The human city of Zion defends itself against the massive invasion of the machines as Neo fights to end the war at another front while also opposing the rogue Agent Smith.The human city of Zion defends itself against the massive invasion of the machines as Neo fights to end the war at another front while also opposing the rogue Agent Smith.The human city of Zion defends itself against the massive invasion of the machines as Neo fights to end the war at another front while also opposing the rogue Agent Smith.
- Awards
- 5 wins & 36 nominations
Storyline
Did you know
- TriviaThe street corner where Neo and Smith fight in the crater is the same corner from which Neo made his phone call at the end of The Matrix (1999) - the corner of Pitt, Hunter, and O'Connell Streets in Sydney, Australia. You can see the phone booth to the right when they hit the ground.
- GoofsWhen Bane is talking to Neo while holding the knife to Trinity's throat, the blood appears and disappears on her throat.
- Quotes
The Oracle: What about the others?
The Architect: ...What others?
The Oracle: The ones that want out.
The Architect: Obviously they will be freed.
The Oracle: I have your word?
The Architect: What do you think I am? Human?
- Crazy creditsThe giant robotic head is listed in the credits as "Deus ex machina" Meaning "a god from a machine." In Greek and Roman drama, deus ex machina referred to a god lowered by stage machinery to resolve a plot or extricate the protagonist from a difficult situation.
- Alternate versionsWhen the film was released in theaters, the waste disposal machine shown at the end had red eyes but on the DVD release the eyes were changed to green. The making of documentary on the DVD still shows the machine with red eyes, obviously the documentary used older footage.
- ConnectionsEdited into The Matrix: Path of Neo (2005)
- SoundtracksThe Trainman Cometh
Written by Ben Watkins and Don Davis
Produced by Juno Reactor
Co-produced by Don Davis
Performed by Juno Reactor and Don Davis
Featured review
Going into this movie I had one wish: To leave feeling that it was a successful conclusion to a two-part film. Taking Reloaded/Revolutions as a single (very large) movie with an intermission is the best way to evaluate it. Viewed that way I think it succeeded. I thought Revolutions was the equal of Reloaded, yet I can see how many will think it failed. The ending gave us everything we needed to know, but did not show us all we wanted to see. I'm speaking of the last twenty minutes or so here. After a visually robust middle, in which I felt my eyes grow larger in their sockets more than once, the ending seemed like an anticlimax. It needed to be longer, and I would gladly have traded some of the fx flair used earlier to give the final part of the film it's justified due. It will be awhile before I can look at it more objectively (perhaps I'll have to wait to view the two parts as one on DVD). I only suggest now that anyone seeing it let it sink in completely before being too critical.
- puppyperson
- Nov 4, 2003
- Permalink
Details
- Release date
- Countries of origin
- Official sites
- Languages
- Also known as
- Matrix: Revoluciones
- Filming locations
- Production companies
- See more company credits at IMDbPro
Box office
- Budget
- $150,000,000 (estimated)
- Gross US & Canada
- $139,313,948
- Opening weekend US & Canada
- $48,475,154
- Nov 9, 2003
- Gross worldwide
- $427,344,325
- Runtime2 hours 9 minutes
- Color
- Sound mix
- Aspect ratio
- 2.39 : 1
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