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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 38 15 85 it is the complementary color RGB 217 240 170. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 38 15 85. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 38 15 85 shade: RGB 43 15 80, RGB 60 33 99, RGB 77 51 118, RGB 94 69 137 and RGB 111 87 156

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 38 15 85. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 38 15 85 shade: RGB 38 15 85, RGB 21 0 66, RGB 4 0 47, RGB 0 0 28 and RGB 0 0 9

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 38 15 85 shade: RGB 38 15 86, RGB 58 15 86, RGB 77 15 86, RGB 86 15 76 and RGB 86 15 57

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 38 15 85 shade: RGB 38 15 86, RGB 19 15 86 and RGB 15 15 86

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 38 15 85 shade matches the following richer shades: RGB 38 15 86 and RGB 35 7 94

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 38 15 85 shade: RGB 38 15 86, RGB 41 23 78, RGB 44 31 70, RGB 47 40 61 and RGB 50 48 53

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 38 15 85 shade: RGB 15 30 86, RGB 18 15 86, RGB 37 15 86, RGB 56 15 86 and RGB 75 15 86

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 38 15 85 shade: RGB 7 2 16, RGB 23 9 51, RGB 38 15 86, RGB 54 21 121 and RGB 70 27 156

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 38 15 85 shade: RGB 38 15 85, RGB 86 15 49 and RGB 21 86 15

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 38 15 85 shade: RGB 38 15 85, RGB 86 37 15 and RGB 15 86 37

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 38 15 85 shade: RGB 38 15 85, RGB 86 15 49, RGB 64 86 15 and RGB 15 86 52

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 38 15 85 shade: RGB 38 15 85, RGB 86 15 28, RGB 64 86 15 and RGB 15 86 73

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 55 / 82 / 0 / 67

HEX #260F55

RGB 38 15 85

HSL 259.71, 0.7%, 0.2%

LAB 12.02, 30.06, -37.92

 

Complementary color

CMYK 10 / 0 / 29 / 6

HEX #D9F0AA

RGB 217 240 170

HSL 79.71, 0.7%, 0.8%

LAB 91.67, -19.05, 31.41

 

CMYK 46 / 81 / 0 / 69

HEX #2B0F50

RGB 43 15 80

HSL 265.85, 0.68%, 0.19%

LAB 12.18, 29.46, -34.21

 

CMYK 39 / 67 / 0 / 61

HEX #3C2163

RGB 60 33 99

HSL 264.55, 0.5%, 0.26%

LAB 19.84, 28.51, -34.44

 

CMYK 35 / 57 / 0 / 54

HEX #4D3376

RGB 77 51 118

HSL 263.28, 0.4%, 0.33%

LAB 27.44, 27.33, -34.37

 

CMYK 31 / 50 / 0 / 46

HEX #5E4589

RGB 94 69 137

HSL 262.06, 0.33%, 0.4%

LAB 34.89, 26.22, -34.24

 

CMYK 29 / 44 / 0 / 39

HEX #6F579C

RGB 111 87 156

HSL 260.87, 0.28%, 0.48%

LAB 42.15, 25.23, -34.14

 

CMYK 55 / 82 / 0 / 67

HEX #260F55

RGB 38 15 85

HSL 259.71, 0.7%, 0.2%

LAB 12.02, 30.06, -37.92

 

CMYK 68 / 100 / 0 / 74

HEX #150042

RGB 21 0 66

HSL 259.09, 1%, 0.13%

LAB 4.99, 28.86, -36.33

 

CMYK 91 / 100 / 0 / 82

HEX #04002F

RGB 4 0 47

HSL 245.11, 1%, 0.09%

LAB 2.09, 14.07, -27.17

 

CMYK 100 / 100 / 0 / 89

HEX #00001C

RGB 0 0 28

HSL 240, 1%, 0.05%

LAB 0.76, 5.32, -14.39

 

CMYK 100 / 100 / 0 / 96

HEX #000009

RGB 0 0 9

HSL 240, 1%, 0.02%

LAB 0.18, 1.25, -3.41

 

CMYK 56 / 83 / 0 / 66

HEX #260F56

RGB 38 15 86

HSL 259.44, 0.7%, 0.2%

LAB 12.13, 30.37, -38.43

 

CMYK 33 / 83 / 0 / 66

HEX #3A0F56

RGB 58 15 86

HSL 276.34, 0.7%, 0.2%

LAB 15.02, 34.12, -33.58

 

CMYK 10 / 83 / 0 / 66

HEX #4D0F56

RGB 77 15 86

HSL 292.39, 0.7%, 0.2%

LAB 18.33, 38.27, -28.08

 

CMYK 0 / 83 / 12 / 66

HEX #560F4C

RGB 86 15 76

HSL 308.45, 0.7%, 0.2%

LAB 19.4, 38.6, -19.49

 

CMYK 0 / 83 / 34 / 66

HEX #560F39

RGB 86 15 57

HSL 324.51, 0.7%, 0.2%

LAB 18.43, 35.72, -7.81

 

CMYK 56 / 83 / 0 / 66

HEX #260F56

RGB 38 15 86

HSL 259.44, 0.7%, 0.2%

LAB 12.13, 30.37, -38.43

 

CMYK 78 / 83 / 0 / 66

HEX #130F56

RGB 19 15 86

HSL 243.38, 0.7%, 0.2%

LAB 10.2, 27.8, -41.68

 

CMYK 83 / 83 / 0 / 66

HEX #0F0F56

RGB 15 15 86

HSL 240, 0.7%, 0.2%

LAB 9.92, 27.42, -42.15

 

CMYK 56 / 83 / 0 / 66

HEX #260F56

RGB 38 15 86

HSL 259.44, 0.7%, 0.2%

LAB 12.13, 30.37, -38.43

 

CMYK 63 / 93 / 0 / 63

HEX #23075E

RGB 35 7 94

HSL 259.31, 0.86%, 0.2%

LAB 11.4, 36.14, -45.05

 

CMYK 56 / 83 / 0 / 66

HEX #260F56

RGB 38 15 86

HSL 259.44, 0.7%, 0.2%

LAB 12.13, 30.37, -38.43

 

CMYK 47 / 71 / 0 / 69

HEX #29174E

RGB 41 23 78

HSL 259.64, 0.54%, 0.2%

LAB 13.44, 23.69, -30.81

 

CMYK 37 / 56 / 0 / 73

HEX #2C1F46

RGB 44 31 70

HSL 260, 0.39%, 0.2%

LAB 15.26, 16.56, -22.35

 

CMYK 23 / 34 / 0 / 76

HEX #2F283D

RGB 47 40 61

HSL 260, 0.21%, 0.2%

LAB 17.73, 8.54, -12.21

 

CMYK 6 / 9 / 0 / 79

HEX #323035

RGB 50 48 53

HSL 264, 0.05%, 0.2%

LAB 20.24, 2.07, -2.86

 

CMYK 83 / 65 / 0 / 66

HEX #0F1E56

RGB 15 30 86

HSL 227.32, 0.7%, 0.2%

LAB 13.84, 16.86, -35.71

 

CMYK 79 / 83 / 0 / 66

HEX #120F56

RGB 18 15 86

HSL 242.54, 0.7%, 0.2%

LAB 10.12, 27.7, -41.8

 

CMYK 57 / 83 / 0 / 66

HEX #250F56

RGB 37 15 86

HSL 258.59, 0.7%, 0.2%

LAB 12, 30.21, -38.64

 

CMYK 35 / 83 / 0 / 66

HEX #380F56

RGB 56 15 86

HSL 274.65, 0.7%, 0.2%

LAB 14.7, 33.71, -34.12

 

CMYK 13 / 83 / 0 / 66

HEX #4B0F56

RGB 75 15 86

HSL 290.7, 0.7%, 0.2%

LAB 17.96, 37.82, -28.69

 

CMYK 56 / 88 / 0 / 94

HEX #070210

RGB 7 2 16

HSL 261.43, 0.78%, 0.04%

LAB 1.14, 3.4, -5.24

 

CMYK 55 / 82 / 0 / 80

HEX #170933

RGB 23 9 51

HSL 260, 0.7%, 0.12%

LAB 5.57, 18.34, -24.5

 

CMYK 56 / 83 / 0 / 66

HEX #260F56

RGB 38 15 86

HSL 259.44, 0.7%, 0.2%

LAB 12.13, 30.37, -38.43

 

CMYK 55 / 83 / 0 / 53

HEX #361579

RGB 54 21 121

HSL 259.8, 0.7%, 0.28%

LAB 18.8, 40.29, -50.43

 

CMYK 55 / 83 / 0 / 39

HEX #461B9C

RGB 70 27 156

HSL 260, 0.7%, 0.36%

LAB 25.22, 49.54, -61.7

 

CMYK 55 / 82 / 0 / 67

HEX #260F55

RGB 38 15 85

HSL 259.71, 0.7%, 0.2%

LAB 12.02, 30.06, -37.92

 

CMYK 0 / 83 / 43 / 66

HEX #560F31

RGB 86 15 49

HSL 331.27, 0.7%, 0.2%

LAB 18.11, 34.71, -2.63

 

CMYK 76 / 0 / 83 / 66

HEX #15560F

RGB 21 86 15

HSL 114.93, 0.7%, 0.2%

LAB 31.46, -34.77, 33.07

 

CMYK 55 / 82 / 0 / 67

HEX #260F55

RGB 38 15 85

HSL 259.71, 0.7%, 0.2%

LAB 12.02, 30.06, -37.92

 

CMYK 0 / 57 / 83 / 66

HEX #56250F

RGB 86 37 15

HSL 18.59, 0.7%, 0.2%

LAB 21.34, 21.06, 24.58

 

CMYK 83 / 0 / 57 / 66

HEX #0F5625

RGB 15 86 37

HSL 138.59, 0.7%, 0.2%

LAB 31.56, -33.14, 22.43

 

CMYK 55 / 82 / 0 / 67

HEX #260F55

RGB 38 15 85

HSL 259.71, 0.7%, 0.2%

LAB 12.02, 30.06, -37.92

 

CMYK 0 / 83 / 43 / 66

HEX #560F31

RGB 86 15 49

HSL 331.27, 0.7%, 0.2%

LAB 18.11, 34.71, -2.63

 

CMYK 26 / 0 / 83 / 66

HEX #40560F

RGB 64 86 15

HSL 78.59, 0.7%, 0.2%

LAB 33.52, -19.72, 35.77

 

CMYK 83 / 0 / 40 / 66

HEX #0F5634

RGB 15 86 52

HSL 151.27, 0.7%, 0.2%

LAB 31.82, -30.12, 13.9

 

CMYK 55 / 82 / 0 / 67

HEX #260F55

RGB 38 15 85

HSL 259.71, 0.7%, 0.2%

LAB 12.02, 30.06, -37.92

 

CMYK 0 / 83 / 67 / 66

HEX #560F1C

RGB 86 15 28

HSL 349.01, 0.7%, 0.2%

LAB 17.48, 32.72, 11.54

 

CMYK 26 / 0 / 83 / 66

HEX #40560F

RGB 64 86 15

HSL 78.59, 0.7%, 0.2%

LAB 33.52, -19.72, 35.77

 

CMYK 83 / 0 / 15 / 66

HEX #0F5649

RGB 15 86 73

HSL 169.01, 0.7%, 0.2%

LAB 32.34, -24.5, 1.54

 

Description

Color code: RGB 38 15 85 | qconv.com Color code: RGB 38 15 85 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 38 red, 15 green and 85 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
38 15 85 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 55 cyan, 82 magenta, none yellow and 67 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
55% 82% 0% 67% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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