat. “Authoritarians want you to feel powerless because it makes their work easier. Courage, faith, and optimism are essential. Fascism feeds on cynicism and pessimism. Starve it.”
Depictions of children dying were rife in 19th century literature, mirroring high child mortality levels in real life. “People who want to dismantle a century of resolute public health measures, like vaccination, invite those horrors to return.”
An online-only conversation from the British Library with Lauren Groff about her novel Matrix, Marie de France, and “violence, sensuality, and religious ecstasy in the medieval world”. Jan 14, ÂŁ10.
Fact-Checking the Spiciness of ‘Hot Ones’ Sauces
The team at Howtown closed out 2024 by investigating the spice level (i.e. the Scoville ratings) of the lineup of hot sauces on the popular YouTube interview series Hot Ones while also teaching us about how hot peppers evolved and how pepper spininess is measured. (Spoiler: the sauces are not as hot as advertised.)
Cheers to Adam Cole for Peter Pipering this particular passage:
By picking peppers, they could pinpoint the precise percentage of each patch that was pungent, and some patches were more pungent than others.
Perfect.
Huh, there’s going to be a Blade Runner 2099 TV series. It stars Michelle Yeoh & Hunter Schafer and will premiere at some point on Amazon Prime.
Say Nothing TV Series
Somehow I missed that Patrick Radden Keefe’s excellent book on The Troubles, Say Nothing: A True Story of Murder and Memory in Northern Ireland, has been turned into a 9-part TV series (now available on Hulu in the US & on Disney+ elsewhere).
Spanning four decades, the series opens with the shocking disappearance of Jean McConville, a single mother of ten who was abducted from her home in 1972 and never seen alive again.
Telling the story of various Irish Republican Army (IRA) members, Say Nothing explores the extremes some people will go to in the name of their beliefs, the way a deeply divided society can suddenly tip over into armed conflict, the long shadow of radical violence for all affected, and the emotional and psychological costs of a code of silence.
It’s gotten good reviews and has also attracted at least one lawsuit from one of the people depicted in it.
Veteran Republican Marian Price intends to sue Disney+ after she was depicted shooting Jean McConville in one of the most notorious murders of the Troubles, a law firm has said.
Mrs McConville was abducted, murdered and secretly buried by the IRA in 1972, becoming one of the disappeared.
Her body was eventually found more than 30 years later at a beach in County Louth in the Republic of Ireland.
Ms Price, 70, also known by her married name Marian McGlinchey, has denied any involvement.
The 20 Best Podcasts of 2024, including podcasts about the GuantĂĄnamo Bay detention camp, Stevie Wonder, the NYPD, and guns.
Last week, Alessandro Slebir rode one of the largest waves ever surfed, a 100-ft monster at Mavericks.
Embroidery Journaling
Since January 2020, Sophie O’Neill has been keeping an embroidery journal. Each day, she sews an “icon” to represent that day’s events and memories.
“I embroider an icon every day,” Sophie says. “So at the end of this year, I’ll have 366 icons.”
The 29-year-old has now embroidered more than 1,800 one-pence-coin-sized symbols to represent every stage of her life over the past five years.
A self-taught sewer, she picked up the craft in 2019 when looking for a new hobby.
But as for her embroidery journal, Sophie said: “I had just started a new job and I thought it would be a really cool way to track everything I learned throughout the year.”
Little did she know, several years later, she would have embroidered icons to document moving from California to Glasgow, starting her business and buying a house, among others.
O’Neill also keeps track of the books she reads by filling in an embroidered bookshelf. You can keep up with her activities on The Stir-Crazy Crafter and Instagram. If you’d like to try your hand at embroidery journaling, O’Neill sells a kit on Etsy.
Mapping Police Violence: “Police killed more people in 2024 than any year in more than a decade.” And: “Black people were 30% of those killed by police in 2024 despite being only 13% of the population.”
The top 10 videos shared by The Kid Should See This in 2024. Includes how wire photos worked in 1937 and “living in a tree for 3 weeks to film 10 million bats”.
Happy Public Domain Day!
Yesterday was Public Domain Day and Duke University’s Center for the Study of the Public Domain has the scoop on what works entered the public domain in the US on January 1, 2025. They include:
- William Faulkner, The Sound and the Fury
- Ernest Hemingway, A Farewell to Arms
- Virginia Woolf, A Room of One’s Own
- Dashiell Hammett, The Maltese Falcon (as serialized in Black Mask magazine)
- Agatha Christie, Seven Dials Mystery
- Rainer Maria Rilke, Letters to a Young Poet (only the original German version, Briefe an einen jungen Dichter)
- A dozen more Mickey Mouse animations (including Mickey’s first talking appearance in The Karnival Kid)
- The Cocoanuts, directed by Robert Florey and Joseph Santley (the first Marx Brothers feature film)
- The Skeleton Dance, directed by Walt Disney and animated by Ub Iwerks (the first Silly Symphony short from Disney)
- Spite Marriage, directed by Edward Sedgwick and Buster Keaton (Keaton’s final silent feature)
- E. C. Segar, Popeye (in “Gobs of Work” from the Thimble Theatre comic strip)
- HergĂŠ (Georges Remi), Tintin (in “Les Aventures de Tintin” from the magazine Le Petit Vingtième)
- Singin’ in the Rain, lyrics by Arthur Freed, music by Nacio Herb Brown
- Ain’t Misbehavin’, lyrics by Andy Paul Razaf, music by Thomas W. (“Fats”) Waller & Harry Brooks (from the musical Hot Chocolates)
- An American in Paris, George Gershwin
- Rhapsody in Blue, recorded by George Gershwin
The Internet Archive is hosting several of the newly sprung works, free for you to remix, reuse, misuse, and generally do whatever you would like with. Huzzah!
Oh, and here’s why the public domain matters:
The public domain is also a wellspring for creativity. You could think of it as the yin to copyright’s yang. Copyright law gives authors important rights that encourage creativity and distribution â this is a very good thing. But the United States Constitution requires that those rights last only for a “limited time,” so that when they expire, works go into the public domain, where future authors can legally build on the past â reimagining the books, making them into films, adapting the songs and movies. That’s a good thing too! It is part of copyright’s ecosystem. The point of copyright is to promote creativity, and the public domain plays a central role in doing so.
How does the public domain feed creativity? Here are just two examples from 2024. You may have enjoyed the film Wicked in 2024. Like many of its predecessors, it is based on L. Frank Baum’s The Wonderful Wizard of Oz books, and it offers origin stories for the Wicked Witch of the West and Glinda the Good. From the literary realm, Percival Everett’s 2024 novel James reimagines Mark Twain’s Adventures of Huckleberry Finn from the perspective of Jim, Huckleberry’s friend who is an escaped slave. The novel won the 2024 National Book Award and Kirkus Prize and was a finalist for the Booker Prize. As summed up by a New York Times review: “‘Huck Finn’ Is a Masterpiece. This Retelling Just Might Be, Too.” Mark Twain famously wanted copyright to last forever â if he had his wish, would his heirs have sued Everett? Thankfully, we did not have to find out, and Everett could publish James without such litigation.
Apple TV+ is going to be free this weekend for non-subscribers. You can stream Silo, Severance, Ted Lasso, Slow Horses, For All Mankind, etc. to your heart’s content.
Saying Goodbye to 2024
Well, I really don’t know what happened here. One minute it was the second week of January 2024 and the next minute we’re a scant 12 hours away from 2025 â a ludicrously futuristic date, a sci-fi date. And I didn’t do a media diet post all year! I have no excuse; it just…didn’t happen. Over and over and over and over again â it just kept not happening!
As penance, and for my last post of the year, here’s a giant media diet recap of (almost) everything I read, watched, listened to, and experienced in the year of our lord 2024. (I’ll try to break it up into smaller chunks next year… đ¤)
Intermezzo by Sally Rooney. I am just totally in the tank for how Rooney writes about power dynamics & interpersonal interactions. I think maybe this is my second-favorite of hers after Normal People? (A)
ShĹgun. My favorite show of the year by a mile â so good all around. (A+)
Developing AI Like Raising Kids. Engaging and wide-ranging podcast conversation between Alison Gopnik and Ted Chiang about what caregiving and designing AI systems might have in common. (A)
GNX. The latest album from Kendrick Lamar has been on heavy rotation in my car since it came out. (A)
Dune: Part Two. I loved this, particularly in IMAX. It’s a better film than the first part and very rewatchable (I’ve seen it ~5 times?). I hope Villeneuve does another one. (A+)
Dune. I went back and rewatched this after seeing Dune: Part Two and it all made so much more sense. I can’t remember ever seeing a sequel that improved the first film in retrospect. Empire Strikes Back maybe? (A)
Interstellar (10th anniversary IMAX re-release). An incredible experience, worth the 6-hour roundtrip drive from the boondocks of VT. The docking scene with the damaged ship is one my all-time favorite movie scenes and to see it on massive screen accompanied by the teeth-rattling sound of Han Zimmer’s soundtrack was a real treat. (A+)
XOXO 2024. It was so good to see so many old friends and meet some new ones. (A)
The 2024 total solar eclipse. Not quiiiite as mind-blowing as my first time, but it was great to bust out the telescope and share the experience with friends and eclipse newbies. (A+)
May December. Natalie Portman & Julianne Moore were both fantastic in this. (A-)
Girl, so confusing featuring lorde. The earnestness, the working it out on the remix â I’m so here for it. (A)
The Incredibles. A perfect movie. No flab. Hits all the right notes. (A+)
The Incredibles 2. When this came out, I preferred it to the first movie. Now having seen them back-to-back, the sequel is not quite the equal to the original. But still great. (A)
What Relationships Would You Want, if You Believed They Were Possible? Ezra Klein’s conversation with Rhaina Cohen (author of The Other Significant Others: Reimagining Life with Friendship at the Center) was probably my favorite single podcast episode of the year. It really helped me think through what sorts of relationships I want to have in my life in a way that I hadn’t before. (A+)
Anatomy of a Fall. A gripping legal & family drama from director Justine Triet. (A-)
The Big Dig. A nine-part, in-depth podcast on how the massive Boston highway project got done. Would recommend for governance and infrastructure nerds but also for anyone who is curious about how things get done (or not) in America. (A)
Princess Mononoke. My favorite Ghibli movie â so great to be able to see it at the theater. Just gorgeous. (A)
Mad Max: Fury Road. My umpteenth rewatch confirms: a perfect movie. (A+)
Godzilla Minus One. Not a Godzilla scholar, but this is certainly the best Godzilla movie I’ve ever seen. A real gem of a movie. (A)
Funspot. Billed as “the world’s largest arcade”, the real attraction of Funspot for me is the 250+ classic games and pinball machines (Star Wars, Frogger, Donkey Kong, Burgertime, Gorgar, Dig Dug, Mr Do!, etc.) I took my teenaged kids here last summer and they loved it. Plus, $20 in tokens kept the three of us entertained for almost two hours. (A)
Furiosa: A Mad Max Saga. I watched this twice â the first time I thought it was alright (was Anya Taylor-Joy the right choice for the lead?) but I loved it the second time around (Anya Taylor-Joy was the right choice for the lead). (A)
Midnight in Chernobyl: The Untold Story of the World’s Greatest Nuclear Disaster by Adam Higginbotham. The most complete account and investigation of how the Chernobyl nuclear disaster happened and its aftermath, from both the technological and political angles. Fantastic book. (A)
Star Trek: Strange New Worlds. It’s been awhile since I’ve fallen in love with a Star Trek series, but this one got me hooked right away. (The commenters in this thread were spot on with their recommendations.) I absolutely love the cast and the episodic format. I blazed through season one, am still stinge watching season two, and am delighted that the show has been renewed for two more seasons. (A)
All Fours by Miranda July. A truly weird book that I loved. Listen to the audiobook version if you can…July’s voice acting (I can’t really call it mere narration) really adds to the experience. (A)
Lawrence of Arabia. I’d never seen this before but I got a chance to see it on a big screen this summer and was blown away by it. A truly gorgeous film. (A)
The Zone of Interest. I’m not a particular fan of Jonathan Glazer, but this film was brutal and chilling and boring. The sound design was absolutely brilliant. (A-)
Long Island Compromise by Taffy Brodesser-Akner. Brodesser-Akner is a hell of a writer. (A)
Capitalism. Another banger from Scene on Radio, which you may remember from their excellent podcast series on whiteness, American history, and the climate crisis. Their series on capitalism is typically thought-provoking and informative. (A)
The Great British Bake Off (2023 season). When each new season of Bake Off starts, I’m always like “who are these chuck-a-lucks?” and by about the fourth episode I’d run through a wall for any of the bakers. Such a great format & vibe to this show. (A)
Poor Things. Really enjoyed this. Emma Stone was fantastic. (A-)
Scriptnotes, Episode 622: The One with Christopher Nolan. Fascinating conversation with Christopher Nolan about how he approaches scriptwriting and then translating those scripts into action on the screen. (A-)
Ratatouille. The scene near the end, when Ego tastes the ratatouille that Remy cooks for him, always gives me chills â one of cinema’s great flashbacks. (A)
The Diplomat (season two). I can’t tell if this show is actually good or if I just really, really like it. But I’ll tell you who’s actually good though: Allison Janney â she swooped in for the final two episodes and upstaged the rest of the really talented cast. (A-)
Gladiator. Rewatched in anticipation of the sequel. A neeeearly perfect movie. I can’t really even put my finger on why it isn’t quite flawless â there’s like 3-5 minutes that could be reworked or cut or something. But still, a great film that I love to watch. (A)
Things Become Other Things. I regret to inform you that the irritatingly nice & talented Craig Mod is also good at writing memoirs. The bastard. (A)
Chernobyl. I rewatched this with my son this fall and I’d forgotten just how good it is. One of the best TV things of the past decade. The courtroom scene with Legasov and his blue & red cards is one of the best & simplest explanations of the reactor’s explosion you’ll find anywhere. (A)
James by Percival Everett. It’s a close call, but I think this retelling of Adventures of Huckleberry Finn was my favorite book of 2024. The audiobook version, narrated by Dominic Hoffman, is fantastic. (A)
Dookie Demastered. Green Day “demasteredâ their 1994 album Dookie into 15 âobscure, obsolete, and inconvenientâ formats, like wax cylinder, Fisher Price record, Teddy Ruxpin, and player piano roll. Brilliant. (A)
ShĹgun by James Clavell. I’m nearly halfway through this 1300-page behemoth, but I wanted to include it here because I’m blazing through it and enjoying it so much. (A-)
How Playwright Annie Baker Made the Movie of the Summer. This podcast conversation between Sam Fragoso and Annie Baker is fascinating because of Baker’s polite but insistent refusal to adhere to the social conventions of a media interview. (A)
Conclave. I can’t decide if this film is overwrought or just the right amount of wrought. Well-acted though and compelling. (B+)
ClĂŠo from 5 to 7. I appreciated this film more than I enjoyed it. (B)
Fallout. A promising first season; I’m glad they’re doing another. (B+)
Past Lives. Greta Lee is great in this. And that last scene, ooof. (B+)
Moonbound by Robin Sloan. Was pretty charmed by this, in part because it was fun trying to connect the narrative & themes of the book to Sloan’s preoccupations on his mailing list over the past 2-3 years. (B+)
Percy Jackson and the Olympians. Solidly entertaining and the teens liked it. (B)
For All Mankind (season four). My pre-season musing about this show being “a prequel/origin story for The Expanse” hold up pretty well, I think. (B+)
The Holdovers. A mostly wholesome Christmas-time Breakfast Club. (A-)
The Great (season three). This didn’t have the zing of the first season, but it was better than the second. (B+)
Reservation Dogs. I am going to get yelled at for this but I enjoyed the first season more than the subsequent two. I appreciate what they did with the second and third seasons on an intellectual level (it’s brilliant, multi-generational storytelling) but I found my attention drifting as I tried to keep up with all of the connections. (A-)
Excellent Advice for Living: Wisdom I Wish I’d Known Earlier by Kevin Kelly. A compendium of life advice from one of the most interesting people I know. (B+)
Civil War. I’d like to see this again â I’m still not sure if I liked it or if it was any good. (B)
Constellation. Was disappointed with this show. Would have been an interesting three-episode series â instead we got eight ponderous episodes. (C)
3 Body Problem. Netflix did pretty well with this adaptation and the changes made sense. Looking forward to see where they go with the next season. (B+)
The Three-Body Problem trilogy by Cixin Liu. Well, after watching the TV series, I went back to read the three-book series for the third time. Was a little let down this time for whatever reason. (B)
Alien. Saw this in the theater over the summer and didn’t like it quite as much as I have in the past. (B+)
The Gilded Age. A gorgeously filmed and costumed guilty pleasure. Who is going to keep making this kind of series after Julian Fellowes retires? (A-)
Rebel Moon. Aka Zach Snyderâs Star Wars. Couldnât finish this it was so bad. What a hack. (D)
Leave the World Behind. I watched this way back in January and had to paste the title into Google to see what it even was. I remember it being pretty uneven. But it also introduced me to Myha’la. (B-)
The Marvels. I honestly don’t remember much of this, just that it didn’t have the, uh, goodness of the first one. (B)
Star Wars: The Phantom Menace. Saw this on the big screen this summer, which was worth it for the pod race and the “duel of the fates” lightsaber battle at the end. (B-)
Petite Maman. A film of quiet impact by CĂŠline Sciamma. I didn’t know anything about this going in and was delighted by where it went. (A-)
Frankenstein. Hot Frank Summer! I really tried to get into this but just couldn’t…I got bored and gave up a third of the way in. (C+)
The Demon of Unrest: A Saga of Hubris, Heartbreak, and Heroism at the Dawn of the Civil War by Erik Larson. Not Larson’s best effort but it was illuminating to read about how the Civil War started. (B)
The Lord of the Rings: The Rings of Power (season two). I was somewhat in the minority in liking the first season of this show, and I liked this season even more. Patiently awaiting the next season. (A-)
Devs. Rewatched this with my son and didn’t like as much as I did the first time. I found it a little too self-serious. (B+)
Star Wars: The Acolyte. Uneven but with some good moments. Glad I watched it, even though the show got cancelled. (B)
Avatar: The Last Airbender. I thought they did a good job casting the characters for this live-action series. But there’s a magic to the animated series that they didn’t capture. (B)
Fall Guy. Ryan Gosling and Emily Blunt were charming and the rest of it was fine. I enjoyed the dragging of Tom Cruise. (B)
Deadpool & Wolverine. Rotten Tomatoes has this at 78% and that seems right…I liked it about 78%. (B+ (I grade on a scale apparently))
Ponyo. Another Ghibli movie I got to enjoy on the big screen. (B+)
North Woods by Daniel Mason. I would have liked this more without the magical realism. Some great parts though. (B+)
Rebel Ridge. I really enjoyed this one. This movie felt like a throwback of sorts: a solid thriller with no bells and whistles. Reminded me a bit of The Fugitive. (A-)
A Shaun the Sheep Movie: Farmageddon. I enjoy the Shaun shorts more than the films, but this one had an impressive number of sci-fi references in it…the kids got annoyed at me pointing them out. (B+)
The First Fifteen Lives of Harry August by Clare North. An interesting twist on the Groundhog Day plot mechanic that…well, I won’t spoil it. (B)
The Wild Robot. Hilarious at times, but a bit too pat when it came to the main plot/emotional core. (B)
The Good Place. Third time through on this one…a comedy classic that stuck the landing. (A)
Gladiator II. I wanted this to be better. Denzel Washington was fantastic, as was his sleeve-work. Love that the co-emperors were basically crypto YouTube bros. (B)
Alien: Romulus. Very good Alien installment. I was on the edge of my seat for the last third of the movie as the heroes raced against the inevitability of gravity â one of the best action/thriller sequences of the year, I’d reckon. (B+)
Moana. Watched in preparation for Moana 2. You can see why this movie is the #1 streamed movie over the last 5 years. (A-)
Moana 2. Watched this with an audience filled with little kids and when Maui appeared on the screen for the first time, a little boy said “Maui” in a quietly awed voice, instantly charming the entire theater. (B)
Mr Salary by Sally Rooney. I had no idea this short story existed until a few months ago. It was written before she published her debut novel. (B+)
Elf. It was nice to see Bob Newhart â I’d forgotten he was in this. (B)
Inside Out 2. Pixar is still the best studio for making kids’ movies that appeal to all ages. My kids were like, yep, pretty much what it’s like being a teenager. And I identified both with Riley and her parents. (A)
Radical Optimism. Underwhelming compared to Future Nostalgia, but I do like Houdini a lot. (B)
Philip Glass Solo. Lovely and personal. (A-)
Cowboy Carter. This is not my cup of tea, but I love that it exists. (B-)
Brat. My favorite track (other than the aforementioned Girl, so confusing featuring lorde) is Von Dutch. (B+)
Dos Hermanos Bakery. The chopped sandwiches here are very messy but very delicious. (B+)
Keith Haring: Art Is for Everybody. Loved seeing this retrospective of Haring’s work at the Walker. (A-)
Zoozve. A very entertaining episode of Radiolab. (B+)
Past installments of my media diet are available here. Butter shipping container photo by yours truly.
What were your favorite things that you watched, read, or listened to in 2024?
Inside Zildjian, a 400-year-old cymbal-making company in Massachusetts. Their business took off after The Beatles’ Ed Sullivan appearance and the alloy they use for making cymbals is a closely guarded secret.
Great Art Explained: The Last Supper by Leonardo da Vinci
Curator James Payne’s Great Art Explained channel is one of YouTube’s gems. For his latest video, he takes a look at Leonardo da Vinci’s mural The Last Supper and explains what makes it such an unusual, impressive, and revolutionary work of art. Here’s how the main part of the video begins:
Milan, 1494: Leonardo da Vinci was an exceptional man, and everyone who met him described him as a genius. And yet, he was now 42 years old â a middle-aged man in an era when life expectancy was 40 â And he still hadn’t produced anything that would be considered a masterpiece by his contemporaries. Many of his works were unfinished or in private collections, there were no great public works that people could see, no architectural marvels and no distinguished altarpieces for cathedrals. Nothing that could be considered worthy of his potential.
Then, he was asked to paint a wall.
I found the discussion of how Leonardo’s knowledge of theatre â he was charged with “creating lavish plays and pageants for the Duke of Milan” â informed his work on The Last Supper particularly interesting. You’ll never see this painting the same way again after watching this video.
If the highly unlikely Silurian hypothesis is true (if the Earth was home to an intelligent civilization prior to ours), “it’s the cephalopods…who are the most likely candidates to have reached at least some level of civilization”.
52 things Kent Hendricks learned in 2024, incl. “walking speed on the streets of New York, Boston, and Philadelphia has increased 15% since 1979” and “after fluoride is introduced into a cityâs drinking water, the number of dentist offices drops 9%”.
77 Facts That Blew Our Minds in 2024
From The Atlantic Science Desk, 77 Facts That Blew Our Minds in 2024. Some that caught my eye:
5. Your body carries literal pieces of your mom â and maybe your grandmother, siblings, aunts, and uncles.
15. The weight of giant pumpkins increased 20-fold in half a century.
19. In the Middle Ages, people took their pet squirrels for walks and decked them out in flashy accessories.
31. One breadfruit tree can feed a family of four for at least 50 years.
38. Classical composers used dice to randomly compose songs.
52. Dogs may be entering a new wave of domestication.
71. The 10,000-steps-a-day goal doesn’t originate from clinical science. Instead, it comes from a 1965 marketing campaign by a Japanese company that was selling pedometers.
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