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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 38 29 37 it is the complementary color RGB 217 226 218. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 38 29 37. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 38 29 37 shade: RGB 43 29 32, RGB 60 47 51, RGB 77 65 70, RGB 94 83 89 and RGB 111 101 108

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 38 29 37. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 38 29 37 shade: RGB 38 29 37, RGB 21 11 18 and RGB 4 0 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 38 29 37 shade: RGB 37 28 36, RGB 37 28 34, RGB 37 28 31, RGB 37 28 29 and RGB 37 28 28

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 38 29 37 shade: RGB 37 28 36, RGB 36 28 37, RGB 33 28 37, RGB 31 28 37 and RGB 29 28 37

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 38 29 37 shade matches the following richer shades: RGB 37 28 36, RGB 42 23 40, RGB 48 18 44, RGB 53 12 49 and RGB 58 7 53

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 38 29 37 shade: RGB 37 28 36, RGB 32 34 32, RGB 26 39 28, RGB 21 44 23 and RGB 16 50 19

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 38 29 37 shade: RGB 33 28 37, RGB 36 28 37, RGB 37 28 36, RGB 37 28 34 and RGB 37 28 32

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.



Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 38 29 37 shade: RGB 38 29 37, RGB 37 31 28 and RGB 28 37 34

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 38 29 37 shade: RGB 38 29 37, RGB 36 37 28 and RGB 28 36 37

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 38 29 37 shade: RGB 38 29 37, RGB 37 31 28, RGB 28 37 29 and RGB 28 34 37

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 38 29 37 shade: RGB 38 29 37, RGB 37 34 28, RGB 28 37 29 and RGB 28 32 37

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 24 / 3 / 85

HEX #261D25

RGB 38 29 37

HSL 306.67, 0.13%, 0.13%

LAB 12.12, 6.21, -3.78

 

Complementary color

CMYK 4 / 0 / 4 / 11

HEX #D9E2DA

RGB 217 226 218

HSL 126.67, 0.13%, 0.87%

LAB 89.02, -4.46, 2.85

 

CMYK 0 / 33 / 26 / 83

HEX #2B1D20

RGB 43 29 32

HSL 347.14, 0.19%, 0.14%

LAB 12.59, 7.45, 0.65

 

CMYK 0 / 22 / 15 / 76

HEX #3C2F33

RGB 60 47 51

HSL 341.54, 0.12%, 0.21%

LAB 20.95, 6.71, -0.32

 

CMYK 0 / 16 / 9 / 70

HEX #4D4146

RGB 77 65 70

HSL 335, 0.08%, 0.28%

LAB 28.9, 6.16, -1.12

 

CMYK 0 / 12 / 5 / 63

HEX #5E5359

RGB 94 83 89

HSL 327.27, 0.06%, 0.35%

LAB 36.53, 5.71, -1.84

 

CMYK 0 / 9 / 3 / 56

HEX #6F656C

RGB 111 101 108

HSL 318, 0.05%, 0.42%

LAB 43.9, 5.34, -2.51

 

CMYK 0 / 24 / 3 / 85

HEX #261D25

RGB 38 29 37

HSL 306.67, 0.13%, 0.13%

LAB 12.12, 6.21, -3.78

 

CMYK 0 / 48 / 14 / 92

HEX #150B12

RGB 21 11 18

HSL 318, 0.31%, 0.06%

LAB 4, 4.82, -2.11

 

CMYK 0 / 100 / 100 / 98

HEX #040000

RGB 4 0 0

HSL 0, 1%, 0.01%

LAB 0.23, 1.05, 0.37

 

CMYK 0 / 24 / 3 / 85

HEX #251C24

RGB 37 28 36

HSL 306.67, 0.14%, 0.13%

LAB 11.63, 6.23, -3.79

 

CMYK 0 / 24 / 8 / 85

HEX #251C22

RGB 37 28 34

HSL 320, 0.14%, 0.13%

LAB 11.55, 5.75, -2.44

 

CMYK 0 / 24 / 16 / 85

HEX #251C1F

RGB 37 28 31

HSL 340, 0.14%, 0.13%

LAB 11.43, 5.06, -0.39

 

CMYK 0 / 24 / 22 / 85

HEX #251C1D

RGB 37 28 29

HSL 353.33, 0.14%, 0.13%

LAB 11.36, 4.62, 0.98

 

CMYK 0 / 24 / 24 / 85

HEX #251C1C

RGB 37 28 28

HSL 0, 0.14%, 0.13%

LAB 11.33, 4.41, 1.67

 

CMYK 0 / 24 / 3 / 85

HEX #251C24

RGB 37 28 36

HSL 306.67, 0.14%, 0.13%

LAB 11.63, 6.23, -3.79

 

CMYK 3 / 24 / 0 / 85

HEX #241C25

RGB 36 28 37

HSL 293.33, 0.14%, 0.13%

LAB 11.55, 6.03, -4.66

 

CMYK 11 / 24 / 0 / 85

HEX #211C25

RGB 33 28 37

HSL 273.33, 0.14%, 0.13%

LAB 11.19, 4.69, -5.24

 

CMYK 16 / 24 / 0 / 85

HEX #1F1C25

RGB 31 28 37

HSL 260, 0.14%, 0.13%

LAB 10.96, 3.8, -5.6

 

CMYK 22 / 24 / 0 / 85

HEX #1D1C25

RGB 29 28 37

HSL 246.67, 0.14%, 0.13%

LAB 10.74, 2.94, -5.95

 

CMYK 0 / 24 / 3 / 85

HEX #251C24

RGB 37 28 36

HSL 306.67, 0.14%, 0.13%

LAB 11.63, 6.23, -3.79

 

CMYK 0 / 45 / 5 / 84

HEX #2A1728

RGB 42 23 40

HSL 306.32, 0.29%, 0.13%

LAB 10.98, 13.02, -7.65

 

CMYK 0 / 63 / 8 / 81

HEX #30122C

RGB 48 18 44

HSL 308, 0.45%, 0.13%

LAB 10.87, 19.64, -10.69

 

CMYK 0 / 77 / 8 / 79

HEX #350C31

RGB 53 12 49

HSL 305.85, 0.63%, 0.13%

LAB 10.86, 25.72, -14.31

 

CMYK 0 / 88 / 9 / 77

HEX #3A0735

RGB 58 7 53

HSL 305.88, 0.78%, 0.13%

LAB 11.34, 30.15, -16.41

 

CMYK 0 / 24 / 3 / 85

HEX #251C24

RGB 37 28 36

HSL 306.67, 0.14%, 0.13%

LAB 11.63, 6.23, -3.79

 

CMYK 6 / 0 / 6 / 87

HEX #202220

RGB 32 34 32

HSL 120, 0.03%, 0.13%

LAB 12.96, -1.42, 1.02

 

CMYK 33 / 0 / 28 / 85

HEX #1A271C

RGB 26 39 28

HSL 129.23, 0.2%, 0.13%

LAB 14.14, -8.5, 5.5

 

CMYK 52 / 0 / 48 / 83

HEX #152C17

RGB 21 44 23

HSL 125.22, 0.35%, 0.13%

LAB 15.61, -14.71, 10.88

 

CMYK 68 / 0 / 62 / 80

HEX #103213

RGB 16 50 19

HSL 125.29, 0.52%, 0.13%

LAB 17.64, -20.36, 15.98

 

CMYK 11 / 24 / 0 / 85

HEX #211C25

RGB 33 28 37

HSL 273.33, 0.14%, 0.13%

LAB 11.19, 4.69, -5.24

 

CMYK 3 / 24 / 0 / 85

HEX #241C25

RGB 36 28 37

HSL 293.33, 0.14%, 0.13%

LAB 11.55, 6.03, -4.66

 

CMYK 0 / 24 / 3 / 85

HEX #251C24

RGB 37 28 36

HSL 306.67, 0.14%, 0.13%

LAB 11.63, 6.23, -3.79

 

CMYK 0 / 24 / 8 / 85

HEX #251C22

RGB 37 28 34

HSL 320, 0.14%, 0.13%

LAB 11.55, 5.75, -2.44

 

CMYK 0 / 24 / 14 / 85

HEX #251C20

RGB 37 28 32

HSL 333.33, 0.14%, 0.13%

LAB 11.47, 5.28, -1.08

 

CMYK 0 / 24 / 3 / 85

HEX #261D25

RGB 38 29 37

HSL 306.67, 0.13%, 0.13%

LAB 12.12, 6.21, -3.78

 

CMYK 0 / 16 / 24 / 85

HEX #251F1C

RGB 37 31 28

HSL 20, 0.14%, 0.13%

LAB 12.33, 2.24, 3.11

 

CMYK 24 / 0 / 8 / 85

HEX #1C2522

RGB 28 37 34

HSL 160, 0.14%, 0.13%

LAB 13.74, -4.79, 0.68

 

CMYK 0 / 24 / 3 / 85

HEX #261D25

RGB 38 29 37

HSL 306.67, 0.13%, 0.13%

LAB 12.12, 6.21, -3.78

 

CMYK 3 / 0 / 24 / 85

HEX #24251C

RGB 36 37 28

HSL 66.67, 0.14%, 0.13%

LAB 14.3, -2.49, 5.86

 

CMYK 24 / 3 / 0 / 85

HEX #1C2425

RGB 28 36 37

HSL 186.67, 0.14%, 0.13%

LAB 13.48, -3.26, -1.86

 

CMYK 0 / 24 / 3 / 85

HEX #261D25

RGB 38 29 37

HSL 306.67, 0.13%, 0.13%

LAB 12.12, 6.21, -3.78

 

CMYK 0 / 16 / 24 / 85

HEX #251F1C

RGB 37 31 28

HSL 20, 0.14%, 0.13%

LAB 12.33, 2.24, 3.11

 

CMYK 24 / 0 / 22 / 85

HEX #1C251D

RGB 28 37 29

HSL 126.67, 0.14%, 0.13%

LAB 13.58, -6.06, 4.03

 

CMYK 24 / 8 / 0 / 85

HEX #1C2225

RGB 28 34 37

HSL 200, 0.14%, 0.13%

LAB 12.76, -1.86, -2.93

 

CMYK 0 / 24 / 3 / 85

HEX #261D25

RGB 38 29 37

HSL 306.67, 0.13%, 0.13%

LAB 12.12, 6.21, -3.78

 

CMYK 0 / 8 / 24 / 85

HEX #25221C

RGB 37 34 28

HSL 40, 0.14%, 0.13%

LAB 13.36, 0.1, 4.56

 

CMYK 24 / 0 / 22 / 85

HEX #1C251D

RGB 28 37 29

HSL 126.67, 0.14%, 0.13%

LAB 13.58, -6.06, 4.03

 

CMYK 24 / 14 / 0 / 85

HEX #1C2025

RGB 28 32 37

HSL 213.33, 0.14%, 0.13%

LAB 12.05, -0.43, -4

 

Description

Color code: RGB 38 29 37 | qconv.com Color code: RGB 38 29 37 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 38 red, 29 green and 37 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
38 29 37 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 24 magenta, 3 yellow and 85 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 24% 3% 85% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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