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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 35 214 214 it is the complementary color RGB 220 41 41. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 35 214 214. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 35 214 214 shade: RGB 40 214 209, RGB 57 232 228, RGB 74 250 247, RGB 91 255 255 and RGB 108 255 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 35 214 214. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 35 214 214 shade: RGB 35 214 214, RGB 18 196 195, RGB 1 178 176, RGB 0 160 157 and RGB 0 142 138

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 35 214 214 shade: RGB 34 214 214, RGB 34 214 166, RGB 34 214 117, RGB 34 214 69 and RGB 49 214 34

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 35 214 214 shade: RGB 34 214 214, RGB 34 166 214, RGB 34 117 214, RGB 34 69 214 and RGB 34 34 214

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 35 214 214 shade matches the following richer shades: RGB 34 214 214 and RGB 14 235 235

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 35 214 214 shade: RGB 34 214 214, RGB 55 194 194, RGB 75 174 174, RGB 95 154 154 and RGB 115 134 134

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 35 214 214 shade: RGB 34 214 118, RGB 34 214 166, RGB 34 214 214, RGB 34 166 214 and RGB 34 118 214

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 35 214 214 shade: RGB 23 143 143, RGB 29 179 179, RGB 34 214 214, RGB 66 224 224 and RGB 102 230 230

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 35 214 214 shade: RGB 35 214 214, RGB 70 34 214 and RGB 214 142 34

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 35 214 214 shade: RGB 35 214 214, RGB 214 34 214 and RGB 214 214 34

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 35 214 214 shade: RGB 35 214 214, RGB 70 34 214, RGB 214 34 34 and RGB 178 214 34

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 35 214 214 shade: RGB 35 214 214, RGB 124 34 214, RGB 214 34 34 and RGB 124 214 34

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 84 / 0 / 0 / 16

HEX #23D6D6

RGB 35 214 214

HSL 180, 0.72%, 0.49%

LAB 78.06, -40.73, -12.05

 

Complementary color

CMYK 0 / 81 / 81 / 14

HEX #DC2929

RGB 220 41 41

HSL 0, 0.72%, 0.51%

LAB 48.21, 66.32, 45.62

 

CMYK 81 / 0 / 2 / 16

HEX #28D6D1

RGB 40 214 209

HSL 178.28, 0.69%, 0.5%

LAB 77.96, -41.81, -9.5

 

CMYK 75 / 0 / 2 / 9

HEX #39E8E4

RGB 57 232 228

HSL 178.63, 0.79%, 0.57%

LAB 84.06, -42.91, -10.5

 

CMYK 70 / 0 / 1 / 2

HEX #4AFAF7

RGB 74 250 247

HSL 178.98, 0.95%, 0.64%

LAB 90.11, -43.77, -11.41

 

CMYK 64 / 0 / 0 / 0

HEX #5BFFFF

RGB 91 255 255

HSL 180, 1%, 0.68%

LAB 92.12, -41.61, -12.54

 

CMYK 58 / 0 / 0 / 0

HEX #6CFFFF

RGB 108 255 255

HSL 180, 1%, 0.71%

LAB 92.54, -38.95, -11.86

 

CMYK 84 / 0 / 0 / 16

HEX #23D6D6

RGB 35 214 214

HSL 180, 0.72%, 0.49%

LAB 78.06, -40.73, -12.05

 

CMYK 91 / 0 / 1 / 23

HEX #12C4C3

RGB 18 196 195

HSL 179.66, 0.83%, 0.42%

LAB 71.93, -39.17, -10.96

 

CMYK 99 / 0 / 1 / 30

HEX #01B2B0

RGB 1 178 176

HSL 179.32, 0.99%, 0.35%

LAB 65.73, -37.29, -9.77

 

CMYK 100 / 0 / 2 / 37

HEX #00A09D

RGB 0 160 157

HSL 178.88, 1%, 0.31%

LAB 59.5, -34.87, -8.42

 

CMYK 100 / 0 / 3 / 44

HEX #008E8A

RGB 0 142 138

HSL 178.31, 1%, 0.28%

LAB 53.15, -32.36, -7.02

RGB 0 142 138

CMYK 84 / 0 / 0 / 16

HEX #22D6D6

RGB 34 214 214

HSL 180, 0.73%, 0.49%

LAB 78.04, -40.8, -12.07

 

CMYK 84 / 0 / 22 / 16

HEX #22D6A6

RGB 34 214 166

HSL 164, 0.73%, 0.49%

LAB 76.79, -53.62, 11.8

 

CMYK 84 / 0 / 45 / 16

HEX #22D675

RGB 34 214 117

HSL 147.67, 0.73%, 0.49%

LAB 75.9, -63.74, 36.05

 

CMYK 84 / 0 / 68 / 16

HEX #22D645

RGB 34 214 69

HSL 131.67, 0.73%, 0.49%

LAB 75.37, -70.16, 57.3

 

CMYK 77 / 0 / 84 / 16

HEX #31D622

RGB 49 214 34

HSL 115, 0.73%, 0.49%

LAB 75.37, -70.91, 68.53

 

CMYK 84 / 0 / 0 / 16

HEX #22D6D6

RGB 34 214 214

HSL 180, 0.73%, 0.49%

LAB 78.04, -40.8, -12.07

 

CMYK 84 / 22 / 0 / 16

HEX #22A6D6

RGB 34 166 214

HSL 196, 0.73%, 0.49%

LAB 63.73, -17.28, -33.9

 

CMYK 84 / 45 / 0 / 16

HEX #2275D6

RGB 34 117 214

HSL 212.33, 0.73%, 0.49%

LAB 49.4, 11.28, -56.57

 

CMYK 84 / 68 / 0 / 16

HEX #2245D6

RGB 34 69 214

HSL 228.33, 0.73%, 0.49%

LAB 36.84, 42, -77

 

CMYK 84 / 84 / 0 / 16

HEX #2222D6

RGB 34 34 214

HSL 240, 0.73%, 0.49%

LAB 30.25, 60.67, -87.91

 

CMYK 84 / 0 / 0 / 16

HEX #22D6D6

RGB 34 214 214

HSL 180, 0.73%, 0.49%

LAB 78.04, -40.8, -12.07

 

CMYK 94 / 0 / 0 / 8

HEX #0EEBEB

RGB 14 235 235

HSL 180, 0.89%, 0.49%

LAB 84.74, -44.88, -13.21

 

CMYK 84 / 0 / 0 / 16

HEX #22D6D6

RGB 34 214 214

HSL 180, 0.73%, 0.49%

LAB 78.04, -40.8, -12.07

 

CMYK 72 / 0 / 0 / 24

HEX #37C2C2

RGB 55 194 194

HSL 180, 0.56%, 0.49%

LAB 71.75, -35.54, -10.63

 

CMYK 57 / 0 / 0 / 32

HEX #4BAEAE

RGB 75 174 174

HSL 180, 0.4%, 0.49%

LAB 65.61, -28.55, -8.72

 

CMYK 38 / 0 / 0 / 40

HEX #5F9A9A

RGB 95 154 154

HSL 180, 0.24%, 0.49%

LAB 59.78, -19.13, -6.07

 

CMYK 14 / 0 / 0 / 47

HEX #738686

RGB 115 134 134

HSL 180, 0.08%, 0.49%

LAB 54.47, -6.84, -2.32

 

CMYK 84 / 0 / 45 / 16

HEX #22D676

RGB 34 214 118

HSL 148, 0.73%, 0.49%

LAB 75.91, -63.57, 35.56

 

CMYK 84 / 0 / 22 / 16

HEX #22D6A6

RGB 34 214 166

HSL 164, 0.73%, 0.49%

LAB 76.79, -53.62, 11.8

 

CMYK 84 / 0 / 0 / 16

HEX #22D6D6

RGB 34 214 214

HSL 180, 0.73%, 0.49%

LAB 78.04, -40.8, -12.07

 

CMYK 84 / 22 / 0 / 16

HEX #22A6D6

RGB 34 166 214

HSL 196, 0.73%, 0.49%

LAB 63.73, -17.28, -33.9

 

CMYK 84 / 45 / 0 / 16

HEX #2276D6

RGB 34 118 214

HSL 212, 0.73%, 0.49%

LAB 49.68, 10.66, -56.11

 

CMYK 84 / 0 / 0 / 44

HEX #178F8F

RGB 23 143 143

HSL 180, 0.72%, 0.33%

LAB 53.83, -29.97, -8.88

 

CMYK 84 / 0 / 0 / 30

HEX #1DB3B3

RGB 29 179 179

HSL 180, 0.72%, 0.41%

LAB 66.33, -35.54, -10.52

 

CMYK 84 / 0 / 0 / 16

HEX #22D6D6

RGB 34 214 214

HSL 180, 0.73%, 0.49%

LAB 78.04, -40.8, -12.07

 

CMYK 71 / 0 / 0 / 12

HEX #42E0E0

RGB 66 224 224

HSL 180, 0.72%, 0.57%

LAB 81.76, -39.45, -11.8

 

CMYK 56 / 0 / 0 / 10

HEX #66E6E6

RGB 102 230 230

HSL 180, 0.72%, 0.65%

LAB 84.55, -35.08, -10.72

 

CMYK 84 / 0 / 0 / 16

HEX #23D6D6

RGB 35 214 214

HSL 180, 0.72%, 0.49%

LAB 78.06, -40.73, -12.05

 

CMYK 67 / 84 / 0 / 16

HEX #4622D6

RGB 70 34 214

HSL 252, 0.73%, 0.49%

LAB 32.48, 62.63, -84.14

 

CMYK 0 / 34 / 84 / 16

HEX #D68E22

RGB 214 142 34

HSL 36, 0.73%, 0.49%

LAB 64.77, 19.2, 62.97

 

CMYK 84 / 0 / 0 / 16

HEX #23D6D6

RGB 35 214 214

HSL 180, 0.72%, 0.49%

LAB 78.06, -40.73, -12.05

 

CMYK 0 / 84 / 0 / 16

HEX #D622D6

RGB 214 34 214

HSL 300, 0.73%, 0.49%

LAB 52.17, 82.23, -51.22

 

CMYK 0 / 0 / 84 / 16

HEX #D6D622

RGB 214 214 34

HSL 60, 0.73%, 0.49%

LAB 83.18, -18.39, 78.33

 

CMYK 84 / 0 / 0 / 16

HEX #23D6D6

RGB 35 214 214

HSL 180, 0.72%, 0.49%

LAB 78.06, -40.73, -12.05

 

CMYK 67 / 84 / 0 / 16

HEX #4622D6

RGB 70 34 214

HSL 252, 0.73%, 0.49%

LAB 32.48, 62.63, -84.14

 

CMYK 0 / 84 / 84 / 16

HEX #D62222

RGB 214 34 34

HSL 0, 0.73%, 0.49%

LAB 46.39, 66.12, 47.1

 

CMYK 17 / 0 / 84 / 16

HEX #B2D622

RGB 178 214 34

HSL 72, 0.73%, 0.49%

LAB 80.56, -33.27, 75.07

 

CMYK 84 / 0 / 0 / 16

HEX #23D6D6

RGB 35 214 214

HSL 180, 0.72%, 0.49%

LAB 78.06, -40.73, -12.05

 

CMYK 42 / 84 / 0 / 16

HEX #7C22D6

RGB 124 34 214

HSL 270, 0.73%, 0.49%

LAB 38.35, 68.12, -74.26

 

CMYK 0 / 84 / 84 / 16

HEX #D62222

RGB 214 34 34

HSL 0, 0.73%, 0.49%

LAB 46.39, 66.12, 47.1

 

CMYK 42 / 0 / 84 / 16

HEX #7CD622

RGB 124 214 34

HSL 90, 0.73%, 0.49%

LAB 77.58, -53.18, 71.33

 

Description

Color code: RGB 35 214 214 | qconv.com Color code: RGB 35 214 214 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 35 red, 214 green and 214 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
35 214 214 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 84 cyan, none magenta, none yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
84% 0% 0% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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