Mickey is about to get his big break as an amateur filmmaker, from a serial killer who turns him and his camera into 'the perfect witness'.Mickey is about to get his big break as an amateur filmmaker, from a serial killer who turns him and his camera into 'the perfect witness'.Mickey is about to get his big break as an amateur filmmaker, from a serial killer who turns him and his camera into 'the perfect witness'.
- Awards
- 1 win & 1 nomination total
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Storyline
Did you know
- TriviaAccording to an interview he gave to the New York Times in 2010, this movie was made during the middle of Wes Bentley's decade-long, extremely serious addiction to cocaine and heroin. He said in that interview that he only accepted any movie roles during that time so that he would have money to buy enough drugs.
- Quotes
James Lemac: So what do you want from me?
Mickey Gravatski: I'm a film maker. I wanna do this documentary about you. About what you do.
James Lemac: How'd you find me?
Mickey Gravatski: [no response]
James Lemac: You wanna do what with me?
Mickey Gravatski: Documentary?
James Lemac: And if I don't agree?
Mickey Gravatski: I send the tape to the police. But, if you do, I won't release it, ya know, until, or if, you're caught.
James Lemac: Look. Children, digging holes. Mothers watching their children. But who watches the mothers?
Mickey Gravatski: Do you um, do you, do you like children?
James Lemac: I like mothers better.
James Lemac: So why should I believe you?
Mickey Gravatski: I wanna do this documentary. Serial killers, ya know, when they're caught, the media, they portray them as m...
[women walk by]
Mickey Gravatski: monsters. Animals. I wanna show that you're... human, and ya know, show your thoughts, and feelings, and um, I wanna preserve you.
James Lemac: And what if I decide my next victim is you?
Mickey Gravatski: I don't fit your profile.
James Lemac: Humph
- ConnectionsReferenced in My Pure Joy (2011)
But the biggest problem for me was depth. The movie wants to be weighing in on the way in which the filmmaker ends up behaving like the killer, but the plot doesn't slow down long enough to really explore it. It just keeps plowing ahead into new unlikely turn after turn, with no time left for a real reckoning for anyone.
At the end, I'm not sorry I watched it, but it wasn't all that great.
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Details
Box office
- Gross worldwide
- $18,320
- Runtime1 hour 40 minutes
- Color
- Aspect ratio
- 1.85 : 1