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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 38 69 22 it is the complementary color RGB 217 186 233. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 38 69 22. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 38 69 22 shade: RGB 43 69 17, RGB 60 87 36, RGB 77 105 55, RGB 94 123 74 and RGB 111 141 93

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 38 69 22. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 38 69 22 shade: RGB 38 69 22, RGB 21 51 3, RGB 4 33 0 and RGB 0 15 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 38 69 22 shade: RGB 38 69 22, RGB 51 69 22, RGB 64 69 22, RGB 69 62 22 and RGB 69 49 22

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 38 69 22 shade: RGB 38 69 22, RGB 25 69 22, RGB 22 69 31, RGB 22 69 44 and RGB 22 69 57

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 38 69 22 shade matches the following richer shades: RGB 38 69 22, RGB 35 77 14 and RGB 33 84 7

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 38 69 22 shade: RGB 38 69 22, RGB 40 62 29, RGB 43 54 36, RGB 45 47 44 and RGB 47 40 51

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 38 69 22 shade: RGB 64 69 22, RGB 51 69 22, RGB 38 69 22, RGB 26 69 22 and RGB 22 69 30

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 38 69 22 shade: RGB 3 7 2, RGB 21 38 12, RGB 38 69 22, RGB 55 101 31 and RGB 72 132 41

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 38 69 22 shade: RGB 38 69 22, RGB 22 69 62 and RGB 69 22 57

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 38 69 22 shade: RGB 38 69 22, RGB 22 38 69 and RGB 69 22 38

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 38 69 22 shade: RGB 38 69 22, RGB 22 69 62, RGB 53 22 69 and RGB 69 22 29

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 38 69 22 shade: RGB 38 69 22, RGB 22 62 69, RGB 53 22 69 and RGB 69 29 22

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 45 / 0 / 68 / 73

HEX #264516

RGB 38 69 22

HSL 99.57, 0.52%, 0.18%

LAB 25.94, -21.5, 24.27

 

Complementary color

CMYK 7 / 20 / 0 / 9

HEX #D9BAE9

RGB 217 186 233

HSL 279.57, 0.52%, 0.82%

LAB 79.47, 19.49, -19.29

 

CMYK 38 / 0 / 75 / 73

HEX #2B4511

RGB 43 69 17

HSL 90, 0.6%, 0.17%

LAB 26.19, -19.96, 27.16

 

CMYK 31 / 0 / 59 / 66

HEX #3C5724

RGB 60 87 36

HSL 91.76, 0.41%, 0.24%

LAB 33.78, -20.14, 26.1

 

CMYK 27 / 0 / 48 / 59

HEX #4D6937

RGB 77 105 55

HSL 93.6, 0.31%, 0.31%

LAB 41.15, -20.11, 24.78

 

CMYK 24 / 0 / 40 / 52

HEX #5E7B4A

RGB 94 123 74

HSL 95.51, 0.25%, 0.39%

LAB 48.31, -20.01, 23.48

 

CMYK 21 / 0 / 34 / 45

HEX #6F8D5D

RGB 111 141 93

HSL 97.5, 0.21%, 0.46%

LAB 55.3, -19.89, 22.26

 

CMYK 45 / 0 / 68 / 73

HEX #264516

RGB 38 69 22

HSL 99.57, 0.52%, 0.18%

LAB 25.94, -21.5, 24.27

 

CMYK 59 / 0 / 94 / 80

HEX #153303

RGB 21 51 3

HSL 97.5, 0.89%, 0.11%

LAB 18.07, -21.17, 24.07

 

CMYK 88 / 0 / 100 / 87

HEX #042100

RGB 4 33 0

HSL 112.73, 1%, 0.06%

LAB 9.9, -18.36, 14.45

 

CMYK 100 / 0 / 100 / 94

HEX #000F00

RGB 0 15 0

HSL 120, 1%, 0.03%

LAB 3.09, -6.3, 4.51

 

CMYK 45 / 0 / 68 / 73

HEX #264516

RGB 38 69 22

HSL 99.57, 0.52%, 0.18%

LAB 25.94, -21.5, 24.27

 

CMYK 26 / 0 / 68 / 73

HEX #334516

RGB 51 69 22

HSL 82.98, 0.52%, 0.18%

LAB 26.79, -15.91, 25.44

 

CMYK 7 / 0 / 68 / 73

HEX #404516

RGB 64 69 22

HSL 66.38, 0.52%, 0.18%

LAB 27.86, -9.68, 26.93

 

CMYK 0 / 10 / 68 / 73

HEX #453E16

RGB 69 62 22

HSL 51.06, 0.52%, 0.18%

LAB 26.06, -2.85, 25.1

 

CMYK 0 / 29 / 68 / 73

HEX #453116

RGB 69 49 22

HSL 34.47, 0.52%, 0.18%

LAB 22.02, 5.56, 20.5

 

CMYK 45 / 0 / 68 / 73

HEX #264516

RGB 38 69 22

HSL 99.57, 0.52%, 0.18%

LAB 25.94, -21.5, 24.27

 

CMYK 64 / 0 / 68 / 73

HEX #194516

RGB 25 69 22

HSL 116.17, 0.52%, 0.18%

LAB 25.32, -26.05, 23.4

 

CMYK 68 / 0 / 55 / 73

HEX #16451F

RGB 22 69 31

HSL 131.49, 0.52%, 0.18%

LAB 25.34, -25.5, 18.26

 

CMYK 68 / 0 / 36 / 73

HEX #16452C

RGB 22 69 44

HSL 148.09, 0.52%, 0.18%

LAB 25.59, -22.78, 10.51

 

CMYK 68 / 0 / 17 / 73

HEX #164539

RGB 22 69 57

HSL 164.68, 0.52%, 0.18%

LAB 25.93, -19.32, 2.56

 

CMYK 45 / 0 / 68 / 73

HEX #264516

RGB 38 69 22

HSL 99.57, 0.52%, 0.18%

LAB 25.94, -21.5, 24.27

 

CMYK 55 / 0 / 82 / 70

HEX #234D0E

RGB 35 77 14

HSL 100, 0.69%, 0.18%

LAB 28.63, -27.22, 30.84

 

CMYK 61 / 0 / 92 / 67

HEX #215407

RGB 33 84 7

HSL 99.74, 0.85%, 0.18%

LAB 31.07, -31.36, 35.58

 

CMYK 45 / 0 / 68 / 73

HEX #264516

RGB 38 69 22

HSL 99.57, 0.52%, 0.18%

LAB 25.94, -21.5, 24.27

 

CMYK 35 / 0 / 53 / 76

HEX #283E1D

RGB 40 62 29

HSL 100, 0.36%, 0.18%

LAB 23.62, -16.01, 17.53

 

CMYK 20 / 0 / 33 / 79

HEX #2B3624

RGB 43 54 36

HSL 96.67, 0.2%, 0.18%

LAB 21.13, -8.74, 9.85

 

CMYK 4 / 0 / 6 / 82

HEX #2D2F2C

RGB 45 47 44

HSL 100, 0.03%, 0.18%

LAB 19.11, -1.59, 1.62

 

CMYK 8 / 22 / 0 / 80

HEX #2F2833

RGB 47 40 51

HSL 278.18, 0.12%, 0.18%

LAB 17.28, 5.82, -5.94

 

CMYK 7 / 0 / 68 / 73

HEX #404516

RGB 64 69 22

HSL 66.38, 0.52%, 0.18%

LAB 27.86, -9.68, 26.93

 

CMYK 26 / 0 / 68 / 73

HEX #334516

RGB 51 69 22

HSL 82.98, 0.52%, 0.18%

LAB 26.79, -15.91, 25.44

 

CMYK 45 / 0 / 68 / 73

HEX #264516

RGB 38 69 22

HSL 99.57, 0.52%, 0.18%

LAB 25.94, -21.5, 24.27

 

CMYK 62 / 0 / 68 / 73

HEX #1A4516

RGB 26 69 22

HSL 114.89, 0.52%, 0.18%

LAB 25.36, -25.75, 23.46

 

CMYK 68 / 0 / 57 / 73

HEX #16451E

RGB 22 69 30

HSL 130.21, 0.52%, 0.18%

LAB 25.32, -25.68, 18.84

 

CMYK 57 / 0 / 71 / 97

HEX #030702

RGB 3 7 2

HSL 108, 0.56%, 0.02%

LAB 1.59, -1.74, 1.52

 

CMYK 45 / 0 / 68 / 85

HEX #15260C

RGB 21 38 12

HSL 99.23, 0.52%, 0.1%

LAB 13.06, -13.24, 14.01

 

CMYK 45 / 0 / 68 / 73

HEX #264516

RGB 38 69 22

HSL 99.57, 0.52%, 0.18%

LAB 25.94, -21.5, 24.27

 

CMYK 46 / 0 / 69 / 60

HEX #37651F

RGB 55 101 31

HSL 99.43, 0.53%, 0.26%

LAB 38.23, -29.53, 33.59

 

CMYK 45 / 0 / 69 / 48

HEX #488429

RGB 72 132 41

HSL 99.56, 0.53%, 0.34%

LAB 49.55, -36.49, 41.47

 

CMYK 45 / 0 / 68 / 73

HEX #264516

RGB 38 69 22

HSL 99.57, 0.52%, 0.18%

LAB 25.94, -21.5, 24.27

 

CMYK 68 / 0 / 10 / 73

HEX #16453E

RGB 22 69 62

HSL 171.06, 0.52%, 0.18%

LAB 26.08, -17.81, -0.48

 

CMYK 0 / 68 / 17 / 73

HEX #451639

RGB 69 22 57

HSL 315.32, 0.52%, 0.18%

LAB 16.18, 27.33, -11.55

 

CMYK 45 / 0 / 68 / 73

HEX #264516

RGB 38 69 22

HSL 99.57, 0.52%, 0.18%

LAB 25.94, -21.5, 24.27

 

CMYK 68 / 45 / 0 / 73

HEX #162645

RGB 22 38 69

HSL 219.57, 0.52%, 0.18%

LAB 15.42, 4.85, -21.53

 

CMYK 0 / 68 / 45 / 73

HEX #451626

RGB 69 22 38

HSL 339.57, 0.52%, 0.18%

LAB 15.38, 24.35, 0.87

 

CMYK 45 / 0 / 68 / 73

HEX #264516

RGB 38 69 22

HSL 99.57, 0.52%, 0.18%

LAB 25.94, -21.5, 24.27

 

CMYK 68 / 0 / 10 / 73

HEX #16453E

RGB 22 69 62

HSL 171.06, 0.52%, 0.18%

LAB 26.08, -17.81, -0.48

 

CMYK 23 / 68 / 0 / 73

HEX #351645

RGB 53 22 69

HSL 279.57, 0.52%, 0.18%

LAB 14.18, 24.89, -23.32

 

CMYK 0 / 68 / 58 / 73

HEX #45161D

RGB 69 22 29

HSL 351.06, 0.52%, 0.18%

LAB 15.1, 23.29, 7.01

 

CMYK 45 / 0 / 68 / 73

HEX #264516

RGB 38 69 22

HSL 99.57, 0.52%, 0.18%

LAB 25.94, -21.5, 24.27

 

CMYK 68 / 10 / 0 / 73

HEX #163E45

RGB 22 62 69

HSL 188.94, 0.52%, 0.18%

LAB 23.82, -11.42, -8.48

 

CMYK 23 / 68 / 0 / 73

HEX #351645

RGB 53 22 69

HSL 279.57, 0.52%, 0.18%

LAB 14.18, 24.89, -23.32

 

CMYK 0 / 58 / 68 / 73

HEX #451D16

RGB 69 29 22

HSL 8.94, 0.52%, 0.18%

LAB 16.51, 18.54, 13.84

 

Description

Color code: RGB 38 69 22 | qconv.com Color code: RGB 38 69 22 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 38 red, 69 green and 22 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
38 69 22 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 45 cyan, none magenta, 68 yellow and 73 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
45% 0% 68% 73% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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