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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 36 171 175 it is the complementary color RGB 219 84 80. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 36 171 175. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 36 171 175 shade: RGB 41 171 170, RGB 58 189 189, RGB 75 207 208, RGB 92 225 227 and RGB 109 243 246

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 36 171 175. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 36 171 175 shade: RGB 36 171 175, RGB 19 153 156, RGB 2 135 137, RGB 0 117 118 and RGB 0 99 99

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 36 171 175 shade: RGB 35 169 173, RGB 35 132 173, RGB 35 95 173, RGB 35 57 173 and RGB 50 35 173

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 36 171 175 shade: RGB 35 169 173, RGB 35 132 173, RGB 35 95 173, RGB 35 57 173 and RGB 35 35 173

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 36 171 175 shade matches the following richer shades: RGB 35 169 173, RGB 18 185 190 and RGB 1 201 207

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 36 171 175 shade: RGB 35 169 173, RGB 52 153 156, RGB 69 137 139, RGB 86 121 122 and RGB 103 105 105

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 36 171 175 shade: RGB 35 173 102, RGB 35 173 139, RGB 35 171 173, RGB 35 134 173 and RGB 35 97 173

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 36 171 175 shade: RGB 21 102 105, RGB 28 136 139, RGB 35 169 173, RGB 42 203 207 and RGB 73 213 217

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 36 171 175 shade: RGB 36 171 175, RGB 65 35 173 and RGB 173 120 35

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 36 171 175 shade: RGB 36 171 175, RGB 173 35 171 and RGB 171 173 35

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 36 171 175 shade: RGB 36 171 175, RGB 65 35 173, RGB 173 37 35 and RGB 143 173 35

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 36 171 175 shade: RGB 36 171 175, RGB 106 35 173, RGB 173 37 35 and RGB 102 173 35

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 79 / 2 / 0 / 31

HEX #24ABAF

RGB 36 171 175

HSL 181.73, 0.66%, 0.41%

LAB 63.83, -32.4, -12.03

 

Complementary color

CMYK 0 / 62 / 63 / 14

HEX #DB5450

RGB 219 84 80

HSL 1.73, 0.66%, 0.59%

LAB 54.01, 52.6, 30.32

 

CMYK 76 / 0 / 1 / 33

HEX #29ABAA

RGB 41 171 170

HSL 179.54, 0.61%, 0.42%

LAB 63.75, -33.4, -9.35

 

CMYK 69 / 0 / 0 / 26

HEX #3ABDBD

RGB 58 189 189

HSL 180, 0.53%, 0.48%

LAB 70.15, -34.25, -10.27

 

CMYK 64 / 0 / 0 / 18

HEX #4BCFD0

RGB 75 207 208

HSL 180.45, 0.59%, 0.55%

LAB 76.48, -34.87, -11.1

 

CMYK 59 / 1 / 0 / 11

HEX #5CE1E3

RGB 92 225 227

HSL 180.89, 0.71%, 0.63%

LAB 82.74, -35.31, -11.87

 

CMYK 56 / 1 / 0 / 4

HEX #6DF3F6

RGB 109 243 246

HSL 181.31, 0.88%, 0.7%

LAB 88.93, -35.63, -12.57

 

CMYK 79 / 2 / 0 / 31

HEX #24ABAF

RGB 36 171 175

HSL 181.73, 0.66%, 0.41%

LAB 63.83, -32.4, -12.03

 

CMYK 88 / 2 / 0 / 39

HEX #13999C

RGB 19 153 156

HSL 181.31, 0.78%, 0.34%

LAB 57.39, -31.01, -11.01

 

CMYK 99 / 1 / 0 / 46

HEX #028789

RGB 2 135 137

HSL 180.89, 0.97%, 0.27%

LAB 50.86, -29.23, -9.86

 

CMYK 100 / 1 / 0 / 54

HEX #007576

RGB 0 117 118

HSL 180.51, 1%, 0.23%

LAB 44.28, -26.71, -8.5

 

CMYK 100 / 0 / 0 / 61

HEX #006363

RGB 0 99 99

HSL 180, 1%, 0.19%

LAB 37.53, -24.03, -7.06

 

CMYK 80 / 2 / 0 / 32

HEX #23A9AD

RGB 35 169 173

HSL 181.74, 0.66%, 0.41%

LAB 63.14, -32.15, -11.96

 

CMYK 80 / 24 / 0 / 32

HEX #2384AD

RGB 35 132 173

HSL 197.83, 0.66%, 0.41%

LAB 51.7, -12.95, -29.45

 

CMYK 80 / 45 / 0 / 32

HEX #235FAD

RGB 35 95 173

HSL 213.91, 0.66%, 0.41%

LAB 40.51, 9.54, -47.14

 

CMYK 80 / 67 / 0 / 32

HEX #2339AD

RGB 35 57 173

HSL 230.43, 0.66%, 0.41%

LAB 30.16, 34.69, -63.94

 

CMYK 71 / 80 / 0 / 32

HEX #3223AD

RGB 50 35 173

HSL 246.52, 0.66%, 0.41%

LAB 26.44, 48.78, -70.05

 

CMYK 80 / 2 / 0 / 32

HEX #23A9AD

RGB 35 169 173

HSL 181.74, 0.66%, 0.41%

LAB 63.14, -32.15, -11.96

 

CMYK 80 / 24 / 0 / 32

HEX #2384AD

RGB 35 132 173

HSL 197.83, 0.66%, 0.41%

LAB 51.7, -12.95, -29.45

 

CMYK 80 / 45 / 0 / 32

HEX #235FAD

RGB 35 95 173

HSL 213.91, 0.66%, 0.41%

LAB 40.51, 9.54, -47.14

 

CMYK 80 / 67 / 0 / 32

HEX #2339AD

RGB 35 57 173

HSL 230.43, 0.66%, 0.41%

LAB 30.16, 34.69, -63.94

 

CMYK 80 / 80 / 0 / 32

HEX #2323AD

RGB 35 35 173

HSL 240, 0.66%, 0.41%

LAB 25.49, 47.67, -71.64

 

CMYK 80 / 2 / 0 / 32

HEX #23A9AD

RGB 35 169 173

HSL 181.74, 0.66%, 0.41%

LAB 63.14, -32.15, -11.96

 

CMYK 91 / 3 / 0 / 25

HEX #12B9BE

RGB 18 185 190

HSL 181.74, 0.83%, 0.41%

LAB 68.42, -35.63, -13.48

 

CMYK 100 / 3 / 0 / 19

HEX #01C9CF

RGB 1 201 207

HSL 181.75, 0.99%, 0.41%

LAB 73.73, -38.35, -14.79

 

CMYK 80 / 2 / 0 / 32

HEX #23A9AD

RGB 35 169 173

HSL 181.74, 0.66%, 0.41%

LAB 63.14, -32.15, -11.96

 

CMYK 67 / 2 / 0 / 39

HEX #34999C

RGB 52 153 156

HSL 181.73, 0.5%, 0.41%

LAB 57.95, -27.4, -10.1

 

CMYK 50 / 1 / 0 / 45

HEX #45898B

RGB 69 137 139

HSL 181.71, 0.34%, 0.41%

LAB 52.97, -20.87, -7.71

 

CMYK 30 / 1 / 0 / 52

HEX #56797A

RGB 86 121 122

HSL 181.67, 0.17%, 0.41%

LAB 48.33, -12.06, -4.56

 

CMYK 2 / 0 / 0 / 59

HEX #676969

RGB 103 105 105

HSL 180, 0.01%, 0.41%

LAB 44.24, -0.77, -0.28

 

CMYK 80 / 0 / 41 / 32

HEX #23AD66

RGB 35 173 102

HSL 149.13, 0.66%, 0.41%

LAB 62.68, -51.82, 26.62

 

CMYK 80 / 0 / 20 / 32

HEX #23AD8B

RGB 35 173 139

HSL 165.22, 0.66%, 0.41%

LAB 63.43, -43.52, 7.46

 

CMYK 80 / 1 / 0 / 32

HEX #23ABAD

RGB 35 171 173

HSL 180.87, 0.66%, 0.41%

LAB 63.75, -33.1, -11.03

 

CMYK 80 / 23 / 0 / 32

HEX #2386AD

RGB 35 134 173

HSL 196.96, 0.66%, 0.41%

LAB 52.31, -14.07, -28.49

 

CMYK 80 / 44 / 0 / 32

HEX #2361AD

RGB 35 97 173

HSL 213.04, 0.66%, 0.41%

LAB 41.09, 8.24, -46.19

 

CMYK 80 / 3 / 0 / 59

HEX #156669

RGB 21 102 105

HSL 182.14, 0.67%, 0.25%

LAB 39.04, -21.73, -8.46

 

CMYK 80 / 2 / 0 / 45

HEX #1C888B

RGB 28 136 139

HSL 181.62, 0.66%, 0.33%

LAB 51.52, -27.33, -10.01

 

CMYK 80 / 2 / 0 / 32

HEX #23A9AD

RGB 35 169 173

HSL 181.74, 0.66%, 0.41%

LAB 63.14, -32.15, -11.96

 

CMYK 80 / 2 / 0 / 19

HEX #2ACBCF

RGB 42 203 207

HSL 181.45, 0.66%, 0.49%

LAB 74.64, -37.25, -13.39

 

CMYK 66 / 2 / 0 / 15

HEX #49D5D9

RGB 73 213 217

HSL 181.67, 0.65%, 0.57%

LAB 78.47, -35.44, -12.97

 

CMYK 79 / 2 / 0 / 31

HEX #24ABAF

RGB 36 171 175

HSL 181.73, 0.66%, 0.41%

LAB 63.83, -32.4, -12.03

 

CMYK 62 / 80 / 0 / 32

HEX #4123AD

RGB 65 35 173

HSL 253.04, 0.66%, 0.41%

LAB 27.69, 50.24, -67.94

 

CMYK 0 / 31 / 80 / 32

HEX #AD7823

RGB 173 120 35

HSL 36.96, 0.66%, 0.41%

LAB 54.49, 13.31, 51.66

 

CMYK 79 / 2 / 0 / 31

HEX #24ABAF

RGB 36 171 175

HSL 181.73, 0.66%, 0.41%

LAB 63.83, -32.4, -12.03

 

CMYK 0 / 80 / 1 / 32

HEX #AD23AB

RGB 173 35 171

HSL 300.87, 0.66%, 0.41%

LAB 42.8, 67.69, -41.51

 

CMYK 1 / 0 / 80 / 32

HEX #ABAD23

RGB 171 173 35

HSL 60.87, 0.66%, 0.41%

LAB 68.51, -16.28, 64.22

RGB 171 173 35

CMYK 79 / 2 / 0 / 31

HEX #24ABAF

RGB 36 171 175

HSL 181.73, 0.66%, 0.41%

LAB 63.83, -32.4, -12.03

 

CMYK 62 / 80 / 0 / 32

HEX #4123AD

RGB 65 35 173

HSL 253.04, 0.66%, 0.41%

LAB 27.69, 50.24, -67.94

 

CMYK 0 / 79 / 80 / 32

HEX #AD2523

RGB 173 37 35

HSL 0.87, 0.66%, 0.41%

LAB 38.43, 53.59, 36.06

 

CMYK 17 / 0 / 80 / 32

HEX #8FAD23

RGB 143 173 35

HSL 73.04, 0.66%, 0.41%

LAB 66.4, -28.24, 61.54

 

CMYK 79 / 2 / 0 / 31

HEX #24ABAF

RGB 36 171 175

HSL 181.73, 0.66%, 0.41%

LAB 63.83, -32.4, -12.03

 

CMYK 39 / 80 / 0 / 32

HEX #6A23AD

RGB 106 35 173

HSL 270.87, 0.66%, 0.41%

LAB 32.44, 55.8, -59.95

 

CMYK 0 / 79 / 80 / 32

HEX #AD2523

RGB 173 37 35

HSL 0.87, 0.66%, 0.41%

LAB 38.43, 53.59, 36.06

 

CMYK 41 / 0 / 80 / 32

HEX #66AD23

RGB 102 173 35

HSL 90.87, 0.66%, 0.41%

LAB 64.03, -43.99, 58.49

 

Description

Color code: RGB 36 171 175 | qconv.com Color code: RGB 36 171 175 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 36 red, 171 green and 175 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
36 171 175 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 79 cyan, 2 magenta, none yellow and 31 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
79% 2% 0% 31% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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