Mahnaz Soqandi
I graduated from the University of Allameh Tabatabe’i in BA Spanish Language and Payam-e Noor University in BA English Language and Literature, in Tehran. My main academic interests are cultural studies, comparative literature and post-modernist Literature, poem and drama. Also, I have a keen interest in Classical Literature through independent study.
Phone: 00989120241698
Address: Faculty of Sport Sciences of Allameh Tabatabae'i, In front of Olympic Hotel, Azadi Sport Complex West Blvd, West end Hakim Expressway, Tehran, Iran
Phone: 00989120241698
Address: Faculty of Sport Sciences of Allameh Tabatabae'i, In front of Olympic Hotel, Azadi Sport Complex West Blvd, West end Hakim Expressway, Tehran, Iran
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Papers by Mahnaz Soqandi
change”, since a culture`s hegemony is unstable. Raymond Williams views culture as a “productive process” that is, part of the means of production, and cultural materialism often identifies what he called “residual”, “emergent” and “oppositional” cultural elements. Seemingly, James Joyce`s Dubliners pertains to the notion of language, social identity and religion as cultural practices within the framework of cultural materialism. This study aims to clarify how James Joyce`s Dubliners reflects the notions of language, social identity and religion as cultural practices and how they construct social and cultural products within the framework of cultural materialism to show how James Joyce criticizes Irish culture at the beginning of the Twentieth century.
change”, since a culture`s hegemony is unstable. Raymond Williams views culture as a “productive process” that is, part of the means of production, and cultural materialism often identifies what he called “residual”, “emergent” and “oppositional” cultural elements. Seemingly, James Joyce`s Dubliners pertains to the notion of language, social identity and religion as cultural practices within the framework of cultural materialism. This study aims to clarify how James Joyce`s Dubliners reflects the notions of language, social identity and religion as cultural practices and how they construct social and cultural products within the framework of cultural materialism to show how James Joyce criticizes Irish culture at the beginning of the Twentieth century.