A UN reporter covers the appearance of a prehistoric monster that emerges from hibernation, while a pharmaceutical company seeks publicity with a monster of their own.A UN reporter covers the appearance of a prehistoric monster that emerges from hibernation, while a pharmaceutical company seeks publicity with a monster of their own.A UN reporter covers the appearance of a prehistoric monster that emerges from hibernation, while a pharmaceutical company seeks publicity with a monster of their own.
Kenji Sahara
- Kazuo Fujita
- (as Keji Sahaka)
Storyline
Did you know
- TriviaThe unedited original Japanese version of the film remains the highest attended Godzilla film in Japan. It is also one of the most attended films of all time at the Japanese box office as well as the most successful live-action science fantasy film with admission numbers surpassing Hollywood blockbusters such as Star Wars and Avatar. To this day it remains as the 13th most attended film of all time in Japan. The heavily re-edited US version that inserted new actors and deleted several scenes from the original was just as much of a success at the US box-office as well.
- GoofsWhen being hauled around by the balloons, Kong's right leg is twisted around painfully and sticks out of him at an odd angle. When it cuts to the suit with an actor inside it, the leg is back to its normal shape.
- Crazy creditsIn the credits for the U.S. version, actor Kenji Sahara is listed as "Keji Sahaka."
- Alternate versionsThis USA version is re-edited from the Japanese original, King Kong vs. Godzilla (1962), and is vastly different. New scenes featuring Eric Carter as a United Nations reporter were inserted for the USA version, replacing some footage from the Japanese release. Most of the comedy bits featuring Shôichi Hirose and Ichirô Arishima are deleted in favor of bland action, screeching to a halt U.N. news reports which are completely dissociated from the story. In the USA version, Harry Holcombe recites a ludicrous idea that Godzilla is a cross of a tyrannosaurus (while pointing to an allosaurus in a children's book) and a stegosaurus. Most of Ifukube's magisterial score is deleted and replaced with themes from the score of Creature from the Black Lagoon (1954).
- ConnectionsEdited from The Mysterians (1957)
Featured review
Most of us saw the English language version of KING KONG VS. GODZILLA, which discarded alot of fun bits found only in the original Japanese language version of this near classic. In it's original Japanese, this is a fun movie about these rather boob-ish guys who work for a Tokyo advertising firm going to a desolate island. They encounter music loving natives who worship none other than King Kong. At the same time, Godzilla re-appears on the scene, threatening to destroy Tokyo. The film is made with wild energy, and goes with wild logic (how can you not love the scene where King Kong is knocked out with bongo music?!) Proof that director Inoshira Honda loved his audience and wanted to make them happy.
Details
- Release date
- Countries of origin
- Language
- Also known as
- Die Rückkehr des King Kong
- Filming locations
- Production companies
- See more company credits at IMDbPro
Box office
- Budget
- $200,000 (estimated)
- Runtime1 hour 31 minutes
- Aspect ratio
- 2.35 : 1
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