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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 39 237 184 it is the complementary color RGB 216 18 71. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 39 237 184. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 39 237 184 shade: RGB 44 237 179, RGB 61 255 198, RGB 78 255 217, RGB 95 255 236 and RGB 112 255 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 39 237 184. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 39 237 184 shade: RGB 39 237 184, RGB 22 219 165, RGB 5 201 146, RGB 0 183 127 and RGB 0 165 108

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 39 237 184 shade: RGB 37 237 184, RGB 37 237 130, RGB 37 237 76, RGB 53 237 37 and RGB 107 237 37

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 39 237 184 shade: RGB 37 237 184, RGB 37 237 237, RGB 37 183 237, RGB 37 129 237 and RGB 37 75 237

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 39 237 184 shade matches the following richer shades: RGB 37 237 184

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 39 237 184 shade: RGB 37 237 184, RGB 56 218 175, RGB 75 199 166, RGB 94 180 157 and RGB 113 161 148

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 39 237 184 shade: RGB 37 237 74, RGB 37 237 127, RGB 37 237 180, RGB 37 237 234 and RGB 37 187 237

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 39 237 184 shade: RGB 14 178 134, RGB 17 216 163, RGB 37 237 184, RGB 76 240 196 and RGB 114 243 208

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 39 237 184 shade: RGB 39 237 184, RGB 37 54 237 and RGB 237 101 37

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 39 237 184 shade: RGB 39 237 184, RGB 180 37 237 and RGB 237 180 37

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 39 237 184 shade: RGB 39 237 184, RGB 37 54 237, RGB 237 37 94 and RGB 237 220 37

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 39 237 184 shade: RGB 39 237 184, RGB 81 37 237, RGB 237 37 94 and RGB 194 237 37

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 84 / 0 / 22 / 7

HEX #27EDB8

RGB 39 237 184

HSL 163.94, 0.85%, 0.54%

LAB 84.2, -57.93, 12.82

 

Complementary color

CMYK 0 / 92 / 67 / 15

HEX #D81247

RGB 216 18 71

HSL 343.94, 0.85%, 0.46%

LAB 46.29, 70.68, 25.83

 

CMYK 81 / 0 / 24 / 7

HEX #2CEDB3

RGB 44 237 179

HSL 161.97, 0.84%, 0.55%

LAB 84.15, -58.69, 15.36

 

CMYK 76 / 0 / 22 / 0

HEX #3DFFC6

RGB 61 255 198

HSL 162.37, 1%, 0.62%

LAB 90.13, -59.63, 13.99

 

CMYK 69 / 0 / 15 / 0

HEX #4EFFD9

RGB 78 255 217

HSL 167.12, 1%, 0.65%

LAB 90.85, -53.12, 5.25

 

CMYK 63 / 0 / 7 / 0

HEX #5FFFEC

RGB 95 255 236

HSL 172.88, 1%, 0.69%

LAB 91.69, -45.96, -3.32

 

CMYK 56 / 0 / 0 / 0

HEX #70FFFF

RGB 112 255 255

HSL 180, 1%, 0.72%

LAB 92.66, -38.26, -11.68

 

CMYK 84 / 0 / 22 / 7

HEX #27EDB8

RGB 39 237 184

HSL 163.94, 0.85%, 0.54%

LAB 84.2, -57.93, 12.82

 

CMYK 90 / 0 / 25 / 14

HEX #16DBA5

RGB 22 219 165

HSL 163.55, 0.82%, 0.47%

LAB 78.2, -56.56, 14.3

 

CMYK 98 / 0 / 27 / 21

HEX #05C992

RGB 5 201 146

HSL 163.16, 0.95%, 0.4%

LAB 72.15, -54.81, 15.91

 

CMYK 100 / 0 / 31 / 28

HEX #00B77F

RGB 0 183 127

HSL 161.64, 1%, 0.36%

LAB 66.06, -52.56, 17.69

 

CMYK 100 / 0 / 35 / 35

HEX #00A56C

RGB 0 165 108

HSL 159.27, 1%, 0.32%

LAB 59.88, -50.07, 19.58

 

CMYK 84 / 0 / 22 / 7

HEX #25EDB8

RGB 37 237 184

HSL 164.1, 0.85%, 0.54%

LAB 84.19, -58.08, 12.79

 

CMYK 84 / 0 / 45 / 7

HEX #25ED82

RGB 37 237 130

HSL 147.9, 0.85%, 0.54%

LAB 83.22, -69.02, 39

 

CMYK 84 / 0 / 68 / 7

HEX #25ED4C

RGB 37 237 76

HSL 131.7, 0.85%, 0.54%

LAB 82.64, -76.06, 62.37

 

CMYK 78 / 0 / 84 / 7

HEX #35ED25

RGB 53 237 37

HSL 115.2, 0.85%, 0.54%

LAB 82.62, -76.96, 74.36

 

CMYK 55 / 0 / 84 / 7

HEX #6BED25

RGB 107 237 37

HSL 99, 0.85%, 0.54%

LAB 83.88, -66.47, 75.95

 

CMYK 84 / 0 / 22 / 7

HEX #25EDB8

RGB 37 237 184

HSL 164.1, 0.85%, 0.54%

LAB 84.19, -58.08, 12.79

 

CMYK 84 / 0 / 0 / 7

HEX #25EDED

RGB 37 237 237

HSL 180, 0.85%, 0.54%

LAB 85.54, -44.17, -13.06

 

CMYK 84 / 23 / 0 / 7

HEX #25B7ED

RGB 37 183 237

HSL 196.2, 0.85%, 0.54%

LAB 69.74, -18.19, -37.18

 

CMYK 84 / 46 / 0 / 7

HEX #2581ED

RGB 37 129 237

HSL 212.4, 0.85%, 0.54%

LAB 54.25, 12.8, -61.69

 

CMYK 84 / 68 / 0 / 7

HEX #254BED

RGB 37 75 237

HSL 228.6, 0.85%, 0.54%

LAB 40.48, 46.68, -84.12

 

CMYK 84 / 0 / 22 / 7

HEX #25EDB8

RGB 37 237 184

HSL 164.1, 0.85%, 0.54%

LAB 84.19, -58.08, 12.79

 

CMYK 84 / 0 / 22 / 7

HEX #25EDB8

RGB 37 237 184

HSL 164.1, 0.85%, 0.54%

LAB 84.19, -58.08, 12.79

 

CMYK 74 / 0 / 20 / 15

HEX #38DAAF

RGB 56 218 175

HSL 164.07, 0.69%, 0.54%

LAB 78.51, -50.9, 9.49

 

CMYK 62 / 0 / 17 / 22

HEX #4BC7A6

RGB 75 199 166

HSL 164.03, 0.53%, 0.54%

LAB 72.95, -42.21, 6.42

 

CMYK 48 / 0 / 13 / 29

HEX #5EB49D

RGB 94 180 157

HSL 163.95, 0.36%, 0.54%

LAB 67.62, -31.65, 3.72

 

CMYK 30 / 0 / 8 / 37

HEX #71A194

RGB 113 161 148

HSL 163.75, 0.2%, 0.54%

LAB 62.62, -18.97, 1.6

 

CMYK 84 / 0 / 69 / 7

HEX #25ED4A

RGB 37 237 74

HSL 131.1, 0.85%, 0.54%

LAB 82.62, -76.24, 63.11

 

CMYK 84 / 0 / 46 / 7

HEX #25ED7F

RGB 37 237 127

HSL 147, 0.85%, 0.54%

LAB 83.18, -69.52, 40.41

 

CMYK 84 / 0 / 24 / 7

HEX #25EDB4

RGB 37 237 180

HSL 162.9, 0.85%, 0.54%

LAB 84.1, -59.01, 14.75

 

CMYK 84 / 0 / 1 / 7

HEX #25EDEA

RGB 37 237 234

HSL 179.1, 0.85%, 0.54%

LAB 85.45, -45.03, -11.61

 

CMYK 84 / 21 / 0 / 7

HEX #25BBED

RGB 37 187 237

HSL 195, 0.85%, 0.54%

LAB 70.9, -20.28, -35.36

 

CMYK 92 / 0 / 25 / 30

HEX #0EB286

RGB 14 178 134

HSL 163.9, 0.85%, 0.38%

LAB 64.69, -48.41, 11.97

 

CMYK 92 / 0 / 25 / 15

HEX #11D8A3

RGB 17 216 163

HSL 164.02, 0.85%, 0.46%

LAB 77.21, -56.11, 13.96

 

CMYK 84 / 0 / 22 / 7

HEX #25EDB8

RGB 37 237 184

HSL 164.1, 0.85%, 0.54%

LAB 84.19, -58.08, 12.79

 

CMYK 68 / 0 / 18 / 6

HEX #4CF0C4

RGB 76 240 196

HSL 163.9, 0.85%, 0.62%

LAB 85.93, -52.25, 9.08

 

CMYK 53 / 0 / 14 / 5

HEX #72F3D0

RGB 114 243 208

HSL 163.72, 0.84%, 0.7%

LAB 88.08, -43.99, 6.05

 

CMYK 84 / 0 / 22 / 7

HEX #27EDB8

RGB 39 237 184

HSL 163.94, 0.85%, 0.54%

LAB 84.2, -57.93, 12.82

 

CMYK 84 / 77 / 0 / 7

HEX #2536ED

RGB 37 54 237

HSL 234.9, 0.85%, 0.54%

LAB 36.26, 58.46, -91.09

 

CMYK 0 / 57 / 84 / 7

HEX #ED6525

RGB 237 101 37

HSL 19.2, 0.85%, 0.54%

LAB 59.38, 49.49, 58.62

 

CMYK 84 / 0 / 22 / 7

HEX #27EDB8

RGB 39 237 184

HSL 163.94, 0.85%, 0.54%

LAB 84.2, -57.93, 12.82

 

CMYK 24 / 84 / 0 / 7

HEX #B425ED

RGB 180 37 237

HSL 282.9, 0.85%, 0.54%

LAB 48.44, 79.85, -70.57

 

CMYK 0 / 24 / 84 / 7

HEX #EDB425

RGB 237 180 37

HSL 42.9, 0.85%, 0.54%

LAB 76.55, 8.93, 72.98

 

CMYK 84 / 0 / 22 / 7

HEX #27EDB8

RGB 39 237 184

HSL 163.94, 0.85%, 0.54%

LAB 84.2, -57.93, 12.82

 

CMYK 84 / 77 / 0 / 7

HEX #2536ED

RGB 37 54 237

HSL 234.9, 0.85%, 0.54%

LAB 36.26, 58.46, -91.09

 

CMYK 0 / 84 / 60 / 7

HEX #ED255E

RGB 237 37 94

HSL 342.9, 0.85%, 0.54%

LAB 51.99, 74.01, 20.04

 

CMYK 0 / 7 / 84 / 7

HEX #EDDC25

RGB 237 220 37

HSL 54.9, 0.85%, 0.54%

LAB 86.66, -11.58, 81.32

 

CMYK 84 / 0 / 22 / 7

HEX #27EDB8

RGB 39 237 184

HSL 163.94, 0.85%, 0.54%

LAB 84.2, -57.93, 12.82

 

CMYK 66 / 84 / 0 / 7

HEX #5125ED

RGB 81 37 237

HSL 253.2, 0.85%, 0.54%

LAB 36.34, 68.48, -90.88

 

CMYK 0 / 84 / 60 / 7

HEX #ED255E

RGB 237 37 94

HSL 342.9, 0.85%, 0.54%

LAB 51.99, 74.01, 20.04

 

CMYK 18 / 0 / 84 / 7

HEX #C2ED25

RGB 194 237 37

HSL 72.9, 0.85%, 0.54%

LAB 88.05, -37.3, 81.18

 

Description

Color code: RGB 39 237 184 | qconv.com Color code: RGB 39 237 184 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 39 red, 237 green and 184 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
39 237 184 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 84 cyan, none magenta, 22 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
84% 0% 22% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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