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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 3 189 23 it is the complementary color RGB 252 66 232. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 3 189 23. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 3 189 23 shade: RGB 8 189 18, RGB 25 207 37, RGB 42 225 56, RGB 59 243 75 and RGB 76 255 94

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 3 189 23. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 3 189 23 shade: RGB 3 189 23, RGB 0 171 4, RGB 0 153 0, RGB 0 135 0 and RGB 0 117 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 3 189 23 shade: RGB 2 190 23, RGB 33 190 2, RGB 84 190 2, RGB 134 190 2 and RGB 185 190 2

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 3 189 23 shade: RGB 2 190 23, RGB 2 190 73, RGB 2 190 124, RGB 2 190 175 and RGB 2 155 190

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 3 189 23 shade matches the following richer shades: RGB 2 190 23

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 3 189 23 shade: RGB 2 190 23, RGB 18 175 35, RGB 34 159 47, RGB 49 143 60 and RGB 65 128 72

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 3 189 23 shade: RGB 84 190 2, RGB 34 190 2, RGB 2 190 21, RGB 2 190 71 and RGB 2 190 121

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 3 189 23 shade: RGB 1 109 13, RGB 2 150 18, RGB 2 190 23, RGB 3 231 28 and RGB 24 251 49

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 3 189 23 shade: RGB 3 189 23, RGB 2 134 190 and RGB 190 2 59

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 3 189 23 shade: RGB 3 189 23, RGB 21 2 190 and RGB 190 21 2

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 3 189 23 shade: RGB 3 189 23, RGB 2 134 190, RGB 190 2 172 and RGB 190 59 2

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 3 189 23 shade: RGB 3 189 23, RGB 2 78 190, RGB 190 2 172 and RGB 190 115 2

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 98 / 0 / 88 / 26

HEX #03BD17

RGB 3 189 23

HSL 126.45, 0.97%, 0.38%

LAB 66.88, -68.06, 63.23

 

Complementary color

CMYK 0 / 74 / 8 / 1

HEX #FC42E8

RGB 252 66 232

HSL 306.45, 0.97%, 0.62%

LAB 62.01, 84.54, -45.38

 

CMYK 96 / 0 / 90 / 26

HEX #08BD12

RGB 8 189 18

HSL 123.31, 0.92%, 0.39%

LAB 66.89, -68.02, 64.17

 

CMYK 88 / 0 / 82 / 19

HEX #19CF25

RGB 25 207 37

HSL 123.96, 0.78%, 0.45%

LAB 72.87, -71.27, 65.41

 

CMYK 81 / 0 / 75 / 12

HEX #2AE138

RGB 42 225 56

HSL 124.59, 0.75%, 0.52%

LAB 78.83, -73.71, 65.57

 

CMYK 76 / 0 / 69 / 5

HEX #3BF34B

RGB 59 243 75

HSL 125.22, 0.88%, 0.59%

LAB 84.76, -75.51, 65.08

 

CMYK 70 / 0 / 63 / 0

HEX #4CFF5E

RGB 76 255 94

HSL 126.03, 1%, 0.65%

LAB 88.86, -74.92, 62.2

 

CMYK 98 / 0 / 88 / 26

HEX #03BD17

RGB 3 189 23

HSL 126.45, 0.97%, 0.38%

LAB 66.88, -68.06, 63.23

 

CMYK 100 / 0 / 98 / 33

HEX #00AB04

RGB 0 171 4

HSL 121.4, 1%, 0.34%

LAB 60.9, -63.78, 61.11

 

CMYK 100 / 0 / 100 / 40

HEX #009900

RGB 0 153 0

HSL 120, 1%, 0.3%

LAB 54.85, -58.86, 56.81

 

CMYK 100 / 0 / 100 / 47

HEX #008700

RGB 0 135 0

HSL 120, 1%, 0.26%

LAB 48.67, -53.73, 51.86

 

CMYK 100 / 0 / 100 / 54

HEX #007500

RGB 0 117 0

HSL 120, 1%, 0.23%

LAB 42.34, -48.47, 46.78

 

CMYK 99 / 0 / 88 / 25

HEX #02BE17

RGB 2 190 23

HSL 126.7, 0.98%, 0.38%

LAB 67.2, -68.38, 63.51

 

CMYK 83 / 0 / 99 / 25

HEX #21BE02

RGB 33 190 2

HSL 110.11, 0.98%, 0.38%

LAB 67.39, -66.83, 66.73

 

CMYK 56 / 0 / 99 / 25

HEX #54BE02

RGB 84 190 2

HSL 93.83, 0.98%, 0.38%

LAB 68.55, -57.05, 68.14

 

CMYK 29 / 0 / 99 / 25

HEX #86BE02

RGB 134 190 2

HSL 77.87, 0.98%, 0.38%

LAB 70.8, -40.44, 70.87

 

CMYK 3 / 0 / 99 / 25

HEX #B9BE02

RGB 185 190 2

HSL 61.6, 0.98%, 0.38%

LAB 74.28, -19.42, 75.04

 

CMYK 99 / 0 / 88 / 25

HEX #02BE17

RGB 2 190 23

HSL 126.7, 0.98%, 0.38%

LAB 67.2, -68.38, 63.51

 

CMYK 99 / 0 / 62 / 25

HEX #02BE49

RGB 2 190 73

HSL 142.66, 0.98%, 0.38%

LAB 67.52, -64.38, 46.87

 

CMYK 99 / 0 / 35 / 25

HEX #02BE7C

RGB 2 190 124

HSL 158.94, 0.98%, 0.38%

LAB 68.24, -55.74, 22.29

 

CMYK 99 / 0 / 8 / 25

HEX #02BEAF

RGB 2 190 175

HSL 175.21, 0.98%, 0.38%

LAB 69.42, -42.9, -3.75

 

CMYK 99 / 18 / 0 / 25

HEX #029BBE

RGB 2 155 190

HSL 191.17, 0.98%, 0.38%

LAB 59.13, -21.39, -27.64

 

CMYK 99 / 0 / 88 / 25

HEX #02BE17

RGB 2 190 23

HSL 126.7, 0.98%, 0.38%

LAB 67.2, -68.38, 63.51

 

CMYK 99 / 0 / 88 / 25

HEX #02BE17

RGB 2 190 23

HSL 126.7, 0.98%, 0.38%

LAB 67.2, -68.38, 63.51

 

CMYK 90 / 0 / 80 / 31

HEX #12AF23

RGB 18 175 35

HSL 126.5, 0.81%, 0.38%

LAB 62.43, -62.67, 56.19

 

CMYK 79 / 0 / 70 / 38

HEX #229F2F

RGB 34 159 47

HSL 126.24, 0.65%, 0.38%

LAB 57.41, -55.08, 46.96

 

CMYK 66 / 0 / 58 / 44

HEX #318F3C

RGB 49 143 60

HSL 127.02, 0.49%, 0.38%

LAB 52.54, -45.25, 35.72

 

CMYK 49 / 0 / 44 / 50

HEX #418048

RGB 65 128 72

HSL 126.67, 0.33%, 0.38%

LAB 48.3, -32.98, 24.27

 

CMYK 56 / 0 / 99 / 25

HEX #54BE02

RGB 84 190 2

HSL 93.83, 0.98%, 0.38%

LAB 68.55, -57.05, 68.14

 

CMYK 82 / 0 / 99 / 25

HEX #22BE02

RGB 34 190 2

HSL 109.79, 0.98%, 0.38%

LAB 67.41, -66.72, 66.75

 

CMYK 99 / 0 / 89 / 25

HEX #02BE15

RGB 2 190 21

HSL 126.06, 0.98%, 0.38%

LAB 67.2, -68.46, 63.89

 

CMYK 99 / 0 / 63 / 25

HEX #02BE47

RGB 2 190 71

HSL 142.02, 0.98%, 0.38%

LAB 67.5, -64.63, 47.73

 

CMYK 99 / 0 / 36 / 25

HEX #02BE79

RGB 2 190 121

HSL 157.98, 0.98%, 0.38%

LAB 68.18, -56.38, 23.81

 

CMYK 99 / 0 / 88 / 57

HEX #016D0D

RGB 1 109 13

HSL 126.67, 0.98%, 0.22%

LAB 39.53, -45.35, 41.23

 

CMYK 99 / 0 / 88 / 41

HEX #029612

RGB 2 150 18

HSL 126.49, 0.97%, 0.3%

LAB 53.89, -57.28, 52.86

 

CMYK 99 / 0 / 88 / 25

HEX #02BE17

RGB 2 190 23

HSL 126.7, 0.98%, 0.38%

LAB 67.2, -68.38, 63.51

 

CMYK 99 / 0 / 88 / 9

HEX #03E71C

RGB 3 231 28

HSL 126.58, 0.97%, 0.46%

LAB 80.32, -79.26, 73.98

 

CMYK 90 / 0 / 80 / 2

HEX #18FB31

RGB 24 251 49

HSL 126.61, 0.97%, 0.54%

LAB 86.71, -82.86, 75.1

 

CMYK 98 / 0 / 88 / 26

HEX #03BD17

RGB 3 189 23

HSL 126.45, 0.97%, 0.38%

LAB 66.88, -68.06, 63.23

 

CMYK 99 / 29 / 0 / 25

HEX #0286BE

RGB 2 134 190

HSL 197.87, 0.98%, 0.38%

LAB 52.71, -9.86, -37.65

 

CMYK 0 / 99 / 69 / 25

HEX #BE023B

RGB 190 2 59

HSL 341.81, 0.98%, 0.38%

LAB 40.09, 65.44, 24.34

 

CMYK 98 / 0 / 88 / 26

HEX #03BD17

RGB 3 189 23

HSL 126.45, 0.97%, 0.38%

LAB 66.88, -68.06, 63.23

 

CMYK 89 / 99 / 0 / 25

HEX #1502BE

RGB 21 2 190

HSL 246.06, 0.98%, 0.38%

LAB 23.41, 63.2, -85.28

 

CMYK 0 / 89 / 99 / 25

HEX #BE1502

RGB 190 21 2

HSL 6.06, 0.98%, 0.38%

LAB 40.39, 61.66, 53.46

 

CMYK 98 / 0 / 88 / 26

HEX #03BD17

RGB 3 189 23

HSL 126.45, 0.97%, 0.38%

LAB 66.88, -68.06, 63.23

 

CMYK 99 / 29 / 0 / 25

HEX #0286BE

RGB 2 134 190

HSL 197.87, 0.98%, 0.38%

LAB 52.71, -9.86, -37.65

 

CMYK 0 / 99 / 9 / 25

HEX #BE02AC

RGB 190 2 172

HSL 305.74, 0.98%, 0.38%

LAB 44.19, 76.02, -39.72

 

CMYK 0 / 69 / 99 / 25

HEX #BE3B02

RGB 190 59 2

HSL 18.19, 0.98%, 0.38%

LAB 44.35, 50.6, 55.34

 

CMYK 98 / 0 / 88 / 26

HEX #03BD17

RGB 3 189 23

HSL 126.45, 0.97%, 0.38%

LAB 66.88, -68.06, 63.23

 

CMYK 99 / 59 / 0 / 25

HEX #024EBE

RGB 2 78 190

HSL 215.74, 0.98%, 0.38%

LAB 36.33, 25.59, -63.93

 

CMYK 0 / 99 / 9 / 25

HEX #BE02AC

RGB 190 2 172

HSL 305.74, 0.98%, 0.38%

LAB 44.19, 76.02, -39.72

 

CMYK 0 / 39 / 99 / 25

HEX #BE7302

RGB 190 115 2

HSL 36.06, 0.98%, 0.38%

LAB 55.29, 22.92, 61.88

 

Description

Color code: RGB 3 189 23 | qconv.com Color code: RGB 3 189 23 | qconv.com - big

With this color, green stands out from the other colors. The value that represents the green hue is greater than the other two values. It stands out far from the value for the red and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 3 red, 189 green and 23 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
3 189 23 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 98 cyan, none magenta, 88 yellow and 26 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
98% 0% 88% 26% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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