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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 39 165 137 it is the complementary color RGB 216 90 118. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 39 165 137. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 39 165 137 shade: RGB 44 165 132, RGB 61 183 151, RGB 78 201 170, RGB 95 219 189 and RGB 112 237 208

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 39 165 137. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 39 165 137 shade: RGB 39 165 137, RGB 22 147 118, RGB 5 129 99, RGB 0 111 80 and RGB 0 93 61

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 39 165 137 shade: RGB 38 165 137, RGB 38 165 103, RGB 38 165 68, RGB 42 165 38 and RGB 76 165 38

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 39 165 137 shade: RGB 38 165 137, RGB 38 159 165, RGB 38 125 165, RGB 38 91 165 and RGB 38 56 165

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 39 165 137 shade matches the following richer shades: RGB 38 165 137, RGB 22 181 146 and RGB 5 198 155

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 39 165 137 shade: RGB 38 165 137, RGB 55 148 127, RGB 71 132 118, RGB 88 115 109 and RGB 104 99 100

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 39 165 137 shade: RGB 38 165 68, RGB 38 165 102, RGB 38 165 135, RGB 38 161 165 and RGB 38 127 165

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 39 165 137 shade: RGB 23 98 81, RGB 30 131 109, RGB 38 165 137, RGB 46 198 164 and RGB 73 212 181

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 39 165 137 shade: RGB 39 165 137, RGB 38 42 165 and RGB 165 85 38

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 39 165 137 shade: RGB 39 165 137, RGB 135 38 165 and RGB 165 135 38

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 39 165 137 shade: RGB 39 165 137, RGB 38 42 165, RGB 165 38 68 and RGB 165 161 38

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 39 165 137 shade: RGB 39 165 137, RGB 72 38 165, RGB 165 38 68 and RGB 131 165 38

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 76 / 0 / 17 / 35

HEX #27A589

RGB 39 165 137

HSL 166.67, 0.62%, 0.4%

LAB 60.91, -40.16, 4.97

 

Complementary color

CMYK 0 / 58 / 45 / 15

HEX #D85A76

RGB 216 90 118

HSL 346.67, 0.62%, 0.6%

LAB 55.3, 51.9, 9.69

 

CMYK 73 / 0 / 20 / 35

HEX #2CA584

RGB 44 165 132

HSL 163.64, 0.58%, 0.41%

LAB 60.88, -40.79, 7.74

 

CMYK 67 / 0 / 17 / 28

HEX #3DB797

RGB 61 183 151

HSL 164.26, 0.5%, 0.48%

LAB 67.35, -41.29, 6.5

 

CMYK 61 / 0 / 15 / 21

HEX #4EC9AA

RGB 78 201 170

HSL 164.88, 0.53%, 0.55%

LAB 73.74, -41.57, 5.39

 

CMYK 57 / 0 / 14 / 14

HEX #5FDBBD

RGB 95 219 189

HSL 165.48, 0.63%, 0.62%

LAB 80.05, -41.72, 4.38

 

CMYK 53 / 0 / 12 / 7

HEX #70EDD0

RGB 112 237 208

HSL 166.08, 0.78%, 0.68%

LAB 86.29, -41.76, 3.45

 

CMYK 76 / 0 / 17 / 35

HEX #27A589

RGB 39 165 137

HSL 166.67, 0.62%, 0.4%

LAB 60.91, -40.16, 4.97

 

CMYK 85 / 0 / 20 / 42

HEX #169376

RGB 22 147 118

HSL 166.08, 0.74%, 0.33%

LAB 54.39, -39.14, 6.34

 

CMYK 96 / 0 / 23 / 49

HEX #058163

RGB 5 129 99

HSL 165.48, 0.93%, 0.26%

LAB 47.8, -37.65, 7.91

 

CMYK 100 / 0 / 28 / 56

HEX #006F50

RGB 0 111 80

HSL 163.24, 1%, 0.22%

LAB 41.13, -35.37, 9.74

 

CMYK 100 / 0 / 34 / 64

HEX #005D3D

RGB 0 93 61

HSL 159.35, 1%, 0.18%

LAB 34.33, -32.66, 11.77

 

CMYK 77 / 0 / 17 / 35

HEX #26A589

RGB 38 165 137

HSL 166.77, 0.63%, 0.4%

LAB 60.89, -40.28, 4.94

 

CMYK 77 / 0 / 38 / 35

HEX #26A567

RGB 38 165 103

HSL 150.71, 0.63%, 0.4%

LAB 60.16, -48.22, 22.75

 

CMYK 77 / 0 / 59 / 35

HEX #26A544

RGB 38 165 68

HSL 134.17, 0.63%, 0.4%

LAB 59.65, -54.11, 40.15

 

CMYK 75 / 0 / 77 / 35

HEX #2AA526

RGB 42 165 38

HSL 118.11, 0.63%, 0.4%

LAB 59.47, -56.56, 52.48

 

CMYK 54 / 0 / 77 / 35

HEX #4CA526

RGB 76 165 38

HSL 102.05, 0.63%, 0.4%

LAB 60.42, -48.85, 53.72

 

CMYK 77 / 0 / 17 / 35

HEX #26A589

RGB 38 165 137

HSL 166.77, 0.63%, 0.4%

LAB 60.89, -40.28, 4.94

 

CMYK 77 / 4 / 0 / 35

HEX #269FA5

RGB 38 159 165

HSL 182.83, 0.63%, 0.4%

LAB 59.82, -29.47, -12.43

 

CMYK 77 / 24 / 0 / 35

HEX #267DA5

RGB 38 125 165

HSL 198.9, 0.63%, 0.4%

LAB 49.25, -11.49, -28.62

 

CMYK 77 / 45 / 0 / 35

HEX #265BA5

RGB 38 91 165

HSL 214.96, 0.63%, 0.4%

LAB 38.92, 9.38, -44.94

 

CMYK 77 / 66 / 0 / 35

HEX #2638A5

RGB 38 56 165

HSL 231.5, 0.63%, 0.4%

LAB 29.3, 32.66, -60.53

 

CMYK 77 / 0 / 17 / 35

HEX #26A589

RGB 38 165 137

HSL 166.77, 0.63%, 0.4%

LAB 60.89, -40.28, 4.94

 

CMYK 88 / 0 / 19 / 29

HEX #16B592

RGB 22 181 146

HSL 166.79, 0.78%, 0.4%

LAB 65.98, -46.15, 7.21

 

CMYK 97 / 0 / 22 / 22

HEX #05C69B

RGB 5 198 155

HSL 166.63, 0.95%, 0.4%

LAB 71.41, -51.47, 10.03

 

CMYK 77 / 0 / 17 / 35

HEX #26A589

RGB 38 165 137

HSL 166.77, 0.63%, 0.4%

LAB 60.89, -40.28, 4.94

 

CMYK 63 / 0 / 14 / 42

HEX #37947F

RGB 55 148 127

HSL 166.45, 0.46%, 0.4%

LAB 55.61, -32.6, 3.03

 

CMYK 46 / 0 / 11 / 48

HEX #478476

RGB 71 132 118

HSL 166.23, 0.3%, 0.4%

LAB 50.86, -23.39, 1.42

 

CMYK 23 / 0 / 5 / 55

HEX #58736D

RGB 88 115 109

HSL 166.67, 0.13%, 0.4%

LAB 46.23, -11.18, 0.09

 

CMYK 0 / 5 / 4 / 59

HEX #686364

RGB 104 99 100

HSL 348, 0.02%, 0.4%

LAB 42.44, 2.17, 0.13

 

CMYK 77 / 0 / 59 / 35

HEX #26A544

RGB 38 165 68

HSL 134.17, 0.63%, 0.4%

LAB 59.65, -54.11, 40.15

 

CMYK 77 / 0 / 38 / 35

HEX #26A566

RGB 38 165 102

HSL 150.24, 0.63%, 0.4%

LAB 60.14, -48.42, 23.27

 

CMYK 77 / 0 / 18 / 35

HEX #26A587

RGB 38 165 135

HSL 165.83, 0.63%, 0.4%

LAB 60.84, -40.8, 5.99

 

CMYK 77 / 2 / 0 / 35

HEX #26A1A5

RGB 38 161 165

HSL 181.89, 0.63%, 0.4%

LAB 60.44, -30.45, -11.5

 

CMYK 77 / 23 / 0 / 35

HEX #267FA5

RGB 38 127 165

HSL 197.95, 0.63%, 0.4%

LAB 49.87, -12.63, -27.66

 

CMYK 77 / 0 / 17 / 62

HEX #176251

RGB 23 98 81

HSL 166.4, 0.62%, 0.24%

LAB 36.95, -26.9, 3.24

 

CMYK 77 / 0 / 17 / 49

HEX #1E836D

RGB 30 131 109

HSL 166.93, 0.63%, 0.32%

LAB 49.02, -33.6, 3.86

 

CMYK 77 / 0 / 17 / 35

HEX #26A589

RGB 38 165 137

HSL 166.77, 0.63%, 0.4%

LAB 60.89, -40.28, 4.94

 

CMYK 77 / 0 / 17 / 22

HEX #2EC6A4

RGB 46 198 164

HSL 166.58, 0.62%, 0.48%

LAB 71.99, -46.5, 6.04

 

CMYK 66 / 0 / 15 / 17

HEX #49D4B5

RGB 73 212 181

HSL 166.62, 0.62%, 0.56%

LAB 77.18, -44.54, 4.44

 

CMYK 76 / 0 / 17 / 35

HEX #27A589

RGB 39 165 137

HSL 166.67, 0.62%, 0.4%

LAB 60.91, -40.16, 4.97

 

CMYK 77 / 75 / 0 / 35

HEX #262AA5

RGB 38 42 165

HSL 238.11, 0.63%, 0.4%

LAB 26.11, 41.36, -65.79

 

CMYK 0 / 48 / 77 / 35

HEX #A55526

RGB 165 85 38

HSL 22.2, 0.63%, 0.4%

LAB 45.13, 29.44, 40.9

 

CMYK 76 / 0 / 17 / 35

HEX #27A589

RGB 39 165 137

HSL 166.67, 0.62%, 0.4%

LAB 60.91, -40.16, 4.97

 

CMYK 18 / 77 / 0 / 35

HEX #8726A5

RGB 135 38 165

HSL 285.83, 0.63%, 0.4%

LAB 36.47, 58.16, -48.42

 

CMYK 0 / 18 / 77 / 35

HEX #A58726

RGB 165 135 38

HSL 45.83, 0.63%, 0.4%

LAB 57.53, 1.41, 53.04

 

CMYK 76 / 0 / 17 / 35

HEX #27A589

RGB 39 165 137

HSL 166.67, 0.62%, 0.4%

LAB 60.91, -40.16, 4.97

 

CMYK 77 / 75 / 0 / 35

HEX #262AA5

RGB 38 42 165

HSL 238.11, 0.63%, 0.4%

LAB 26.11, 41.36, -65.79

 

CMYK 0 / 77 / 59 / 35

HEX #A52644

RGB 165 38 68

HSL 345.83, 0.63%, 0.4%

LAB 37.49, 52.56, 14.25

 

CMYK 0 / 2 / 77 / 35

HEX #A5A126

RGB 165 161 38

HSL 58.11, 0.63%, 0.4%

LAB 64.67, -12.6, 59.67

 

CMYK 76 / 0 / 17 / 35

HEX #27A589

RGB 39 165 137

HSL 166.67, 0.62%, 0.4%

LAB 60.91, -40.16, 4.97

 

CMYK 56 / 77 / 0 / 35

HEX #4826A5

RGB 72 38 165

HSL 256.06, 0.63%, 0.4%

LAB 28.06, 47.35, -62.48

 

CMYK 0 / 77 / 59 / 35

HEX #A52644

RGB 165 38 68

HSL 345.83, 0.63%, 0.4%

LAB 37.49, 52.56, 14.25

 

CMYK 21 / 0 / 77 / 35

HEX #83A526

RGB 131 165 38

HSL 76.06, 0.63%, 0.4%

LAB 63.24, -29.23, 57.41

 

Description

Color code: RGB 39 165 137 | qconv.com Color code: RGB 39 165 137 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 39 red, 165 green and 137 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
39 165 137 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 76 cyan, none magenta, 17 yellow and 35 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
76% 0% 17% 35% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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