Marie Colvin era una dei più celebri corrispondenti di guerra del nostro tempo. La sua anima ribelle e intrepida la portò alla prima linea dei conflitti in tutto il mondo per dare voce a chi... Leggi tuttoMarie Colvin era una dei più celebri corrispondenti di guerra del nostro tempo. La sua anima ribelle e intrepida la portò alla prima linea dei conflitti in tutto il mondo per dare voce a chi non ha voce.Marie Colvin era una dei più celebri corrispondenti di guerra del nostro tempo. La sua anima ribelle e intrepida la portò alla prima linea dei conflitti in tutto il mondo per dare voce a chi non ha voce.
- Premi
- 2 vittorie e 10 candidature
- Iraqi Militia Captain
- (as Nadeem Srouji)
Trama
Lo sapevi?
- QuizIn a piece for Harper's Bazaar dated 4 December 2018, war correspondent Janine di Giovanni, who knew Marie Colvin, writes critically of the film: "There were no good guys at the Sunday Times, where Colvin worked, who cared for her well-being. There were instead editors who wanted scoops at the expense of the safety of their reporters. Colvin had many friends in London, but none of them were similar to the Bridget Jones-style girlfriend character (portrayed by Nikki Amuka-Bird) in the film. Her last boyfriend was not a caring and loving Stanley Tucci but rather a man who gave her immense heartache and distress. There were no 'heads on sticks' in Bosnia, as the character meant to be Colvin's first husband, Patrick Bishop, says in one of the opening scenes (heads were on sticks in Chechnya). Colvin's second husband, Juan Carlos Gumucio, is erased from the script altogether, though he played an important role in her life." Although positive about Rosamund Pike's performance, she recommends that her readers watch the documentary Bearing Witness (2005) instead.
- BlooperColvin's smoking sometimes does not sync - holding, inhales, exhales.
- Citazioni
Newspaper Editor: Why is it important, do you think, to see this images? Why is it important for you to be there? Right now you may be one of the only Western journalists in Homs. Our team has just left.
Marie Colvin: For an audience for which any conflict is very far away, this is the reality. There are 28,000 civilians, men, women and children, a city of the cold and hungry, starving, defenseless. There are no telephones. The electricity has been cut off. Families are sharing what they have with relatives and neighbors. I have sat with literally hundreds of women with infant children who are trapped in these cold, brutal conditions, unable to feed their children anything other than sugar and water for weeks on end. That little boy was one of the two children who died today. It's what happens every day. The Syrian regime is claiming that they're not hitting civilians, that they're just going after terrorist gangs. But every civilian house has been hit. The top floor of the building I'm in has been totally destroyed. There are no military targets here. It is a complete and utter lie.
Newspaper Editor: Well, thank you for using the word " lie ". I think a lot of people wanna thank you, because it's a word we don't often hear, it's not often used, but it is the truth in this case. The Syrian regime, their representatives, have continually lied. They've lied on this program to us directly. Marie, I mean, you have covered a lot of conflicts over a long time. How does this compare?
Marie Colvin: This is the worst conflict I've ever seen. It's the worst because it was a peaceful uprising that was crushed by violence. President Assad is sitting in his palace in Damascus in panic, the entire security apparatus his father built crumbling around him, and he is responding in the only way he's been taught how. When he was a child, he watched his father crush oppositions by shelling the city of Hama into ruins and killing 10,000 innocent civilians. He watched, as we're watching, a dictator killing with impunity. And the words on everybody's lips here are, " Why have we been abandoned? ". " Why? ". I don't know why.
- Curiosità sui creditiImages of Colvin's newspaper articles for the Sunday Times are shown behind the initial credits.
- ConnessioniFeatured in CTV News at 11:30 Toronto: Episodio datato 14 settembre 2018 (2018)
It was a very heartfelt film about the horrors of war, and the extent to which madmen despots like Gaddafi and Assad will go to maintain their power. I'm not sure why all the dissenting reviews on this thread, it seems like an awful lot of people that were naysayers were politically motivated. Sure, I don't agree with a lot of US foreign policy, but this movie wasn't really about foreign policy, this movie was about the horror of war, this movie was about the bravery and courage of a woman who in my opinion, was near deity, for performing the work that she performed. Let's get real here, how many of the naysayers on this thread would have the guts to actually go into combat territory like she did and do what she did? Probably 2, if that. It is easy to be brave from your living room.
- latinfineart
- 9 set 2020
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Dettagli
- Data di uscita
- Paesi di origine
- Siti ufficiali
- Lingua
- Celebre anche come
- Приватна війна
- Luoghi delle riprese
- Giordania(on location)
- Aziende produttrici
- Vedi altri crediti dell’azienda su IMDbPro
Botteghino
- Budget
- 18.800.000 USD (previsto)
- Lordo Stati Uniti e Canada
- 1.633.208 USD
- Fine settimana di apertura Stati Uniti e Canada
- 60.491 USD
- 4 nov 2018
- Lordo in tutto il mondo
- 3.915.207 USD
- Tempo di esecuzione1 ora 50 minuti
- Colore
- Proporzioni
- 2.39 : 1