The Cat and the Canary

The silents brought us a number of classic comedians who were skilled at making the audience laugh without uttering a word. With the advent of sound, some of these comedians found the transition hard and most still relied on their old silent routines for their jokes. Bob Hope was the first comedian who's mouth provided the punchline. The Cat and the Canary was his first leading part and yet it's not designed purely for his advantage, this is a great picture, both funny and exciting.

Bob Hope is the star. He's hilarious. He's sympathetic. He's also a coward, which isn't such an asset when you're staying in a house filled with escaped lunatics, suspicious servants, and numerous trapdoors. Hope plays a radio personality who involuntarily becomes the bodyguard to a woman, Joyce, who recently inherited a lot of money. The house is filled with other guests that are upset at having lost out on the inheritance. To make matters worse, if Joyce dies within a month, the money goes to whoever was the substitute inheritor and that person's name lies in an envelope safely hidden in a safe. As guests start dying, the tension increases, as does Hope's one-liner's. "I've got goosepumps. In fact, my goosebumps have got goosebumps."

Today, the plot seems like one from an episode of Scooby-Doo but it's still fun and surprisingly smart. The cast is small but solid and the murderer is never guessed until the end. A few red herrings are thrown in but when the guilty party is revealed, it does make sense, a necessity rarely used in Hollywood today.

As a vehicle for Hope it works a charm. As a movie in itself it should be recognised as a classic.