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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 38 93 82 it is the complementary color RGB 217 162 173. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 38 93 82. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 38 93 82 shade: RGB 43 93 77, RGB 60 111 96, RGB 77 129 115, RGB 94 147 134 and RGB 111 165 153

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 38 93 82. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 38 93 82 shade: RGB 38 93 82, RGB 21 75 63, RGB 4 57 44, RGB 0 39 25 and RGB 0 21 6

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 38 93 82 shade: RGB 38 94 83, RGB 38 94 67, RGB 38 94 52, RGB 38 94 38 and RGB 53 94 38

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 38 93 82 shade: RGB 38 94 83, RGB 38 90 94, RGB 38 75 94, RGB 38 60 94 and RGB 38 45 94

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 38 93 82 shade matches the following richer shades: RGB 38 94 83, RGB 27 104 89, RGB 16 115 95 and RGB 6 126 102

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 38 93 82 shade: RGB 38 94 83, RGB 49 83 76, RGB 59 72 70, RGB 70 61 63 and RGB 81 51 57

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 38 93 82 shade: RGB 38 94 53, RGB 38 94 68, RGB 38 94 83, RGB 38 90 94 and RGB 38 75 94

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 38 93 82 shade: RGB 14 35 31, RGB 26 64 57, RGB 38 94 83, RGB 50 123 108 and RGB 62 152 134

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 38 93 82 shade: RGB 38 93 82, RGB 38 38 94 and RGB 94 60 38

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 38 93 82 shade: RGB 38 93 82, RGB 83 38 94 and RGB 94 83 38

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 38 93 82 shade: RGB 38 93 82, RGB 38 38 94, RGB 94 38 49 and RGB 94 94 38

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 38 93 82 shade: RGB 38 93 82, RGB 55 38 94, RGB 94 38 49 and RGB 77 94 38

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 59 / 0 / 12 / 64

HEX #265D52

RGB 38 93 82

HSL 168, 0.42%, 0.26%

LAB 35.69, -21.15, 0.85

 

Complementary color

CMYK 0 / 25 / 20 / 15

HEX #D9A2AD

RGB 217 162 173

HSL 348, 0.42%, 0.74%

LAB 71.97, 21.97, 2.29

 

CMYK 54 / 0 / 17 / 64

HEX #2B5D4D

RGB 43 93 77

HSL 160.8, 0.37%, 0.27%

LAB 35.75, -21.24, 4.06

 

CMYK 46 / 0 / 14 / 56

HEX #3C6F60

RGB 60 111 96

HSL 162.35, 0.3%, 0.34%

LAB 43.02, -21.08, 3.03

 

CMYK 40 / 0 / 11 / 49

HEX #4D8173

RGB 77 129 115

HSL 163.85, 0.25%, 0.4%

LAB 50.12, -20.89, 2.12

 

CMYK 36 / 0 / 9 / 42

HEX #5E9386

RGB 94 147 134

HSL 165.28, 0.22%, 0.47%

LAB 57.04, -20.69, 1.3

 

CMYK 33 / 0 / 7 / 35

HEX #6FA599

RGB 111 165 153

HSL 166.67, 0.23%, 0.54%

LAB 63.83, -20.51, 0.54

 

CMYK 59 / 0 / 12 / 64

HEX #265D52

RGB 38 93 82

HSL 168, 0.42%, 0.26%

LAB 35.69, -21.15, 0.85

 

CMYK 72 / 0 / 16 / 71

HEX #154B3F

RGB 21 75 63

HSL 166.67, 0.56%, 0.19%

LAB 28.25, -20.93, 2.01

 

CMYK 93 / 0 / 23 / 78

HEX #04392C

RGB 4 57 44

HSL 165.28, 0.87%, 0.12%

LAB 20.57, -20.35, 3.44

 

CMYK 100 / 0 / 36 / 85

HEX #002719

RGB 0 39 25

HSL 158.46, 1%, 0.08%

LAB 12.74, -18.07, 5.47

 

CMYK 100 / 0 / 71 / 92

HEX #001506

RGB 0 21 6

HSL 137.14, 1%, 0.04%

LAB 4.96, -9.06, 4.8

 

CMYK 60 / 0 / 12 / 63

HEX #265E53

RGB 38 94 83

HSL 168.21, 0.42%, 0.26%

LAB 36.07, -21.39, 0.77

 

CMYK 60 / 0 / 29 / 63

HEX #265E43

RGB 38 94 67

HSL 151.07, 0.42%, 0.26%

LAB 35.64, -25.57, 10.05

 

CMYK 60 / 0 / 45 / 63

HEX #265E34

RGB 38 94 52

HSL 135, 0.42%, 0.26%

LAB 35.33, -28.78, 18.67

 

CMYK 60 / 0 / 60 / 63

HEX #265E26

RGB 38 94 38

HSL 120, 0.42%, 0.26%

LAB 35.12, -31.11, 26.32

 

CMYK 44 / 0 / 60 / 63

HEX #355E26

RGB 53 94 38

HSL 103.93, 0.42%, 0.26%

LAB 35.8, -26.17, 27.29

 

CMYK 60 / 0 / 12 / 63

HEX #265E53

RGB 38 94 83

HSL 168.21, 0.42%, 0.26%

LAB 36.07, -21.39, 0.77

 

CMYK 60 / 4 / 0 / 63

HEX #265A5E

RGB 38 90 94

HSL 184.29, 0.42%, 0.26%

LAB 35.07, -15.91, -7.56

 

CMYK 60 / 20 / 0 / 63

HEX #264B5E

RGB 38 75 94

HSL 200.36, 0.42%, 0.26%

LAB 30.04, -7, -15.2

 

CMYK 60 / 36 / 0 / 63

HEX #263C5E

RGB 38 60 94

HSL 216.43, 0.42%, 0.26%

LAB 25.11, 2.81, -22.87

 

CMYK 60 / 52 / 0 / 63

HEX #262D5E

RGB 38 45 94

HSL 232.5, 0.42%, 0.26%

LAB 20.43, 13.32, -30.31

 

CMYK 60 / 0 / 12 / 63

HEX #265E53

RGB 38 94 83

HSL 168.21, 0.42%, 0.26%

LAB 36.07, -21.39, 0.77

 

CMYK 74 / 0 / 14 / 59

HEX #1B6859

RGB 27 104 89

HSL 168.31, 0.59%, 0.26%

LAB 39.34, -26.9, 1.79

 

CMYK 86 / 0 / 17 / 55

HEX #10735F

RGB 16 115 95

HSL 167.88, 0.76%, 0.26%

LAB 43.06, -31.76, 3.52

 

CMYK 95 / 0 / 19 / 51

HEX #067E66

RGB 6 126 102

HSL 168, 0.91%, 0.26%

LAB 46.87, -35.46, 4.83

 

CMYK 60 / 0 / 12 / 63

HEX #265E53

RGB 38 94 83

HSL 168.21, 0.42%, 0.26%

LAB 36.07, -21.39, 0.77

 

CMYK 41 / 0 / 8 / 67

HEX #31534C

RGB 49 83 76

HSL 167.65, 0.26%, 0.26%

LAB 32.62, -14.25, 0.19

 

CMYK 18 / 0 / 3 / 72

HEX #3B4846

RGB 59 72 70

HSL 170.77, 0.1%, 0.26%

LAB 29.43, -5.68, -0.55

 

CMYK 0 / 13 / 10 / 73

HEX #463D3F

RGB 70 61 63

HSL 346.67, 0.07%, 0.26%

LAB 26.73, 4.3, 0.2

 

CMYK 0 / 37 / 30 / 68

HEX #513339

RGB 81 51 57

HSL 348, 0.23%, 0.26%

LAB 24.99, 14.53, 1.82

 

CMYK 60 / 0 / 44 / 63

HEX #265E35

RGB 38 94 53

HSL 136.07, 0.42%, 0.26%

LAB 35.35, -28.59, 18.1

 

CMYK 60 / 0 / 28 / 63

HEX #265E44

RGB 38 94 68

HSL 152.14, 0.42%, 0.26%

LAB 35.66, -25.33, 9.47

 

CMYK 60 / 0 / 12 / 63

HEX #265E53

RGB 38 94 83

HSL 168.21, 0.42%, 0.26%

LAB 36.07, -21.39, 0.77

 

CMYK 60 / 4 / 0 / 63

HEX #265A5E

RGB 38 90 94

HSL 184.29, 0.42%, 0.26%

LAB 35.07, -15.91, -7.56

 

CMYK 60 / 20 / 0 / 63

HEX #264B5E

RGB 38 75 94

HSL 200.36, 0.42%, 0.26%

LAB 30.04, -7, -15.2

 

CMYK 60 / 0 / 11 / 86

HEX #0E231F

RGB 14 35 31

HSL 168.57, 0.43%, 0.1%

LAB 11.92, -9.72, 0.07

 

CMYK 59 / 0 / 11 / 75

HEX #1A4039

RGB 26 64 57

HSL 168.95, 0.42%, 0.18%

LAB 24.26, -15.57, 0.17

 

CMYK 60 / 0 / 12 / 63

HEX #265E53

RGB 38 94 83

HSL 168.21, 0.42%, 0.26%

LAB 36.07, -21.39, 0.77

 

CMYK 59 / 0 / 12 / 52

HEX #327B6C

RGB 50 123 108

HSL 167.67, 0.42%, 0.34%

LAB 46.88, -26.59, 1.4

 

CMYK 59 / 0 / 12 / 40

HEX #3E9886

RGB 62 152 134

HSL 168, 0.42%, 0.42%

LAB 57.27, -31.28, 1.47

 

CMYK 59 / 0 / 12 / 64

HEX #265D52

RGB 38 93 82

HSL 168, 0.42%, 0.26%

LAB 35.69, -21.15, 0.85

 

CMYK 60 / 60 / 0 / 63

HEX #26265E

RGB 38 38 94

HSL 240, 0.42%, 0.26%

LAB 18.39, 18.3, -33.59

 

CMYK 0 / 36 / 60 / 63

HEX #5E3C26

RGB 94 60 38

HSL 23.57, 0.42%, 0.26%

LAB 28.78, 12.32, 19.63

 

CMYK 59 / 0 / 12 / 64

HEX #265D52

RGB 38 93 82

HSL 168, 0.42%, 0.26%

LAB 35.69, -21.15, 0.85

 

CMYK 12 / 60 / 0 / 63

HEX #53265E

RGB 83 38 94

HSL 288.21, 0.42%, 0.26%

LAB 23.78, 30.67, -24.66

 

CMYK 0 / 12 / 60 / 63

HEX #5E5326

RGB 94 83 38

HSL 48.21, 0.42%, 0.26%

LAB 35.41, -1.94, 27.64

 

CMYK 59 / 0 / 12 / 64

HEX #265D52

RGB 38 93 82

HSL 168, 0.42%, 0.26%

LAB 35.69, -21.15, 0.85

 

CMYK 60 / 60 / 0 / 63

HEX #26265E

RGB 38 38 94

HSL 240, 0.42%, 0.26%

LAB 18.39, 18.3, -33.59

 

CMYK 0 / 60 / 48 / 63

HEX #5E2631

RGB 94 38 49

HSL 348.21, 0.42%, 0.26%

LAB 23.63, 26.74, 5.56

 

CMYK 0 / 0 / 60 / 63

HEX #5E5E26

RGB 94 94 38

HSL 60, 0.42%, 0.26%

LAB 38.77, -8.44, 31.49

 

CMYK 59 / 0 / 12 / 64

HEX #265D52

RGB 38 93 82

HSL 168, 0.42%, 0.26%

LAB 35.69, -21.15, 0.85

 

CMYK 41 / 60 / 0 / 63

HEX #37265E

RGB 55 38 94

HSL 258.21, 0.42%, 0.26%

LAB 20.07, 22.53, -30.8

 

CMYK 0 / 60 / 48 / 63

HEX #5E2631

RGB 94 38 49

HSL 348.21, 0.42%, 0.26%

LAB 23.63, 26.74, 5.56

 

CMYK 18 / 0 / 60 / 63

HEX #4D5E26

RGB 77 94 38

HSL 78.21, 0.42%, 0.26%

LAB 37.34, -16.29, 29.49

 

Description

Color code: RGB 38 93 82 | qconv.com Color code: RGB 38 93 82 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 38 red, 93 green and 82 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
38 93 82 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 59 cyan, none magenta, 12 yellow and 64 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
59% 0% 12% 64% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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