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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 35 231 235 it is the complementary color RGB 220 24 20. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 35 231 235. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 35 231 235 shade: RGB 40 231 230, RGB 57 249 249, RGB 74 255 255, RGB 91 255 255 and RGB 108 255 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 35 231 235. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 35 231 235 shade: RGB 35 231 235, RGB 18 213 216, RGB 1 195 197, RGB 0 177 178 and RGB 0 159 159

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 35 231 235 shade: RGB 35 230 234, RGB 35 176 234, RGB 35 123 234, RGB 35 69 234 and RGB 55 35 234

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 35 231 235 shade: RGB 35 230 234, RGB 35 176 234, RGB 35 123 234, RGB 35 69 234 and RGB 35 35 234

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 35 231 235 shade matches the following richer shades: RGB 35 230 234 and RGB 16 249 254

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 35 231 235 shade: RGB 35 230 234, RGB 55 212 215, RGB 74 193 195, RGB 93 174 176 and RGB 113 156 157

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 35 231 235 shade: RGB 35 234 131, RGB 35 234 184, RGB 35 231 234, RGB 35 178 234 and RGB 35 125 234

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 35 231 235 shade: RGB 15 168 171, RGB 19 205 209, RGB 35 230 234, RGB 73 234 238 and RGB 111 239 241

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 35 231 235 shade: RGB 35 231 235, RGB 78 35 234 and RGB 234 158 35

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 35 231 235 shade: RGB 35 231 235, RGB 234 35 231 and RGB 231 234 35

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 35 231 235 shade: RGB 35 231 235, RGB 78 35 234, RGB 234 38 35 and RGB 191 234 35

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 35 231 235 shade: RGB 35 231 235, RGB 138 35 234, RGB 234 38 35 and RGB 131 234 35

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 85 / 2 / 0 / 8

HEX #23E7EB

RGB 35 231 235

HSL 181.2, 0.83%, 0.53%

LAB 83.71, -42.22, -14.75

 

Complementary color

CMYK 0 / 89 / 91 / 14

HEX #DC1814

RGB 220 24 20

HSL 1.2, 0.83%, 0.47%

LAB 46.87, 69.33, 54.29

 

CMYK 83 / 0 / 0 / 9

HEX #28E7E6

RGB 40 231 230

HSL 179.69, 0.8%, 0.53%

LAB 83.61, -43.34, -12.26

 

CMYK 77 / 0 / 0 / 2

HEX #39F9F9

RGB 57 249 249

HSL 180, 0.94%, 0.6%

LAB 89.61, -44.54, -13.23

 

CMYK 71 / 0 / 0 / 0

HEX #4AFFFF

RGB 74 255 255

HSL 180, 1%, 0.65%

LAB 91.77, -43.79, -13.09

 

CMYK 64 / 0 / 0 / 0

HEX #5BFFFF

RGB 91 255 255

HSL 180, 1%, 0.68%

LAB 92.12, -41.61, -12.54

 

CMYK 58 / 0 / 0 / 0

HEX #6CFFFF

RGB 108 255 255

HSL 180, 1%, 0.71%

LAB 92.54, -38.95, -11.86

 

CMYK 85 / 2 / 0 / 8

HEX #23E7EB

RGB 35 231 235

HSL 181.2, 0.83%, 0.53%

LAB 83.71, -42.22, -14.75

 

CMYK 92 / 1 / 0 / 15

HEX #12D5D8

RGB 18 213 216

HSL 180.91, 0.85%, 0.46%

LAB 77.68, -40.58, -13.69

 

CMYK 99 / 1 / 0 / 23

HEX #01C3C5

RGB 1 195 197

HSL 180.61, 0.99%, 0.39%

LAB 71.6, -38.66, -12.54

 

CMYK 100 / 1 / 0 / 30

HEX #00B1B2

RGB 0 177 178

HSL 180.34, 1%, 0.35%

LAB 65.48, -36.25, -11.26

 

CMYK 100 / 0 / 0 / 38

HEX #009F9F

RGB 0 159 159

HSL 180, 1%, 0.31%

LAB 59.25, -33.78, -9.93

 

CMYK 85 / 2 / 0 / 8

HEX #23E6EA

RGB 35 230 234

HSL 181.21, 0.83%, 0.53%

LAB 83.39, -42.06, -14.71

 

CMYK 85 / 25 / 0 / 8

HEX #23B0EA

RGB 35 176 234

HSL 197.49, 0.83%, 0.53%

LAB 67.54, -15.64, -38.97

 

CMYK 85 / 47 / 0 / 8

HEX #237BEA

RGB 35 123 234

HSL 213.47, 0.83%, 0.53%

LAB 52.36, 15.24, -63.06

 

CMYK 85 / 71 / 0 / 8

HEX #2345EA

RGB 35 69 234

HSL 229.75, 0.83%, 0.53%

LAB 38.82, 49.09, -85.16

 

CMYK 76 / 85 / 0 / 8

HEX #3723EA

RGB 55 35 234

HSL 246.03, 0.83%, 0.53%

LAB 33.89, 66.83, -93.31

 

CMYK 85 / 2 / 0 / 8

HEX #23E6EA

RGB 35 230 234

HSL 181.21, 0.83%, 0.53%

LAB 83.39, -42.06, -14.71

 

CMYK 85 / 25 / 0 / 8

HEX #23B0EA

RGB 35 176 234

HSL 197.49, 0.83%, 0.53%

LAB 67.54, -15.64, -38.97

 

CMYK 85 / 47 / 0 / 8

HEX #237BEA

RGB 35 123 234

HSL 213.47, 0.83%, 0.53%

LAB 52.36, 15.24, -63.06

 

CMYK 85 / 71 / 0 / 8

HEX #2345EA

RGB 35 69 234

HSL 229.75, 0.83%, 0.53%

LAB 38.82, 49.09, -85.16

 

CMYK 85 / 85 / 0 / 8

HEX #2323EA

RGB 35 35 234

HSL 240, 0.83%, 0.53%

LAB 32.92, 66.05, -94.95

 

CMYK 85 / 2 / 0 / 8

HEX #23E6EA

RGB 35 230 234

HSL 181.21, 0.83%, 0.53%

LAB 83.39, -42.06, -14.71

 

CMYK 94 / 2 / 0 / 0

HEX #10F9FE

RGB 16 249 254

HSL 181.26, 0.99%, 0.53%

LAB 89.4, -45.43, -16.18

 

CMYK 85 / 2 / 0 / 8

HEX #23E6EA

RGB 35 230 234

HSL 181.21, 0.83%, 0.53%

LAB 83.39, -42.06, -14.71

 

CMYK 74 / 1 / 0 / 16

HEX #37D4D7

RGB 55 212 215

HSL 181.13, 0.67%, 0.53%

LAB 77.76, -37.79, -13

 

CMYK 62 / 1 / 0 / 24

HEX #4AC1C3

RGB 74 193 195

HSL 180.99, 0.5%, 0.53%

LAB 71.92, -32.05, -10.88

 

CMYK 47 / 1 / 0 / 31

HEX #5DAEB0

RGB 93 174 176

HSL 181.45, 0.34%, 0.53%

LAB 66.32, -24.16, -8.71

 

CMYK 28 / 1 / 0 / 38

HEX #719C9D

RGB 113 156 157

HSL 181.36, 0.18%, 0.53%

LAB 61.41, -14.24, -5.24

 

CMYK 85 / 0 / 44 / 8

HEX #23EA83

RGB 35 234 131

HSL 148.94, 0.83%, 0.53%

LAB 82.29, -68, 37.32

 

CMYK 85 / 0 / 21 / 8

HEX #23EAB8

RGB 35 234 184

HSL 164.92, 0.83%, 0.53%

LAB 83.27, -57.06, 11.48

 

CMYK 85 / 1 / 0 / 8

HEX #23E7EA

RGB 35 231 234

HSL 180.9, 0.83%, 0.53%

LAB 83.68, -42.51, -14.27

 

CMYK 85 / 24 / 0 / 8

HEX #23B2EA

RGB 35 178 234

HSL 196.88, 0.83%, 0.53%

LAB 68.12, -16.71, -38.06

 

CMYK 85 / 47 / 0 / 8

HEX #237DEA

RGB 35 125 234

HSL 212.86, 0.83%, 0.53%

LAB 52.91, 13.99, -62.17

 

CMYK 91 / 2 / 0 / 33

HEX #0FA8AB

RGB 15 168 171

HSL 181.15, 0.84%, 0.36%

LAB 62.55, -33.68, -11.74

 

CMYK 91 / 2 / 0 / 18

HEX #13CDD1

RGB 19 205 209

HSL 181.26, 0.83%, 0.45%

LAB 75.08, -39.01, -13.83

 

CMYK 85 / 2 / 0 / 8

HEX #23E6EA

RGB 35 230 234

HSL 181.21, 0.83%, 0.53%

LAB 83.39, -42.06, -14.71

 

CMYK 69 / 2 / 0 / 7

HEX #49EAEE

RGB 73 234 238

HSL 181.45, 0.83%, 0.61%

LAB 85.22, -39.21, -14.02

 

CMYK 54 / 1 / 0 / 5

HEX #6FEFF1

RGB 111 239 241

HSL 180.92, 0.82%, 0.69%

LAB 87.71, -34.71, -11.77

 

CMYK 85 / 2 / 0 / 8

HEX #23E7EB

RGB 35 231 235

HSL 181.2, 0.83%, 0.53%

LAB 83.71, -42.22, -14.75

 

CMYK 67 / 85 / 0 / 8

HEX #4E23EA

RGB 78 35 234

HSL 252.96, 0.83%, 0.53%

LAB 35.52, 68.18, -90.54

 

CMYK 0 / 32 / 85 / 8

HEX #EA9E23

RGB 234 158 35

HSL 37.09, 0.83%, 0.53%

LAB 70.92, 19.23, 68.75

 

CMYK 85 / 2 / 0 / 8

HEX #23E7EB

RGB 35 231 235

HSL 181.2, 0.83%, 0.53%

LAB 83.71, -42.22, -14.75

 

CMYK 0 / 85 / 1 / 8

HEX #EA23E7

RGB 234 35 231

HSL 300.9, 0.83%, 0.53%

LAB 56.55, 88.09, -53.67

 

CMYK 1 / 0 / 85 / 8

HEX #E7EA23

RGB 231 234 35

HSL 60.9, 0.83%, 0.53%

LAB 89.84, -20.99, 84.13

 

CMYK 85 / 2 / 0 / 8

HEX #23E7EB

RGB 35 231 235

HSL 181.2, 0.83%, 0.53%

LAB 83.71, -42.22, -14.75

 

CMYK 67 / 85 / 0 / 8

HEX #4E23EA

RGB 78 35 234

HSL 252.96, 0.83%, 0.53%

LAB 35.52, 68.18, -90.54

 

CMYK 0 / 84 / 85 / 8

HEX #EA2623

RGB 234 38 35

HSL 0.9, 0.83%, 0.53%

LAB 50.69, 70.69, 51.9

 

CMYK 18 / 0 / 85 / 8

HEX #BFEA23

RGB 191 234 35

HSL 72.96, 0.83%, 0.53%

LAB 87.02, -37.18, 80.65

 

CMYK 85 / 2 / 0 / 8

HEX #23E7EB

RGB 35 231 235

HSL 181.2, 0.83%, 0.53%

LAB 83.71, -42.22, -14.75

 

CMYK 41 / 85 / 0 / 8

HEX #8A23EA

RGB 138 35 234

HSL 271.06, 0.83%, 0.53%

LAB 42.07, 73.99, -79.52

 

CMYK 0 / 84 / 85 / 8

HEX #EA2623

RGB 234 38 35

HSL 0.9, 0.83%, 0.53%

LAB 50.69, 70.69, 51.9

 

CMYK 44 / 0 / 85 / 8

HEX #83EA23

RGB 131 234 35

HSL 91.06, 0.83%, 0.53%

LAB 83.86, -58.6, 76.7

 

Description

Color code: RGB 35 231 235 | qconv.com Color code: RGB 35 231 235 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 35 red, 231 green and 235 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
35 231 235 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 85 cyan, 2 magenta, none yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
85% 2% 0% 8% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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