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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 38 65 226 it is the complementary color RGB 217 190 29. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 38 65 226. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 38 65 226 shade: RGB 43 65 221, RGB 60 83 240, RGB 77 101 255, RGB 94 119 255 and RGB 111 137 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 38 65 226. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 38 65 226 shade: RGB 38 65 226, RGB 21 47 207, RGB 4 29 188, RGB 0 11 169 and RGB 0 0 150

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 38 65 226 shade: RGB 39 66 225, RGB 63 39 225, RGB 113 39 225, RGB 163 39 225 and RGB 213 39 225

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 38 65 226 shade: RGB 39 66 225 and RGB 39 39 225

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 38 65 226 shade matches the following richer shades: RGB 39 66 225 and RGB 19 52 245

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 38 65 226 shade: RGB 39 66 225, RGB 59 80 205, RGB 79 94 186, RGB 98 108 166 and RGB 118 122 146

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 38 65 226 shade: RGB 39 166 225, RGB 39 117 225, RGB 39 67 225, RGB 61 39 225 and RGB 110 39 225

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 38 65 226 shade: RGB 21 41 160, RGB 26 51 197, RGB 39 66 225, RGB 75 98 230 and RGB 112 129 235

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 38 65 226 shade: RGB 38 65 226, RGB 225 39 216 and RGB 141 225 39

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 38 65 226 shade: RGB 38 65 226, RGB 225 39 67 and RGB 67 225 39

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 38 65 226 shade: RGB 38 65 226, RGB 225 39 216, RGB 225 197 39 and RGB 39 225 48

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 38 65 226 shade: RGB 38 65 226, RGB 225 39 160, RGB 225 197 39 and RGB 39 225 104

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 83 / 71 / 0 / 11

HEX #2641E2

RGB 38 65 226

HSL 231.38, 0.76%, 0.52%

LAB 37.27, 48.85, -83.17

 

Complementary color

CMYK 0 / 12 / 87 / 15

HEX #D9BE1D

RGB 217 190 29

HSL 51.38, 0.76%, 0.48%

LAB 77.08, -5.12, 74.53

 

CMYK 81 / 71 / 0 / 13

HEX #2B41DD

RGB 43 65 221

HSL 232.58, 0.72%, 0.52%

LAB 36.96, 47.46, -80.82

 

CMYK 75 / 65 / 0 / 6

HEX #3C53F0

RGB 60 83 240

HSL 232.33, 0.86%, 0.59%

LAB 43.42, 44.65, -80.94

 

CMYK 70 / 60 / 0 / 0

HEX #4D65FF

RGB 77 101 255

HSL 231.91, 1%, 0.65%

LAB 49.62, 40.73, -79.13

 

CMYK 63 / 53 / 0 / 0

HEX #5E77FF

RGB 94 119 255

HSL 230.68, 1%, 0.68%

LAB 54.86, 32.2, -70.58

 

CMYK 56 / 46 / 0 / 0

HEX #6F89FF

RGB 111 137 255

HSL 229.17, 1%, 0.72%

LAB 60.33, 24.36, -61.72

 

CMYK 83 / 71 / 0 / 11

HEX #2641E2

RGB 38 65 226

HSL 231.38, 0.76%, 0.52%

LAB 37.27, 48.85, -83.17

 

CMYK 90 / 77 / 0 / 19

HEX #152FCF

RGB 21 47 207

HSL 231.61, 0.82%, 0.45%

LAB 31.11, 51.81, -82.44

 

CMYK 98 / 85 / 0 / 26

HEX #041DBC

RGB 4 29 188

HSL 231.85, 0.96%, 0.38%

LAB 25.37, 54.27, -80.84

 

CMYK 100 / 93 / 0 / 34

HEX #000BA9

RGB 0 11 169

HSL 236.09, 1%, 0.33%

LAB 20.46, 55.22, -77.65

 

CMYK 100 / 100 / 0 / 41

HEX #000096

RGB 0 0 150

HSL 240, 1%, 0.29%

LAB 16.51, 53.31, -72.61

 

CMYK 83 / 71 / 0 / 12

HEX #2742E1

RGB 39 66 225

HSL 231.29, 0.76%, 0.52%

LAB 37.42, 47.98, -82.35

 

CMYK 72 / 83 / 0 / 12

HEX #3F27E1

RGB 63 39 225

HSL 247.74, 0.76%, 0.52%

LAB 33.87, 63.23, -88.19

 

CMYK 50 / 83 / 0 / 12

HEX #7127E1

RGB 113 39 225

HSL 263.87, 0.76%, 0.52%

LAB 38.55, 67.76, -80.3

 

CMYK 28 / 83 / 0 / 12

HEX #A327E1

RGB 163 39 225

HSL 280, 0.76%, 0.52%

LAB 45.18, 74.5, -69.17

 

CMYK 5 / 83 / 0 / 12

HEX #D527E1

RGB 213 39 225

HSL 296.13, 0.76%, 0.52%

LAB 52.99, 82.75, -56.18

 

CMYK 83 / 71 / 0 / 12

HEX #2742E1

RGB 39 66 225

HSL 231.29, 0.76%, 0.52%

LAB 37.42, 47.98, -82.35

 

CMYK 83 / 83 / 0 / 12

HEX #2727E1

RGB 39 39 225

HSL 240, 0.76%, 0.52%

LAB 32.52, 61.97, -90.46

 

CMYK 83 / 71 / 0 / 12

HEX #2742E1

RGB 39 66 225

HSL 231.29, 0.76%, 0.52%

LAB 37.42, 47.98, -82.35

 

CMYK 92 / 79 / 0 / 4

HEX #1334F5

RGB 19 52 245

HSL 231.24, 0.92%, 0.52%

LAB 36.34, 61.4, -95.49

 

CMYK 83 / 71 / 0 / 12

HEX #2742E1

RGB 39 66 225

HSL 231.29, 0.76%, 0.52%

LAB 37.42, 47.98, -82.35

 

CMYK 71 / 61 / 0 / 20

HEX #3B50CD

RGB 59 80 205

HSL 231.37, 0.59%, 0.52%

LAB 39.71, 34.18, -67.07

 

CMYK 58 / 49 / 0 / 27

HEX #4F5EBA

RGB 79 94 186

HSL 231.59, 0.44%, 0.52%

LAB 43.08, 21.93, -50.51

 

CMYK 41 / 35 / 0 / 35

HEX #626CA6

RGB 98 108 166

HSL 231.18, 0.28%, 0.52%

LAB 47.07, 11.4, -32.4

 

CMYK 19 / 16 / 0 / 43

HEX #767A92

RGB 118 122 146

HSL 231.43, 0.11%, 0.52%

LAB 51.66, 3.85, -13.47

 

CMYK 83 / 26 / 0 / 12

HEX #27A6E1

RGB 39 166 225

HSL 199.03, 0.76%, 0.52%

LAB 64.27, -13.07, -39.13

 

CMYK 83 / 48 / 0 / 12

HEX #2775E1

RGB 39 117 225

HSL 214.84, 0.76%, 0.52%

LAB 50.2, 15.89, -61.48

 

CMYK 83 / 70 / 0 / 12

HEX #2743E1

RGB 39 67 225

HSL 230.97, 0.76%, 0.52%

LAB 37.63, 47.39, -82

 

CMYK 73 / 83 / 0 / 12

HEX #3D27E1

RGB 61 39 225

HSL 247.1, 0.76%, 0.52%

LAB 33.73, 63.1, -88.42

 

CMYK 51 / 83 / 0 / 12

HEX #6E27E1

RGB 110 39 225

HSL 262.9, 0.76%, 0.52%

LAB 38.2, 67.42, -80.88

 

CMYK 87 / 74 / 0 / 37

HEX #1529A0

RGB 21 41 160

HSL 231.37, 0.77%, 0.35%

LAB 24.59, 39.01, -65.3

 

CMYK 87 / 74 / 0 / 23

HEX #1A33C5

RGB 26 51 197

HSL 231.23, 0.77%, 0.44%

LAB 30.92, 46.39, -76.9

 

CMYK 83 / 71 / 0 / 12

HEX #2742E1

RGB 39 66 225

HSL 231.29, 0.76%, 0.52%

LAB 37.42, 47.98, -82.35

 

CMYK 67 / 57 / 0 / 10

HEX #4B62E6

RGB 75 98 230

HSL 231.1, 0.76%, 0.6%

LAB 46.9, 33.77, -69.58

 

CMYK 52 / 45 / 0 / 8

HEX #7081EB

RGB 112 129 235

HSL 231.71, 0.75%, 0.68%

LAB 57.21, 23.06, -55.65

 

CMYK 83 / 71 / 0 / 11

HEX #2641E2

RGB 38 65 226

HSL 231.38, 0.76%, 0.52%

LAB 37.27, 48.85, -83.17

 

CMYK 0 / 83 / 4 / 12

HEX #E127D8

RGB 225 39 216

HSL 302.9, 0.76%, 0.52%

LAB 54.47, 83.56, -48.59

 

CMYK 37 / 0 / 83 / 12

HEX #8DE127

RGB 141 225 39

HSL 87.1, 0.76%, 0.52%

LAB 81.65, -51.69, 74.05

 

CMYK 83 / 71 / 0 / 11

HEX #2641E2

RGB 38 65 226

HSL 231.38, 0.76%, 0.52%

LAB 37.27, 48.85, -83.17

 

CMYK 0 / 83 / 70 / 12

HEX #E12743

RGB 225 39 67

HSL 350.97, 0.76%, 0.52%

LAB 49.33, 69.08, 32.4

 

CMYK 70 / 0 / 83 / 12

HEX #43E127

RGB 67 225 39

HSL 110.97, 0.76%, 0.52%

LAB 79.15, -71.2, 70.87

 

CMYK 83 / 71 / 0 / 11

HEX #2641E2

RGB 38 65 226

HSL 231.38, 0.76%, 0.52%

LAB 37.27, 48.85, -83.17

 

CMYK 0 / 83 / 4 / 12

HEX #E127D8

RGB 225 39 216

HSL 302.9, 0.76%, 0.52%

LAB 54.47, 83.56, -48.59

 

CMYK 0 / 12 / 83 / 12

HEX #E1C527

RGB 225 197 39

HSL 50.97, 0.76%, 0.52%

LAB 79.66, -5.02, 74.59

 

CMYK 83 / 0 / 79 / 12

HEX #27E130

RGB 39 225 48

HSL 122.9, 0.76%, 0.52%

LAB 78.75, -74.54, 67.94

 

CMYK 83 / 71 / 0 / 11

HEX #2641E2

RGB 38 65 226

HSL 231.38, 0.76%, 0.52%

LAB 37.27, 48.85, -83.17

 

CMYK 0 / 83 / 29 / 12

HEX #E127A0

RGB 225 39 160

HSL 320.97, 0.76%, 0.52%

LAB 51.83, 76.35, -20.19

 

CMYK 0 / 12 / 83 / 12

HEX #E1C527

RGB 225 197 39

HSL 50.97, 0.76%, 0.52%

LAB 79.66, -5.02, 74.59

 

CMYK 83 / 0 / 54 / 12

HEX #27E168

RGB 39 225 104

HSL 140.97, 0.76%, 0.52%

LAB 79.2, -68.94, 46.48

 

Description

Color code: RGB 38 65 226 | qconv.com Color code: RGB 38 65 226 | qconv.com - big

With this color blue stands out from the other colors. The value that represents the blue hue is greater than the other two values. It is far different from the value for the red and green hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 38 red, 65 green and 226 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
38 65 226 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 83 cyan, 71 magenta, none yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
83% 71% 0% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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