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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 35 250 117 it is the complementary color RGB 220 5 138. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 35 250 117. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 35 250 117 shade: RGB 40 250 112, RGB 57 255 131, RGB 74 255 150, RGB 91 255 169 and RGB 108 255 188

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 35 250 117. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 35 250 117 shade: RGB 35 250 117, RGB 18 232 98, RGB 1 214 79, RGB 0 196 60 and RGB 0 178 41

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 35 250 117 shade: RGB 35 250 117, RGB 35 250 59, RGB 69 250 35, RGB 127 250 35 and RGB 185 250 35

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 35 250 117 shade: RGB 35 250 117, RGB 35 250 175, RGB 35 250 233, RGB 35 209 250 and RGB 35 151 250

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 35 250 117 shade matches the following richer shades: RGB 35 250 117

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 35 250 117 shade: RGB 35 250 117, RGB 53 232 121, RGB 71 214 125, RGB 89 196 130 and RGB 107 177 134

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 35 250 117 shade: RGB 70 250 35, RGB 35 250 56, RGB 35 250 114, RGB 35 250 171 and RGB 35 250 228

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 35 250 117 shade: RGB 4 199 78, RGB 4 239 94, RGB 35 250 117, RGB 75 251 142 and RGB 115 252 167

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 35 250 117 shade: RGB 35 250 117, RGB 35 128 250 and RGB 250 35 42

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 35 250 117 shade: RGB 35 250 117, RGB 114 35 250 and RGB 250 114 35

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 35 250 117 shade: RGB 35 250 117, RGB 35 128 250, RGB 250 35 171 and RGB 250 157 35

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 35 250 117 shade: RGB 35 250 117, RGB 35 63 250, RGB 250 35 171 and RGB 250 221 35

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 86 / 0 / 53 / 2

HEX #23FA75

RGB 35 250 117

HSL 142.88, 0.96%, 0.56%

LAB 87, -75.35, 49.9

 

Complementary color

CMYK 0 / 98 / 37 / 14

HEX #DC058A

RGB 220 5 138

HSL 322.88, 0.96%, 0.44%

LAB 48.46, 77.64, -12.23

 

CMYK 84 / 0 / 55 / 2

HEX #28FA70

RGB 40 250 112

HSL 140.57, 0.95%, 0.57%

LAB 86.99, -75.64, 52.18

 

CMYK 78 / 0 / 49 / 0

HEX #39FF83

RGB 57 255 131

HSL 142.42, 1%, 0.61%

LAB 88.94, -72.86, 45.81

 

CMYK 71 / 0 / 41 / 0

HEX #4AFF96

RGB 74 255 150

HSL 145.19, 1%, 0.65%

LAB 89.48, -67.59, 37.38

 

CMYK 64 / 0 / 34 / 0

HEX #5BFFA9

RGB 91 255 169

HSL 148.54, 1%, 0.68%

LAB 90.14, -61.46, 28.87

 

CMYK 58 / 0 / 26 / 0

HEX #6CFFBC

RGB 108 255 188

HSL 152.65, 1%, 0.71%

LAB 90.93, -54.57, 20.39

 

CMYK 86 / 0 / 53 / 2

HEX #23FA75

RGB 35 250 117

HSL 142.88, 0.96%, 0.56%

LAB 87, -75.35, 49.9

 

CMYK 92 / 0 / 58 / 9

HEX #12E862

RGB 18 232 98

HSL 142.43, 0.86%, 0.49%

LAB 81.14, -73.38, 51.49

 

CMYK 100 / 0 / 63 / 16

HEX #01D64F

RGB 1 214 79

HSL 141.97, 0.99%, 0.42%

LAB 75.24, -70.93, 53

 

CMYK 100 / 0 / 69 / 23

HEX #00C43C

RGB 0 196 60

HSL 138.37, 1%, 0.38%

LAB 69.33, -67.68, 54.33

 

CMYK 100 / 0 / 77 / 30

HEX #00B229

RGB 0 178 41

HSL 133.82, 1%, 0.35%

LAB 63.34, -64.09, 55.13

 

CMYK 86 / 0 / 53 / 2

HEX #23FA75

RGB 35 250 117

HSL 142.88, 0.96%, 0.56%

LAB 87, -75.35, 49.9

 

CMYK 86 / 0 / 76 / 2

HEX #23FA3B

RGB 35 250 59

HSL 126.7, 0.96%, 0.56%

LAB 86.53, -81.27, 72.15

 

CMYK 72 / 0 / 86 / 2

HEX #45FA23

RGB 69 250 35

HSL 110.51, 0.96%, 0.56%

LAB 86.88, -78.54, 78.62

 

CMYK 49 / 0 / 86 / 2

HEX #7FFA23

RGB 127 250 35

HSL 94.33, 0.96%, 0.56%

LAB 88.45, -65.66, 80.6

 

CMYK 26 / 0 / 86 / 2

HEX #B9FA23

RGB 185 250 35

HSL 78.14, 0.96%, 0.56%

LAB 91.15, -46.46, 83.96

 

CMYK 86 / 0 / 53 / 2

HEX #23FA75

RGB 35 250 117

HSL 142.88, 0.96%, 0.56%

LAB 87, -75.35, 49.9

 

CMYK 86 / 0 / 30 / 2

HEX #23FAAF

RGB 35 250 175

HSL 159.07, 0.96%, 0.56%

LAB 87.88, -65.08, 22.6

 

CMYK 86 / 0 / 7 / 2

HEX #23FAE9

RGB 35 250 233

HSL 175.26, 0.96%, 0.56%

LAB 89.21, -50.98, -5.52

 

CMYK 86 / 16 / 0 / 2

HEX #23D1FA

RGB 35 209 250

HSL 191.44, 0.96%, 0.56%

LAB 77.79, -27.26, -31.72

 

CMYK 86 / 40 / 0 / 2

HEX #2397FA

RGB 35 151 250

HSL 207.63, 0.96%, 0.56%

LAB 61.13, 4.22, -57.86

 

CMYK 86 / 0 / 53 / 2

HEX #23FA75

RGB 35 250 117

HSL 142.88, 0.96%, 0.56%

LAB 87, -75.35, 49.9

 

CMYK 86 / 0 / 53 / 2

HEX #23FA75

RGB 35 250 117

HSL 142.88, 0.96%, 0.56%

LAB 87, -75.35, 49.9

 

CMYK 77 / 0 / 48 / 9

HEX #35E879

RGB 53 232 121

HSL 142.79, 0.8%, 0.56%

LAB 81.76, -67.21, 41.57

 

CMYK 67 / 0 / 42 / 16

HEX #47D67D

RGB 71 214 125

HSL 142.66, 0.64%, 0.56%

LAB 76.63, -57.51, 33.08

 

CMYK 55 / 0 / 34 / 23

HEX #59C482

RGB 89 196 130

HSL 142.99, 0.48%, 0.56%

LAB 71.7, -45.77, 24.04

 

CMYK 40 / 0 / 24 / 31

HEX #6BB186

RGB 107 177 134

HSL 143.14, 0.31%, 0.56%

LAB 66.74, -31.7, 15.2

 

CMYK 72 / 0 / 86 / 2

HEX #46FA23

RGB 70 250 35

HSL 110.23, 0.96%, 0.56%

LAB 86.9, -78.39, 78.65

 

CMYK 86 / 0 / 78 / 2

HEX #23FA38

RGB 35 250 56

HSL 125.86, 0.96%, 0.56%

LAB 86.51, -81.46, 73.02

 

CMYK 86 / 0 / 54 / 2

HEX #23FA72

RGB 35 250 114

HSL 142.05, 0.96%, 0.56%

LAB 86.97, -75.76, 51.23

 

CMYK 86 / 0 / 32 / 2

HEX #23FAAB

RGB 35 250 171

HSL 157.95, 0.96%, 0.56%

LAB 87.81, -65.92, 24.54

 

CMYK 86 / 0 / 9 / 2

HEX #23FAE4

RGB 35 250 228

HSL 173.86, 0.96%, 0.56%

LAB 89.08, -52.33, -3.11

 

CMYK 98 / 0 / 61 / 22

HEX #04C74E

RGB 4 199 78

HSL 142.77, 0.96%, 0.4%

LAB 70.47, -66.43, 48.02

 

CMYK 98 / 0 / 61 / 6

HEX #04EF5E

RGB 4 239 94

HSL 142.98, 0.97%, 0.48%

LAB 83.21, -76.45, 55.63

 

CMYK 86 / 0 / 53 / 2

HEX #23FA75

RGB 35 250 117

HSL 142.88, 0.96%, 0.56%

LAB 87, -75.35, 49.9

 

CMYK 70 / 0 / 43 / 2

HEX #4BFB8E

RGB 75 251 142

HSL 142.84, 0.96%, 0.64%

LAB 88.18, -67.37, 39.62

 

CMYK 54 / 0 / 34 / 1

HEX #73FCA7

RGB 115 252 167

HSL 142.77, 0.96%, 0.72%

LAB 89.89, -55.88, 29.65

 

CMYK 86 / 0 / 53 / 2

HEX #23FA75

RGB 35 250 117

HSL 142.88, 0.96%, 0.56%

LAB 87, -75.35, 49.9

 

CMYK 86 / 49 / 0 / 2

HEX #2380FA

RGB 35 128 250

HSL 214.05, 0.96%, 0.56%

LAB 54.76, 18.19, -68.08

 

CMYK 0 / 86 / 83 / 2

HEX #FA232A

RGB 250 35 42

HSL 358.05, 0.96%, 0.56%

LAB 53.7, 75.64, 52.35

 

CMYK 86 / 0 / 53 / 2

HEX #23FA75

RGB 35 250 117

HSL 142.88, 0.96%, 0.56%

LAB 87, -75.35, 49.9

 

CMYK 54 / 86 / 0 / 2

HEX #7223FA

RGB 114 35 250

HSL 262.05, 0.96%, 0.56%

LAB 40.71, 75.06, -90.89

 

CMYK 0 / 54 / 86 / 2

HEX #FA7223

RGB 250 114 35

HSL 22.05, 0.96%, 0.56%

LAB 63.74, 48.14, 63.78

 

CMYK 86 / 0 / 53 / 2

HEX #23FA75

RGB 35 250 117

HSL 142.88, 0.96%, 0.56%

LAB 87, -75.35, 49.9

 

CMYK 86 / 49 / 0 / 2

HEX #2380FA

RGB 35 128 250

HSL 214.05, 0.96%, 0.56%

LAB 54.76, 18.19, -68.08

 

CMYK 0 / 86 / 32 / 2

HEX #FA23AB

RGB 250 35 171

HSL 322.05, 0.96%, 0.56%

LAB 56.55, 83.72, -19.04

 

CMYK 0 / 37 / 86 / 2

HEX #FA9D23

RGB 250 157 35

HSL 34.05, 0.96%, 0.56%

LAB 72.6, 26.47, 70.92

 

CMYK 86 / 0 / 53 / 2

HEX #23FA75

RGB 35 250 117

HSL 142.88, 0.96%, 0.56%

LAB 87, -75.35, 49.9

 

CMYK 86 / 75 / 0 / 2

HEX #233FFA

RGB 35 63 250

HSL 232.19, 0.96%, 0.56%

LAB 39.27, 57.81, -93.44

 

CMYK 0 / 86 / 32 / 2

HEX #FA23AB

RGB 250 35 171

HSL 322.05, 0.96%, 0.56%

LAB 56.55, 83.72, -19.04

 

CMYK 0 / 12 / 86 / 2

HEX #FADD23

RGB 250 221 35

HSL 51.91, 0.96%, 0.56%

LAB 88.04, -6.64, 83.33

 

Description

Color code: RGB 35 250 117 | qconv.com Color code: RGB 35 250 117 | qconv.com - big

With this color, green stands out from the other colors. The value that represents the green hue is greater than the other two values. It stands out far from the value for the red and blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 35 red, 250 green and 117 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
35 250 117 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 86 cyan, none magenta, 53 yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
86% 0% 53% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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