The Other Half

1919
50m

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David Butler, Charles Meredith, Zasu Pitts, and Florence Vidor in The Other Half (1919)

Donald Trent, the son of an iron-works owner, loses his belief in class distinction and recognizes his debt to others while fighting in the trenches. At home he tells his father, who abhors ... Read allDonald Trent, the son of an iron-works owner, loses his belief in class distinction and recognizes his debt to others while fighting in the trenches. At home he tells his father, who abhors sentiment in business, that he wants to start at the bottom and becomes a mill hand, worki... Read allDonald Trent, the son of an iron-works owner, loses his belief in class distinction and recognizes his debt to others while fighting in the trenches. At home he tells his father, who abhors sentiment in business, that he wants to start at the bottom and becomes a mill hand, working near his Army buddy Colonel Jimmy, a machinist. While Donald and his sweetheart Katheri... Read all

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IMDb RATING

5.3/10

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1User review

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Trivia
A print exist in the EYE Archive in Netherlands.

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Featured review

6/10

Nor Lose the Common Touch

Charles Meredith comes back from the war an officer. He turns down his father's offer as a executive in his steel plant. He worked his way up in the army on his abilities, and he'll do the same in civilian life. So he takes a manual job in the plant and makes friends while his father works himself to death.

After that, he takes over, and runs things exactly by the book... his father's book of "no sentimentality". This doesn't please Florence Vidor, who has turned activist and whom he asks to marry; nor David Butler, who is blinded when Meredith refuses to make improvements for safety, nor Zasu Pitts (who, as usual, steals the show), who's going to marry Butler.

This activist movie may seem a bit odd compared to some of the blaring anti-Communist films that the industry was turning out at the time, but it's directed by King Vidor, and he did this sort of thing occasionally: THE CROWD and OUR DAILY BREAD were just two of the movies in which he offered old-fashioned decency as a balm to the wearying and sometimes deadly hand of capitalism. This is a third.