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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 38 226 130 it is the complementary color RGB 217 29 125. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 38 226 130. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 38 226 130 shade: RGB 43 226 125, RGB 60 244 144, RGB 77 255 163, RGB 94 255 182 and RGB 111 255 201

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 38 226 130. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 38 226 130 shade: RGB 38 226 130, RGB 21 208 111, RGB 4 190 92, RGB 0 172 73 and RGB 0 154 54

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 38 226 130 shade: RGB 39 225 130, RGB 39 225 80, RGB 48 225 39, RGB 99 225 39 and RGB 149 225 39

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 38 226 130 shade: RGB 39 225 130, RGB 39 225 180, RGB 39 220 225, RGB 39 170 225 and RGB 39 119 225

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 38 226 130 shade matches the following richer shades: RGB 39 225 130 and RGB 19 245 130

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 38 226 130 shade: RGB 39 225 130, RGB 59 205 131, RGB 79 186 131, RGB 98 166 131 and RGB 118 146 132

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 38 226 130 shade: RGB 48 225 39, RGB 39 225 79, RGB 39 225 129, RGB 39 225 179 and RGB 39 222 225

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 38 226 130 shade: RGB 21 160 89, RGB 26 197 110, RGB 39 225 130, RGB 75 230 151 and RGB 112 235 172

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 38 226 130 shade: RGB 38 226 130, RGB 39 98 225 and RGB 225 55 39

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 38 226 130 shade: RGB 38 226 130, RGB 129 39 225 and RGB 225 129 39

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 38 226 130 shade: RGB 38 226 130, RGB 39 98 225, RGB 225 39 135 and RGB 225 166 39

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 38 226 130 shade: RGB 38 226 130, RGB 39 42 225, RGB 225 39 135 and RGB 225 222 39

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 83 / 0 / 42 / 11

HEX #26E282

RGB 38 226 130

HSL 149.36, 0.76%, 0.52%

LAB 79.85, -65.22, 34.66

 

Complementary color

CMYK 0 / 87 / 42 / 15

HEX #D91D7D

RGB 217 29 125

HSL 329.36, 0.76%, 0.48%

LAB 48.4, 72.97, -4.48

 

CMYK 81 / 0 / 45 / 11

HEX #2BE27D

RGB 43 226 125

HSL 146.89, 0.76%, 0.53%

LAB 79.83, -65.62, 37.14

 

CMYK 75 / 0 / 41 / 4

HEX #3CF490

RGB 60 244 144

HSL 147.39, 0.89%, 0.6%

LAB 85.84, -66.65, 35.55

 

CMYK 70 / 0 / 36 / 0

HEX #4DFFA3

RGB 77 255 163

HSL 148.99, 1%, 0.65%

LAB 89.74, -64.83, 31.29

 

CMYK 63 / 0 / 29 / 0

HEX #5EFFB6

RGB 94 255 182

HSL 152.8, 1%, 0.68%

LAB 90.45, -58.41, 22.72

 

CMYK 56 / 0 / 21 / 0

HEX #6FFFC9

RGB 111 255 201

HSL 157.5, 1%, 0.72%

LAB 91.29, -51.27, 14.24

 

CMYK 83 / 0 / 42 / 11

HEX #26E282

RGB 38 226 130

HSL 149.36, 0.76%, 0.52%

LAB 79.85, -65.22, 34.66

 

CMYK 90 / 0 / 47 / 18

HEX #15D06F

RGB 21 208 111

HSL 148.88, 0.82%, 0.45%

LAB 73.82, -63.67, 36.37

 

CMYK 98 / 0 / 52 / 25

HEX #04BE5C

RGB 4 190 92

HSL 148.39, 0.96%, 0.38%

LAB 67.74, -61.62, 38.16

 

CMYK 100 / 0 / 58 / 33

HEX #00AC49

RGB 0 172 73

HSL 145.47, 1%, 0.34%

LAB 61.64, -58.85, 40.02

 

CMYK 100 / 0 / 65 / 40

HEX #009A36

RGB 0 154 54

HSL 141.04, 1%, 0.3%

LAB 55.46, -55.65, 41.74

 

CMYK 83 / 0 / 42 / 12

HEX #27E182

RGB 39 225 130

HSL 149.35, 0.76%, 0.52%

LAB 79.55, -64.79, 34.27

 

CMYK 83 / 0 / 64 / 12

HEX #27E150

RGB 39 225 80

HSL 133.23, 0.76%, 0.52%

LAB 78.96, -71.9, 56.8

 

CMYK 79 / 0 / 83 / 12

HEX #30E127

RGB 48 225 39

HSL 117.1, 0.76%, 0.52%

LAB 78.82, -74.03, 70.45

 

CMYK 56 / 0 / 83 / 12

HEX #63E127

RGB 99 225 39

HSL 100.65, 0.76%, 0.52%

LAB 79.98, -64.3, 71.93

 

CMYK 34 / 0 / 83 / 12

HEX #95E127

RGB 149 225 39

HSL 84.52, 0.76%, 0.52%

LAB 82.05, -48.91, 74.55

 

CMYK 83 / 0 / 42 / 12

HEX #27E182

RGB 39 225 130

HSL 149.35, 0.76%, 0.52%

LAB 79.55, -64.79, 34.27

 

CMYK 83 / 0 / 20 / 12

HEX #27E1B4

RGB 39 225 180

HSL 165.48, 0.76%, 0.52%

LAB 80.5, -54.2, 9.66

 

CMYK 83 / 2 / 0 / 12

HEX #27DCE1

RGB 39 220 225

HSL 181.61, 0.76%, 0.52%

LAB 80.21, -39.94, -14.69

 

CMYK 83 / 24 / 0 / 12

HEX #27AAE1

RGB 39 170 225

HSL 197.74, 0.76%, 0.52%

LAB 65.45, -15.24, -37.29

 

CMYK 83 / 47 / 0 / 12

HEX #2777E1

RGB 39 119 225

HSL 214.19, 0.76%, 0.52%

LAB 50.76, 14.63, -60.59

 

CMYK 83 / 0 / 42 / 12

HEX #27E182

RGB 39 225 130

HSL 149.35, 0.76%, 0.52%

LAB 79.55, -64.79, 34.27

 

CMYK 92 / 0 / 47 / 4

HEX #13F582

RGB 19 245 130

HSL 149.47, 0.92%, 0.52%

LAB 85.53, -72.72, 41.92

 

CMYK 83 / 0 / 42 / 12

HEX #27E182

RGB 39 225 130

HSL 149.35, 0.76%, 0.52%

LAB 79.55, -64.79, 34.27

 

CMYK 71 / 0 / 36 / 20

HEX #3BCD83

RGB 59 205 131

HSL 149.59, 0.59%, 0.52%

LAB 73.7, -54.99, 26.06

 

CMYK 58 / 0 / 30 / 27

HEX #4FBA83

RGB 79 186 131

HSL 149.16, 0.44%, 0.52%

LAB 68.33, -43.64, 18.85

 

CMYK 41 / 0 / 21 / 35

HEX #62A683

RGB 98 166 131

HSL 149.12, 0.28%, 0.52%

LAB 62.93, -29.7, 11.45

 

CMYK 19 / 0 / 10 / 43

HEX #769284

RGB 118 146 132

HSL 150, 0.11%, 0.52%

LAB 58.11, -12.83, 4.16

 

CMYK 79 / 0 / 83 / 12

HEX #30E127

RGB 48 225 39

HSL 117.1, 0.76%, 0.52%

LAB 78.82, -74.03, 70.45

 

CMYK 83 / 0 / 65 / 12

HEX #27E14F

RGB 39 225 79

HSL 132.9, 0.76%, 0.52%

LAB 78.95, -72, 57.2

 

CMYK 83 / 0 / 43 / 12

HEX #27E181

RGB 39 225 129

HSL 149.03, 0.76%, 0.52%

LAB 79.54, -64.97, 34.75

 

CMYK 83 / 0 / 20 / 12

HEX #27E1B3

RGB 39 225 179

HSL 165.16, 0.76%, 0.52%

LAB 80.48, -54.44, 10.15

 

CMYK 83 / 1 / 0 / 12

HEX #27DEE1

RGB 39 222 225

HSL 180.97, 0.76%, 0.52%

LAB 80.8, -40.84, -13.81

 

CMYK 87 / 0 / 44 / 37

HEX #15A059

RGB 21 160 89

HSL 149.35, 0.77%, 0.35%

LAB 58.06, -50.93, 27.47

 

CMYK 87 / 0 / 44 / 23

HEX #1AC56E

RGB 26 197 110

HSL 149.47, 0.77%, 0.44%

LAB 70.37, -59.78, 32.46

 

CMYK 83 / 0 / 42 / 12

HEX #27E182

RGB 39 225 130

HSL 149.35, 0.76%, 0.52%

LAB 79.55, -64.79, 34.27

 

CMYK 67 / 0 / 34 / 10

HEX #4BE697

RGB 75 230 151

HSL 149.42, 0.76%, 0.6%

LAB 82.01, -58.1, 26.97

 

CMYK 52 / 0 / 27 / 8

HEX #70EBAC

RGB 112 235 172

HSL 149.27, 0.75%, 0.68%

LAB 84.91, -48.67, 20.28

 

CMYK 83 / 0 / 42 / 11

HEX #26E282

RGB 38 226 130

HSL 149.36, 0.76%, 0.52%

LAB 79.85, -65.22, 34.66

 

CMYK 83 / 56 / 0 / 12

HEX #2762E1

RGB 39 98 225

HSL 220.97, 0.76%, 0.52%

LAB 45.09, 28, -69.78

 

CMYK 0 / 76 / 83 / 12

HEX #E13727

RGB 225 55 39

HSL 5.16, 0.76%, 0.52%

LAB 50.55, 63.78, 49.18

 

CMYK 83 / 0 / 42 / 11

HEX #26E282

RGB 38 226 130

HSL 149.36, 0.76%, 0.52%

LAB 79.85, -65.22, 34.66

 

CMYK 43 / 83 / 0 / 12

HEX #8127E1

RGB 129 39 225

HSL 269.03, 0.76%, 0.52%

LAB 40.5, 69.71, -77.02

 

CMYK 0 / 43 / 83 / 12

HEX #E18127

RGB 225 129 39

HSL 29.03, 0.76%, 0.52%

LAB 63.22, 30.92, 60.49

 

CMYK 83 / 0 / 42 / 11

HEX #26E282

RGB 38 226 130

HSL 149.36, 0.76%, 0.52%

LAB 79.85, -65.22, 34.66

 

CMYK 83 / 56 / 0 / 12

HEX #2762E1

RGB 39 98 225

HSL 220.97, 0.76%, 0.52%

LAB 45.09, 28, -69.78

 

CMYK 0 / 83 / 40 / 12

HEX #E12787

RGB 225 39 135

HSL 329.03, 0.76%, 0.52%

LAB 50.93, 73.78, -6.62

 

CMYK 0 / 26 / 83 / 12

HEX #E1A627

RGB 225 166 39

HSL 40.97, 0.76%, 0.52%

LAB 71.84, 11.22, 67.94

 

CMYK 83 / 0 / 42 / 11

HEX #26E282

RGB 38 226 130

HSL 149.36, 0.76%, 0.52%

LAB 79.85, -65.22, 34.66

 

CMYK 83 / 81 / 0 / 12

HEX #272AE1

RGB 39 42 225

HSL 239.03, 0.76%, 0.52%

LAB 32.97, 60.65, -89.72

 

CMYK 0 / 83 / 40 / 12

HEX #E12787

RGB 225 39 135

HSL 329.03, 0.76%, 0.52%

LAB 50.93, 73.78, -6.62

 

CMYK 0 / 1 / 83 / 12

HEX #E1DE27

RGB 225 222 39

HSL 59.03, 0.76%, 0.52%

LAB 86.2, -17.56, 80.09

 

Description

Color code: RGB 38 226 130 | qconv.com Color code: RGB 38 226 130 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 38 red, 226 green and 130 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
38 226 130 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 83 cyan, none magenta, 42 yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
83% 0% 42% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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