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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 38 185 167 it is the complementary color RGB 217 70 88. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 38 185 167. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 38 185 167 shade: RGB 43 185 162, RGB 60 203 181, RGB 77 221 200, RGB 94 239 219 and RGB 111 255 238

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 38 185 167. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 38 185 167 shade: RGB 38 185 167, RGB 21 167 148, RGB 4 149 129, RGB 0 131 110 and RGB 0 113 91

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 38 185 167 shade: RGB 38 186 168, RGB 38 186 128, RGB 38 186 88, RGB 38 186 48 and RGB 67 186 38

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 38 185 167 shade: RGB 38 186 168, RGB 38 164 186, RGB 38 124 186, RGB 38 84 186 and RGB 38 44 186

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 38 185 167 shade matches the following richer shades: RGB 38 186 168, RGB 19 204 181 and RGB 1 222 195

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 38 185 167 shade: RGB 38 186 168, RGB 56 168 154, RGB 74 149 140, RGB 92 131 126 and RGB 110 113 113

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 38 185 167 shade: RGB 38 186 87, RGB 38 186 127, RGB 38 186 166, RGB 38 166 186 and RGB 38 127 186

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 38 185 167 shade: RGB 24 117 106, RGB 31 152 137, RGB 38 186 168, RGB 52 213 193 and RGB 86 220 204

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 38 185 167 shade: RGB 38 185 167, RGB 48 38 186 and RGB 186 107 38

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 38 185 167 shade: RGB 38 185 167, RGB 166 38 186 and RGB 186 166 38

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 38 185 167 shade: RGB 38 185 167, RGB 48 38 186, RGB 186 38 57 and RGB 176 186 38

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 38 185 167 shade: RGB 38 185 167, RGB 92 38 186, RGB 186 38 57 and RGB 131 186 38

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 79 / 0 / 10 / 27

HEX #26B9A7

RGB 38 185 167

HSL 172.65, 0.66%, 0.44%

LAB 67.95, -40.95, -1.49

 

Complementary color

CMYK 0 / 68 / 59 / 15

HEX #D94658

RGB 217 70 88

HSL 352.65, 0.66%, 0.56%

LAB 51.65, 58.27, 22.53

 

CMYK 77 / 0 / 12 / 27

HEX #2BB9A2

RGB 43 185 162

HSL 170.28, 0.62%, 0.45%

LAB 67.89, -41.8, 1.19

 

CMYK 70 / 0 / 11 / 20

HEX #3CCBB5

RGB 60 203 181

HSL 170.77, 0.58%, 0.52%

LAB 74.2, -42.54, 0.06

 

CMYK 65 / 0 / 10 / 13

HEX #4DDDC8

RGB 77 221 200

HSL 171.25, 0.68%, 0.58%

LAB 80.44, -43.05, -0.97

 

CMYK 61 / 0 / 8 / 6

HEX #5EEFDB

RGB 94 239 219

HSL 171.72, 0.82%, 0.65%

LAB 86.62, -43.4, -1.9

 

CMYK 56 / 0 / 7 / 0

HEX #6FFFEE

RGB 111 255 238

HSL 172.92, 1%, 0.72%

LAB 92.16, -42.74, -3.61

 

CMYK 79 / 0 / 10 / 27

HEX #26B9A7

RGB 38 185 167

HSL 172.65, 0.66%, 0.44%

LAB 67.95, -40.95, -1.49

 

CMYK 87 / 0 / 11 / 35

HEX #15A794

RGB 21 167 148

HSL 172.19, 0.78%, 0.37%

LAB 61.6, -39.71, -0.24

 

CMYK 97 / 0 / 13 / 42

HEX #049581

RGB 4 149 129

HSL 171.72, 0.95%, 0.3%

LAB 55.18, -38.06, 1.16

 

CMYK 100 / 0 / 16 / 49

HEX #00836E

RGB 0 131 110

HSL 170.38, 1%, 0.26%

LAB 48.71, -35.77, 2.77

 

CMYK 100 / 0 / 19 / 56

HEX #00715B

RGB 0 113 91

HSL 168.32, 1%, 0.22%

LAB 42.1, -33.22, 4.52

 

CMYK 80 / 0 / 10 / 27

HEX #26BAA8

RGB 38 186 168

HSL 172.7, 0.66%, 0.44%

LAB 68.28, -41.12, -1.54

 

CMYK 80 / 0 / 31 / 27

HEX #26BA80

RGB 38 186 128

HSL 156.49, 0.66%, 0.44%

LAB 67.34, -51.06, 18.97

 

CMYK 80 / 0 / 53 / 27

HEX #26BA58

RGB 38 186 88

HSL 140.27, 0.66%, 0.44%

LAB 66.7, -58.47, 38.91

 

CMYK 80 / 0 / 74 / 27

HEX #26BA30

RGB 38 186 48

HSL 124.05, 0.66%, 0.44%

LAB 66.32, -63.04, 55.8

 

CMYK 64 / 0 / 80 / 27

HEX #43BA26

RGB 67 186 38

HSL 108.24, 0.66%, 0.44%

LAB 66.86, -58.67, 59.79

 

CMYK 80 / 0 / 10 / 27

HEX #26BAA8

RGB 38 186 168

HSL 172.7, 0.66%, 0.44%

LAB 68.28, -41.12, -1.54

 

CMYK 80 / 12 / 0 / 27

HEX #26A4BA

RGB 38 164 186

HSL 188.92, 0.66%, 0.44%

LAB 62.09, -25.3, -20.82

 

CMYK 80 / 33 / 0 / 27

HEX #267CBA

RGB 38 124 186

HSL 205.14, 0.66%, 0.44%

LAB 49.94, -3.25, -39.68

 

CMYK 80 / 55 / 0 / 27

HEX #2654BA

RGB 38 84 186

HSL 221.35, 0.66%, 0.44%

LAB 38.37, 22.14, -58.22

 

CMYK 80 / 76 / 0 / 27

HEX #262CBA

RGB 38 44 186

HSL 237.57, 0.66%, 0.44%

LAB 28.8, 47.31, -73.93

 

CMYK 80 / 0 / 10 / 27

HEX #26BAA8

RGB 38 186 168

HSL 172.7, 0.66%, 0.44%

LAB 68.28, -41.12, -1.54

 

CMYK 91 / 0 / 11 / 20

HEX #13CCB5

RGB 19 204 181

HSL 172.54, 0.83%, 0.44%

LAB 73.97, -46.62, -0.33

 

CMYK 100 / 0 / 12 / 13

HEX #01DEC3

RGB 1 222 195

HSL 172.67, 0.99%, 0.44%

LAB 79.72, -50.88, 0.54

 

CMYK 80 / 0 / 10 / 27

HEX #26BAA8

RGB 38 186 168

HSL 172.7, 0.66%, 0.44%

LAB 68.28, -41.12, -1.54

 

CMYK 67 / 0 / 8 / 34

HEX #38A89A

RGB 56 168 154

HSL 172.5, 0.5%, 0.44%

LAB 62.66, -34.55, -1.98

 

CMYK 50 / 0 / 6 / 42

HEX #4A958C

RGB 74 149 140

HSL 172.8, 0.34%, 0.44%

LAB 56.92, -25.58, -2.42

 

CMYK 30 / 0 / 4 / 49

HEX #5C837E

RGB 92 131 126

HSL 172.31, 0.17%, 0.44%

LAB 51.85, -14.7, -1.68

 

CMYK 3 / 0 / 0 / 56

HEX #6E7171

RGB 110 113 113

HSL 180, 0.01%, 0.44%

LAB 47.39, -1.14, -0.4

 

CMYK 80 / 0 / 53 / 27

HEX #26BA57

RGB 38 186 87

HSL 139.86, 0.66%, 0.44%

LAB 66.69, -58.62, 39.39

 

CMYK 80 / 0 / 32 / 27

HEX #26BA7F

RGB 38 186 127

HSL 156.08, 0.66%, 0.44%

LAB 67.32, -51.28, 19.48

 

CMYK 80 / 0 / 11 / 27

HEX #26BAA6

RGB 38 186 166

HSL 171.89, 0.66%, 0.44%

LAB 68.23, -41.67, -0.52

 

CMYK 80 / 11 / 0 / 27

HEX #26A6BA

RGB 38 166 186

HSL 188.11, 0.66%, 0.44%

LAB 62.7, -26.31, -19.89

 

CMYK 80 / 32 / 0 / 27

HEX #267FBA

RGB 38 127 186

HSL 203.92, 0.66%, 0.44%

LAB 50.85, -5.03, -38.26

 

CMYK 79 / 0 / 9 / 54

HEX #18756A

RGB 24 117 106

HSL 172.9, 0.66%, 0.28%

LAB 44.17, -28.63, -1.44

 

CMYK 80 / 0 / 10 / 40

HEX #1F9889

RGB 31 152 137

HSL 172.56, 0.66%, 0.36%

LAB 56.64, -35.25, -1.25

 

CMYK 80 / 0 / 10 / 27

HEX #26BAA8

RGB 38 186 168

HSL 172.7, 0.66%, 0.44%

LAB 68.28, -41.12, -1.54

 

CMYK 76 / 0 / 9 / 16

HEX #34D5C1

RGB 52 213 193

HSL 172.55, 0.66%, 0.52%

LAB 77.38, -44.69, -1.76

 

CMYK 61 / 0 / 7 / 14

HEX #56DCCC

RGB 86 220 204

HSL 172.84, 0.66%, 0.6%

LAB 80.47, -40.11, -3.02

 

CMYK 79 / 0 / 10 / 27

HEX #26B9A7

RGB 38 185 167

HSL 172.65, 0.66%, 0.44%

LAB 67.95, -40.95, -1.49

 

CMYK 74 / 80 / 0 / 27

HEX #3026BA

RGB 48 38 186

HSL 244.05, 0.66%, 0.44%

LAB 28.27, 51.16, -74.77

 

CMYK 0 / 42 / 80 / 27

HEX #BA6B26

RGB 186 107 38

HSL 27.97, 0.66%, 0.44%

LAB 53.05, 26.34, 49.69

 

CMYK 79 / 0 / 10 / 27

HEX #26B9A7

RGB 38 185 167

HSL 172.65, 0.66%, 0.44%

LAB 67.95, -40.95, -1.49

 

CMYK 11 / 80 / 0 / 27

HEX #A626BA

RGB 166 38 186

HSL 291.89, 0.66%, 0.44%

LAB 42.82, 68.02, -50.42

 

CMYK 0 / 11 / 80 / 27

HEX #BAA626

RGB 186 166 38

HSL 51.89, 0.66%, 0.44%

LAB 67.91, -5.93, 63.29

 

CMYK 79 / 0 / 10 / 27

HEX #26B9A7

RGB 38 185 167

HSL 172.65, 0.66%, 0.44%

LAB 67.95, -40.95, -1.49

 

CMYK 74 / 80 / 0 / 27

HEX #3026BA

RGB 48 38 186

HSL 244.05, 0.66%, 0.44%

LAB 28.27, 51.16, -74.77

 

CMYK 0 / 80 / 69 / 27

HEX #BA2639

RGB 186 38 57

HSL 352.3, 0.66%, 0.44%

LAB 41.41, 58.06, 27.04

 

CMYK 5 / 0 / 80 / 27

HEX #B0BA26

RGB 176 186 38

HSL 64.05, 0.66%, 0.44%

LAB 72.55, -20.56, 67.09

 

CMYK 79 / 0 / 10 / 27

HEX #26B9A7

RGB 38 185 167

HSL 172.65, 0.66%, 0.44%

LAB 67.95, -40.95, -1.49

 

CMYK 51 / 80 / 0 / 27

HEX #5C26BA

RGB 92 38 186

HSL 261.89, 0.66%, 0.44%

LAB 32.27, 55.79, -68.04

 

CMYK 0 / 80 / 69 / 27

HEX #BA2639

RGB 186 38 57

HSL 352.3, 0.66%, 0.44%

LAB 41.41, 58.06, 27.04

 

CMYK 30 / 0 / 80 / 27

HEX #83BA26

RGB 131 186 38

HSL 82.3, 0.66%, 0.44%

LAB 69.53, -38.89, 63.23

 

Description

Color code: RGB 38 185 167 | qconv.com Color code: RGB 38 185 167 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 38 red, 185 green and 167 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
38 185 167 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 79 cyan, none magenta, 10 yellow and 27 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
79% 0% 10% 27% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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