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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 39 138 124 it is the complementary color RGB 216 117 131. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 39 138 124. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 39 138 124 shade: RGB 44 138 119, RGB 61 156 138, RGB 78 174 157, RGB 95 192 176 and RGB 112 210 195

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 39 138 124. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 39 138 124 shade: RGB 39 138 124, RGB 22 120 105, RGB 5 102 86, RGB 0 84 67 and RGB 0 66 48

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 39 138 124 shade: RGB 39 139 125, RGB 39 139 98, RGB 39 139 71, RGB 39 139 44 and RGB 61 139 39

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 39 138 124 shade: RGB 39 139 125, RGB 39 126 139, RGB 39 99 139, RGB 39 72 139 and RGB 39 45 139

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 39 138 124 shade matches the following richer shades: RGB 39 139 125, RGB 24 153 135 and RGB 10 168 145

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 39 138 124 shade: RGB 39 139 125, RGB 53 124 114, RGB 68 110 104, RGB 82 95 94 and RGB 97 81 83

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 39 138 124 shade: RGB 39 139 70, RGB 39 139 97, RGB 39 139 124, RGB 39 127 139 and RGB 39 100 139

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 39 138 124 shade: RGB 21 74 67, RGB 30 107 96, RGB 39 139 125, RGB 48 171 154 and RGB 60 200 180

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 39 138 124 shade: RGB 39 138 124, RGB 44 39 139 and RGB 139 84 39

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 39 138 124 shade: RGB 39 138 124, RGB 124 39 139 and RGB 139 124 39

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 39 138 124 shade: RGB 39 138 124, RGB 44 39 139, RGB 139 39 54 and RGB 134 139 39

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 39 138 124 shade: RGB 39 138 124, RGB 74 39 139, RGB 139 39 54 and RGB 104 139 39

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 72 / 0 / 10 / 46

HEX #278A7C

RGB 39 138 124

HSL 171.52, 0.56%, 0.35%

LAB 51.91, -31.43, -0.68

 

Complementary color

CMYK 0 / 46 / 39 / 15

HEX #D87583

RGB 216 117 131

HSL 351.52, 0.56%, 0.65%

LAB 60.75, 40.03, 9.82

 

CMYK 68 / 0 / 14 / 46

HEX #2C8A77

RGB 44 138 119

HSL 167.87, 0.52%, 0.36%

LAB 51.89, -32.02, 2.21

 

CMYK 61 / 0 / 12 / 39

HEX #3D9C8A

RGB 61 156 138

HSL 168.63, 0.44%, 0.43%

LAB 58.61, -32.33, 1.13

 

CMYK 55 / 0 / 10 / 32

HEX #4EAE9D

RGB 78 174 157

HSL 169.38, 0.38%, 0.49%

LAB 65.22, -32.47, 0.17

 

CMYK 51 / 0 / 8 / 25

HEX #5FC0B0

RGB 95 192 176

HSL 170.1, 0.43%, 0.56%

LAB 71.74, -32.5, -0.7

 

CMYK 47 / 0 / 7 / 18

HEX #70D2C3

RGB 112 210 195

HSL 170.82, 0.52%, 0.63%

LAB 78.16, -32.47, -1.51

 

CMYK 72 / 0 / 10 / 46

HEX #278A7C

RGB 39 138 124

HSL 171.52, 0.56%, 0.35%

LAB 51.91, -31.43, -0.68

 

CMYK 82 / 0 / 13 / 53

HEX #167869

RGB 22 120 105

HSL 170.82, 0.69%, 0.28%

LAB 45.11, -30.59, 0.53

 

CMYK 95 / 0 / 16 / 60

HEX #056656

RGB 5 102 86

HSL 170.1, 0.91%, 0.21%

LAB 38.21, -29.27, 1.95

 

CMYK 100 / 0 / 20 / 67

HEX #005443

RGB 0 84 67

HSL 167.86, 1%, 0.16%

LAB 31.22, -27, 3.69

 

CMYK 100 / 0 / 27 / 74

HEX #004230

RGB 0 66 48

HSL 163.64, 1%, 0.13%

LAB 24.03, -24.21, 5.68

 

CMYK 72 / 0 / 10 / 45

HEX #278B7D

RGB 39 139 125

HSL 171.6, 0.56%, 0.35%

LAB 52.26, -31.62, -0.74

 

CMYK 72 / 0 / 29 / 45

HEX #278B62

RGB 39 139 98

HSL 155.4, 0.56%, 0.35%

LAB 51.59, -38.59, 13.87

 

CMYK 72 / 0 / 49 / 45

HEX #278B47

RGB 39 139 71

HSL 139.2, 0.56%, 0.35%

LAB 51.1, -44.03, 28.22

 

CMYK 72 / 0 / 68 / 45

HEX #278B2C

RGB 39 139 44

HSL 123, 0.56%, 0.35%

LAB 50.78, -47.74, 41.16

 

CMYK 56 / 0 / 72 / 45

HEX #3D8B27

RGB 61 139 39

HSL 106.8, 0.56%, 0.35%

LAB 51.39, -42.99, 44.11

 

CMYK 72 / 0 / 10 / 45

HEX #278B7D

RGB 39 139 125

HSL 171.6, 0.56%, 0.35%

LAB 52.26, -31.62, -0.74

 

CMYK 72 / 9 / 0 / 45

HEX #277E8B

RGB 39 126 139

HSL 187.8, 0.56%, 0.35%

LAB 48.53, -20.82, -14.49

 

CMYK 72 / 29 / 0 / 45

HEX #27638B

RGB 39 99 139

HSL 204, 0.56%, 0.35%

LAB 39.95, -5.43, -27.73

 

CMYK 72 / 48 / 0 / 45

HEX #27488B

RGB 39 72 139

HSL 220.2, 0.56%, 0.35%

LAB 31.65, 12.04, -40.89

 

CMYK 72 / 68 / 0 / 45

HEX #272D8B

RGB 39 45 139

HSL 236.4, 0.56%, 0.35%

LAB 24.23, 30.37, -52.93

 

CMYK 72 / 0 / 10 / 45

HEX #278B7D

RGB 39 139 125

HSL 171.6, 0.56%, 0.35%

LAB 52.26, -31.62, -0.74

 

CMYK 84 / 0 / 12 / 40

HEX #189987

RGB 24 153 135

HSL 171.63, 0.73%, 0.35%

LAB 56.81, -36.94, 0.12

 

CMYK 94 / 0 / 14 / 34

HEX #0AA891

RGB 10 168 145

HSL 171.27, 0.89%, 0.35%

LAB 61.75, -41.57, 1.66

 

CMYK 72 / 0 / 10 / 45

HEX #278B7D

RGB 39 139 125

HSL 171.6, 0.56%, 0.35%

LAB 52.26, -31.62, -0.74

 

CMYK 57 / 0 / 8 / 51

HEX #357C72

RGB 53 124 114

HSL 171.55, 0.4%, 0.35%

LAB 47.48, -24.8, -1.26

 

CMYK 38 / 0 / 5 / 57

HEX #446E68

RGB 68 110 104

HSL 171.43, 0.24%, 0.35%

LAB 43.33, -16.14, -1.29

 

CMYK 14 / 0 / 1 / 63

HEX #525F5E

RGB 82 95 94

HSL 175.38, 0.07%, 0.35%

LAB 39.22, -5.22, -1.13

 

CMYK 0 / 16 / 14 / 62

HEX #615153

RGB 97 81 83

HSL 352.5, 0.09%, 0.35%

LAB 36.08, 7.01, 1.3

 

CMYK 72 / 0 / 50 / 45

HEX #278B46

RGB 39 139 70

HSL 138.6, 0.56%, 0.35%

LAB 51.08, -44.2, 28.74

 

CMYK 72 / 0 / 30 / 45

HEX #278B61

RGB 39 139 97

HSL 154.8, 0.56%, 0.35%

LAB 51.56, -38.82, 14.41

 

CMYK 72 / 0 / 11 / 45

HEX #278B7C

RGB 39 139 124

HSL 171, 0.56%, 0.35%

LAB 52.23, -31.9, -0.2

 

CMYK 72 / 9 / 0 / 45

HEX #277F8B

RGB 39 127 139

HSL 187.2, 0.56%, 0.35%

LAB 48.85, -21.35, -14.01

 

CMYK 72 / 28 / 0 / 45

HEX #27648B

RGB 39 100 139

HSL 203.4, 0.56%, 0.35%

LAB 40.26, -6.04, -27.23

 

CMYK 72 / 0 / 9 / 71

HEX #154A43

RGB 21 74 67

HSL 172.08, 0.56%, 0.19%

LAB 28.01, -19.18, -0.92

 

CMYK 72 / 0 / 10 / 58

HEX #1E6B60

RGB 30 107 96

HSL 171.43, 0.56%, 0.27%

LAB 40.63, -25.85, -0.58

 

CMYK 72 / 0 / 10 / 45

HEX #278B7D

RGB 39 139 125

HSL 171.6, 0.56%, 0.35%

LAB 52.26, -31.62, -0.74

 

CMYK 72 / 0 / 10 / 33

HEX #30AB9A

RGB 48 171 154

HSL 171.71, 0.56%, 0.43%

LAB 63.41, -37.11, -0.89

 

CMYK 70 / 0 / 10 / 22

HEX #3CC8B4

RGB 60 200 180

HSL 171.43, 0.56%, 0.51%

LAB 73.26, -41.48, -0.76

 

CMYK 72 / 0 / 10 / 46

HEX #278A7C

RGB 39 138 124

HSL 171.52, 0.56%, 0.35%

LAB 51.91, -31.43, -0.68

 

CMYK 68 / 72 / 0 / 45

HEX #2C278B

RGB 44 39 139

HSL 243, 0.56%, 0.35%

LAB 23.17, 34.83, -54.65

 

CMYK 0 / 40 / 72 / 45

HEX #8B5427

RGB 139 84 39

HSL 27, 0.56%, 0.35%

LAB 41.18, 18.75, 35.09

 

CMYK 72 / 0 / 10 / 46

HEX #278A7C

RGB 39 138 124

HSL 171.52, 0.56%, 0.35%

LAB 51.91, -31.43, -0.68

 

CMYK 11 / 72 / 0 / 45

HEX #7C278B

RGB 124 39 139

HSL 291, 0.56%, 0.35%

LAB 33.14, 50.35, -38.03

 

CMYK 0 / 11 / 72 / 45

HEX #8B7C27

RGB 139 124 39

HSL 51, 0.56%, 0.35%

LAB 51.89, -4.35, 46.26

 

CMYK 72 / 0 / 10 / 46

HEX #278A7C

RGB 39 138 124

HSL 171.52, 0.56%, 0.35%

LAB 51.91, -31.43, -0.68

 

CMYK 68 / 72 / 0 / 45

HEX #2C278B

RGB 44 39 139

HSL 243, 0.56%, 0.35%

LAB 23.17, 34.83, -54.65

 

CMYK 0 / 72 / 61 / 45

HEX #8B2736

RGB 139 39 54

HSL 351, 0.56%, 0.35%

LAB 32.27, 43.03, 15.4

 

CMYK 4 / 0 / 72 / 45

HEX #868B27

RGB 134 139 39

HSL 63, 0.56%, 0.35%

LAB 55.77, -14.79, 49.96

 

CMYK 72 / 0 / 10 / 46

HEX #278A7C

RGB 39 138 124

HSL 171.52, 0.56%, 0.35%

LAB 51.91, -31.43, -0.68

 

CMYK 47 / 72 / 0 / 45

HEX #4A278B

RGB 74 39 139

HSL 261, 0.56%, 0.35%

LAB 26.07, 39.68, -49.79

 

CMYK 0 / 72 / 61 / 45

HEX #8B2736

RGB 139 39 54

HSL 351, 0.56%, 0.35%

LAB 32.27, 43.03, 15.4

 

CMYK 25 / 0 / 72 / 45

HEX #688B27

RGB 104 139 39

HSL 81, 0.56%, 0.35%

LAB 53.55, -27.75, 47.02

 

Description

Color code: RGB 39 138 124 | qconv.com Color code: RGB 39 138 124 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 39 red, 138 green and 124 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
39 138 124 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 72 cyan, none magenta, 10 yellow and 46 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
72% 0% 10% 46% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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