A group of teens are unwittingly stranded near a strange wax museum and soon must fight to survive and keep from becoming the next exhibit.A group of teens are unwittingly stranded near a strange wax museum and soon must fight to survive and keep from becoming the next exhibit.A group of teens are unwittingly stranded near a strange wax museum and soon must fight to survive and keep from becoming the next exhibit.
- Awards
- 5 wins & 11 nominations
Dragicia Debert
- Trudy Sinclair
- (as Dragitsa Debert)
Chantal Lugg
- Wax Model
- (uncredited)
Kendal Rae
- Sexy Girl
- (uncredited)
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Storyline
Did you know
- TriviaDirector Jaume Collet-Serra insisted that practical effects be used as much as possible for the film. Visual effects were used when necessary which were used sparingly.
- GoofsCarly's height changes throughout the film. This is explained in the extras; because Jared Padalecki is so tall, Elisha Cuthbert wore wooden shoes in the scenes where her feet weren't shown. In some scenes, she is up to Wade's shoulder. In others, she is up to his chest.
- Crazy creditsRandom letters in the end credits of the movie begin to melt down from the screen as they appear. Also, some pairs of letters are joined, just like Bo and Vincent when they were born.
- Alternate versionsThe uncut version is rated R21 in Singapore. Two scenes needed to be trimmed to secure an NC16 rating. First is the body dragging scene where the head slowly detaches itself from the torso. Next is the scene where the killer graphically removes a pole that is jammed into a female victim's head.
- ConnectionsFeatured in Late Show with David Letterman: Episode #12.137 (2005)
- SoundtracksMinerva
Written by Stephen Carpenter, Chi Cheng (as Chi Cheng), Abe Cunningham (as Abran Cunningham),
Frank Delgado and Chino Moreno (as Camilo Chino Moreno)
Performed by Deftones
Courtesy of Maverick Recording Company
By Arrangement with Warner Strategic Marketing
Featured review
I do not think that this movie deserves the low rating that most will give it. It's one of the best "teenager" horror films I've ever seen; and that's saying a lot. Nothing is left without an explanation to back it up, the characters and plot break countless horror movie stereotypes, and it has got nothing to do with some other horrible pieces we've been submitted to lately. (A clear example is the mindless "Saint Ange".) The first 30-40 minutes might be downright boring with the exception of the beginning, although some minor light mistakes can be easily spotted. After the arrival to the village, though, the horror -a different, twisted kind of horror- begins.
With the plot and the details, goofs are minor; the characters are this movie's strongest point, given that so many clichés are broken in it. For example, the two main male characters, Nick and Wade, are not by any means the idiotic types we're used to; although Dalton might fit better in this stereotype, not is he the only one to pay for this lack of consciousness. Some scenes are truly, satisfyingly horrible, making up for tense moments scattered around all the film. And, in the end, and although everything is decorously explained, it's easy to see that things won't go so easy to the surviving characters.
The only errors I can see, and which do not imply continuity (IE, Carly not finding her own cut finger in the unconscious Bo's pockets) is the illumination, which is somehow annoying during the first, boring 30 minutes. Although, plot and effects-wise, everything is drastically and cruelly twisted with the arrival of the main characters to Ambrosia, that little village in the midst of nothing, so I'll give it that. It's been pretty much argued that about 70% of the movie is illogical; "How can two people build an entire house of wax?", "Where do they get all the wax from?". These wouldn't be uprising questions if people would have paid more attention to the movie. The Sinclair brothers did not build the House of Wax; their mother worked making actual wax figures, and they were exhibited at the museum. And the scenario where Paris Hilton's unfortunate character meets her untimely death is the answer to the second question; what is with all the personal objects (mobile phones, cars, clothes) of the dead people? Using their third brother as a connection with the exterior, it's pretty much arguable that the Sinclair twins should obtain the money necessary to buy the wax, in a WWII-type fashion.
So, that aside, I think the movie deserves a lot more than it gets, and nobody should lose the chance to watch it. So go see the House of Wax. Right now.
With the plot and the details, goofs are minor; the characters are this movie's strongest point, given that so many clichés are broken in it. For example, the two main male characters, Nick and Wade, are not by any means the idiotic types we're used to; although Dalton might fit better in this stereotype, not is he the only one to pay for this lack of consciousness. Some scenes are truly, satisfyingly horrible, making up for tense moments scattered around all the film. And, in the end, and although everything is decorously explained, it's easy to see that things won't go so easy to the surviving characters.
The only errors I can see, and which do not imply continuity (IE, Carly not finding her own cut finger in the unconscious Bo's pockets) is the illumination, which is somehow annoying during the first, boring 30 minutes. Although, plot and effects-wise, everything is drastically and cruelly twisted with the arrival of the main characters to Ambrosia, that little village in the midst of nothing, so I'll give it that. It's been pretty much argued that about 70% of the movie is illogical; "How can two people build an entire house of wax?", "Where do they get all the wax from?". These wouldn't be uprising questions if people would have paid more attention to the movie. The Sinclair brothers did not build the House of Wax; their mother worked making actual wax figures, and they were exhibited at the museum. And the scenario where Paris Hilton's unfortunate character meets her untimely death is the answer to the second question; what is with all the personal objects (mobile phones, cars, clothes) of the dead people? Using their third brother as a connection with the exterior, it's pretty much arguable that the Sinclair twins should obtain the money necessary to buy the wax, in a WWII-type fashion.
So, that aside, I think the movie deserves a lot more than it gets, and nobody should lose the chance to watch it. So go see the House of Wax. Right now.
- Artistic_Differences
- Jul 15, 2005
- Permalink
Details
- Release date
- Countries of origin
- Official site
- Language
- Also known as
- La casa de cera
- Filming locations
- Production companies
- See more company credits at IMDbPro
Box office
- Budget
- $40,000,000 (estimated)
- Gross US & Canada
- $32,064,800
- Opening weekend US & Canada
- $12,077,236
- May 8, 2005
- Gross worldwide
- $68,766,121
- Runtime1 hour 53 minutes
- Color
- Sound mix
- Aspect ratio
- 1.85 : 1
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