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Color name
RGB 38 166 68

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 38 166 68 it is the complementary color RGB 217 89 187. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 38 166 68. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 38 166 68 shade: RGB 43 166 63, RGB 60 184 82, RGB 77 202 101, RGB 94 220 120 and RGB 111 238 139

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 38 166 68. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 38 166 68 shade: RGB 38 166 68, RGB 21 148 49, RGB 4 130 30, RGB 0 112 11 and RGB 0 94 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 38 166 68 shade: RGB 37 166 67, RGB 42 166 37, RGB 76 166 37, RGB 111 166 37 and RGB 146 166 37

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 38 166 68 shade: RGB 37 166 67, RGB 37 166 102, RGB 37 166 137, RGB 37 160 166 and RGB 37 126 166

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 38 166 68 shade matches the following richer shades: RGB 37 166 67, RGB 21 182 59 and RGB 4 199 50

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 38 166 68 shade: RGB 37 166 67, RGB 54 149 76, RGB 70 133 85, RGB 87 116 94 and RGB 103 100 102

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 38 166 68 shade: RGB 76 166 37, RGB 42 166 37, RGB 37 166 67, RGB 37 166 102 and RGB 37 166 136

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 38 166 68 shade: RGB 22 99 40, RGB 30 132 54, RGB 37 166 67, RGB 45 199 81 and RGB 72 213 105

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 38 166 68 shade: RGB 38 166 68, RGB 37 110 166 and RGB 166 37 59

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 38 166 68 shade: RGB 38 166 68, RGB 67 37 166 and RGB 166 67 37

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 38 166 68 shade: RGB 38 166 68, RGB 37 110 166, RGB 166 37 136 and RGB 166 93 37

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 38 166 68 shade: RGB 38 166 68, RGB 37 72 166, RGB 166 37 136 and RGB 166 131 37

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 77 / 0 / 59 / 35

HEX #26A644

RGB 38 166 68

HSL 134.06, 0.63%, 0.4%

LAB 59.98, -54.46, 40.53

 

Complementary color

CMYK 0 / 59 / 14 / 15

HEX #D959BB

RGB 217 89 187

HSL 314.06, 0.63%, 0.6%

LAB 57.54, 61.27, -27.26

 

CMYK 74 / 0 / 62 / 35

HEX #2BA63F

RGB 43 166 63

HSL 129.76, 0.59%, 0.41%

LAB 60.02, -54.32, 42.94

 

CMYK 67 / 0 / 55 / 28

HEX #3CB852

RGB 60 184 82

HSL 130.65, 0.51%, 0.48%

LAB 66.41, -55.21, 41.57

 

CMYK 62 / 0 / 50 / 21

HEX #4DCA65

RGB 77 202 101

HSL 131.52, 0.54%, 0.55%

LAB 72.73, -55.7, 40.15

 

CMYK 57 / 0 / 45 / 14

HEX #5EDC78

RGB 94 220 120

HSL 132.38, 0.64%, 0.62%

LAB 79, -55.93, 38.76

 

CMYK 53 / 0 / 42 / 7

HEX #6FEE8B

RGB 111 238 139

HSL 133.23, 0.79%, 0.68%

LAB 85.2, -55.99, 37.42

 

CMYK 77 / 0 / 59 / 35

HEX #26A644

RGB 38 166 68

HSL 134.06, 0.63%, 0.4%

LAB 59.98, -54.46, 40.53

 

CMYK 86 / 0 / 67 / 42

HEX #159431

RGB 21 148 49

HSL 133.23, 0.75%, 0.33%

LAB 53.56, -52.85, 41.91

 

CMYK 97 / 0 / 77 / 49

HEX #04821E

RGB 4 130 30

HSL 132.38, 0.94%, 0.26%

LAB 47.09, -50.39, 42.86

 

CMYK 100 / 0 / 90 / 56

HEX #00700B

RGB 0 112 11

HSL 125.89, 1%, 0.22%

LAB 40.59, -46.47, 42.7

 

CMYK 100 / 0 / 100 / 63

HEX #005E00

RGB 0 94 0

HSL 120, 1%, 0.18%

LAB 33.99, -41.54, 40.09

 

CMYK 78 / 0 / 60 / 35

HEX #25A643

RGB 37 166 67

HSL 133.95, 0.64%, 0.4%

LAB 59.95, -54.73, 40.97

 

CMYK 75 / 0 / 78 / 35

HEX #2AA625

RGB 42 166 37

HSL 117.67, 0.64%, 0.4%

LAB 59.8, -56.96, 53.13

 

CMYK 54 / 0 / 78 / 35

HEX #4CA625

RGB 76 166 37

HSL 101.86, 0.64%, 0.4%

LAB 60.73, -49.3, 54.36

 

CMYK 33 / 0 / 78 / 35

HEX #6FA625

RGB 111 166 37

HSL 85.58, 0.64%, 0.4%

LAB 62.33, -37.63, 56.44

 

CMYK 12 / 0 / 78 / 35

HEX #92A625

RGB 146 166 37

HSL 69.3, 0.64%, 0.4%

LAB 64.58, -23.47, 59.35

 

CMYK 78 / 0 / 60 / 35

HEX #25A643

RGB 37 166 67

HSL 133.95, 0.64%, 0.4%

LAB 59.95, -54.73, 40.97

 

CMYK 78 / 0 / 39 / 35

HEX #25A666

RGB 37 166 102

HSL 150.23, 0.64%, 0.4%

LAB 60.45, -48.93, 23.67

 

CMYK 78 / 0 / 17 / 35

HEX #25A689

RGB 37 166 137

HSL 166.51, 0.64%, 0.4%

LAB 61.2, -40.83, 5.37

 

CMYK 78 / 4 / 0 / 35

HEX #25A0A6

RGB 37 160 166

HSL 182.79, 0.64%, 0.4%

LAB 60.15, -29.76, -12.51

 

CMYK 78 / 24 / 0 / 35

HEX #257EA6

RGB 37 126 166

HSL 198.6, 0.64%, 0.4%

LAB 49.58, -11.83, -28.69

 

CMYK 78 / 0 / 60 / 35

HEX #25A643

RGB 37 166 67

HSL 133.95, 0.64%, 0.4%

LAB 59.95, -54.73, 40.97

 

CMYK 88 / 0 / 68 / 29

HEX #15B63B

RGB 21 182 59

HSL 134.16, 0.79%, 0.4%

LAB 64.91, -62.53, 50.03

 

CMYK 98 / 0 / 75 / 22

HEX #04C732

RGB 4 199 50

HSL 134.15, 0.96%, 0.4%

LAB 70.25, -69.25, 58.95

 

CMYK 78 / 0 / 60 / 35

HEX #25A643

RGB 37 166 67

HSL 133.95, 0.64%, 0.4%

LAB 59.95, -54.73, 40.97

 

CMYK 64 / 0 / 49 / 42

HEX #36954C

RGB 54 149 76

HSL 133.89, 0.47%, 0.4%

LAB 54.87, -44.11, 30.4

 

CMYK 47 / 0 / 36 / 48

HEX #468555

RGB 70 133 85

HSL 134.29, 0.31%, 0.4%

LAB 50.37, -31.46, 19.77

 

CMYK 25 / 0 / 19 / 55

HEX #57745E

RGB 87 116 94

HSL 134.48, 0.14%, 0.4%

LAB 46.08, -15.38, 8.79

 

CMYK 0 / 3 / 1 / 60

HEX #676466

RGB 103 100 102

HSL 320, 0.01%, 0.4%

LAB 42.7, 1.59, -0.72

 

CMYK 54 / 0 / 78 / 35

HEX #4CA625

RGB 76 166 37

HSL 101.86, 0.64%, 0.4%

LAB 60.73, -49.3, 54.36

 

CMYK 75 / 0 / 78 / 35

HEX #2AA625

RGB 42 166 37

HSL 117.67, 0.64%, 0.4%

LAB 59.8, -56.96, 53.13

 

CMYK 78 / 0 / 60 / 35

HEX #25A643

RGB 37 166 67

HSL 133.95, 0.64%, 0.4%

LAB 59.95, -54.73, 40.97

 

CMYK 78 / 0 / 39 / 35

HEX #25A666

RGB 37 166 102

HSL 150.23, 0.64%, 0.4%

LAB 60.45, -48.93, 23.67

 

CMYK 78 / 0 / 18 / 35

HEX #25A688

RGB 37 166 136

HSL 166.05, 0.64%, 0.4%

LAB 61.17, -41.09, 5.9

 

CMYK 78 / 0 / 60 / 61

HEX #166328

RGB 22 99 40

HSL 134.03, 0.64%, 0.24%

LAB 36.46, -36.59, 26.73

 

CMYK 77 / 0 / 59 / 48

HEX #1E8436

RGB 30 132 54

HSL 134.12, 0.63%, 0.32%

LAB 48.32, -45.57, 33.61

 

CMYK 78 / 0 / 60 / 35

HEX #25A643

RGB 37 166 67

HSL 133.95, 0.64%, 0.4%

LAB 59.95, -54.73, 40.97

 

CMYK 77 / 0 / 59 / 22

HEX #2DC751

RGB 45 199 81

HSL 134.03, 0.63%, 0.48%

LAB 70.87, -62.9, 47.22

 

CMYK 66 / 0 / 51 / 16

HEX #48D569

RGB 72 213 105

HSL 134.04, 0.63%, 0.56%

LAB 76.06, -60.14, 42.29

 

CMYK 77 / 0 / 59 / 35

HEX #26A644

RGB 38 166 68

HSL 134.06, 0.63%, 0.4%

LAB 59.98, -54.46, 40.53

 

CMYK 78 / 34 / 0 / 35

HEX #256EA6

RGB 37 110 166

HSL 206.05, 0.64%, 0.4%

LAB 44.66, -2.38, -36.4

 

CMYK 0 / 78 / 64 / 35

HEX #A6253B

RGB 166 37 59

HSL 349.77, 0.64%, 0.4%

LAB 37.38, 52.59, 19.88

 

CMYK 77 / 0 / 59 / 35

HEX #26A644

RGB 38 166 68

HSL 134.06, 0.63%, 0.4%

LAB 59.98, -54.46, 40.53

 

CMYK 60 / 78 / 0 / 35

HEX #4325A6

RGB 67 37 166

HSL 253.95, 0.64%, 0.4%

LAB 27.49, 47.48, -64.05

 

CMYK 0 / 60 / 78 / 35

HEX #A64325

RGB 166 67 37

HSL 13.95, 0.64%, 0.4%

LAB 41.62, 39.13, 37.86

 

CMYK 77 / 0 / 59 / 35

HEX #26A644

RGB 38 166 68

HSL 134.06, 0.63%, 0.4%

LAB 59.98, -54.46, 40.53

 

CMYK 78 / 34 / 0 / 35

HEX #256EA6

RGB 37 110 166

HSL 206.05, 0.64%, 0.4%

LAB 44.66, -2.38, -36.4

 

CMYK 0 / 78 / 18 / 35

HEX #A62588

RGB 166 37 136

HSL 313.95, 0.64%, 0.4%

LAB 39.93, 60.39, -24.98

 

CMYK 0 / 44 / 78 / 35

HEX #A65D25

RGB 166 93 37

HSL 26.05, 0.64%, 0.4%

LAB 47.07, 25.43, 43.38

 

CMYK 77 / 0 / 59 / 35

HEX #26A644

RGB 38 166 68

HSL 134.06, 0.63%, 0.4%

LAB 59.98, -54.46, 40.53

 

CMYK 78 / 57 / 0 / 35

HEX #2548A6

RGB 37 72 166

HSL 223.72, 0.64%, 0.4%

LAB 33.52, 22.29, -54.25

 

CMYK 0 / 78 / 18 / 35

HEX #A62588

RGB 166 37 136

HSL 313.95, 0.64%, 0.4%

LAB 39.93, 60.39, -24.98

 

CMYK 0 / 21 / 78 / 35

HEX #A68325

RGB 166 131 37

HSL 43.72, 0.64%, 0.4%

LAB 56.56, 4.05, 52.54

 

Description

Color code: RGB 38 166 68 | qconv.com Color code: RGB 38 166 68 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 38 red, 166 green and 68 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
38 166 68 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 77 cyan, none magenta, 59 yellow and 35 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
77% 0% 59% 35% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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