Wealthy, inventive bachelor Colin endeavors to find a cure for his lover Chloe after she's diagnosed with an unusual illness caused by a flower growing in her lungs.Wealthy, inventive bachelor Colin endeavors to find a cure for his lover Chloe after she's diagnosed with an unusual illness caused by a flower growing in her lungs.Wealthy, inventive bachelor Colin endeavors to find a cure for his lover Chloe after she's diagnosed with an unusual illness caused by a flower growing in her lungs.
- Awards
- 1 win & 10 nominations
Aïssa Maïga
- Alise
- (as Aïssa Maiga)
Laurent Lafitte
- Le directeur de société
- (as Laurent Lafitte de la comédie française)
Mathieu Paulus
- Le Chuiche
- (as Matthieu Paulus)
Frédéric Saurel
- Le Bedon
- (as Fred Saurel)
Alex Raul Barrios
- Jésus
- (as Alex Barrios)
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Storyline
Did you know
- TriviaThe original French title for this movie, L'écume des jours, translates literally to "the foam of the days" but more colloquially means "the froth" or "the remnants" of daydreams. The English-language title, Mood Indigo, is the title of a 1930 jazz composition by Duke Ellington, the musician who is often mentioned in this movie.
- GoofsWhen Nicolas brings breakfast to Chloé and Colin the first time, the long shot from the back of the bedroom shows him entering the bedroom but there are no people up on the bed. The close shot from the end of the bed shows Chloé and Colin receiving the tray.
- Crazy creditsThe end credits start on a background of footage of Duke Ellington playing the piano.
- Alternate versionsA shorter version than the 135 minutes original cut has been released in some countries, included France. This alternate version is 36 minutes shorter, and has been edited by Tariq Anwar and supervised by Michel Gondry.
- SoundtracksTake the 'A' Train
Written by Billy Strayhorn
Performed by Duke Ellington Orchestra (as Duke Ellington and his famous orchestra)
Featured review
It's been a long time since I've been acquainted with Michel Gondry. Eternal Sunshine of the Spotless Mind and The Science of Sleep are two of my all-time favourite films. Be Kind Rewind was an unfortunate misfire but I already warmly welcome his style. However, I've never seen him quite so unrestrained like this. Mood Indigo is a truly fantasy world. No dream, no drugs, and nothing is how you'd expect. Not even dancing, not even a handshake. To say the world of Mood Indigo is surreal and absurd is an understatement and no words can quite grasp the chaos on screen. It's like an R-rated Dr. Seuss. Like Gilliam's Brazil. But, it's an absolute delight. Things may not make sense at any point, but it's not about symbolism, it's about expressionism. The characters are deeply human, and that's what counts. All these inventions, twists, obscurities all about emotion. And Mood Indigo constantly had me bellying with laughter or sinking an anchor in my stomach when tragedy strikes even when I wasn't sure what was happening.
That's the spirit of filmmaking really, to feel how the characters are feeling, and this film achieves it admirably. But at times it is so dense that its hard to keep up. The special effects and production design are wonderful, but the way it's shot in HD does sometimes nullify its effects and brings us back to reality in a way it doesn't want (I would've preferred Gondry to not have his cameo). Sometimes the cast can't even keep up with it. I really wasn't sure about the cast at first. They're familiar faces, but they didn't seem to suit the tone, plus they felt too old. However, with the film's dark twist in the second half, so dark the film turns black and white, it did become apparent that these cast members fit this melancholic side of the world. I wish it wasn't so bloated in characters and was more restrained like The Science of Sleep. The great soundtrack definitely adds to its rich atmosphere too. I do hope this film will stick with me like his two best films. It may be manic, but it's thoroughly charming. Not Gondry's best but his best in a long while.
8/10
That's the spirit of filmmaking really, to feel how the characters are feeling, and this film achieves it admirably. But at times it is so dense that its hard to keep up. The special effects and production design are wonderful, but the way it's shot in HD does sometimes nullify its effects and brings us back to reality in a way it doesn't want (I would've preferred Gondry to not have his cameo). Sometimes the cast can't even keep up with it. I really wasn't sure about the cast at first. They're familiar faces, but they didn't seem to suit the tone, plus they felt too old. However, with the film's dark twist in the second half, so dark the film turns black and white, it did become apparent that these cast members fit this melancholic side of the world. I wish it wasn't so bloated in characters and was more restrained like The Science of Sleep. The great soundtrack definitely adds to its rich atmosphere too. I do hope this film will stick with me like his two best films. It may be manic, but it's thoroughly charming. Not Gondry's best but his best in a long while.
8/10
- Sergeant_Tibbs
- Mar 1, 2014
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Details
- Release date
- Countries of origin
- Official sites
- Languages
- Also known as
- The Foam of the Days
- Filming locations
- Production companies
- See more company credits at IMDbPro
Box office
- Budget
- €19,000,000 (estimated)
- Gross US & Canada
- $303,187
- Opening weekend US & Canada
- $26,511
- Jul 20, 2014
- Gross worldwide
- $10,435,322
- Runtime1 hour 34 minutes
- Color
- Sound mix
- Aspect ratio
- 1.85 : 1
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