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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 35 203 200 it is the complementary color RGB 220 52 55. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 35 203 200. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 35 203 200 shade: RGB 40 203 195, RGB 57 221 214, RGB 74 239 233, RGB 91 255 252 and RGB 108 255 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 35 203 200. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 35 203 200 shade: RGB 35 203 200, RGB 18 185 181, RGB 1 167 162, RGB 0 149 143 and RGB 0 131 124

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 35 203 200 shade: RGB 34 204 201, RGB 34 204 156, RGB 34 204 110, RGB 34 204 64 and RGB 51 204 34

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 35 203 200 shade: RGB 34 204 201, RGB 34 162 204, RGB 34 116 204, RGB 34 70 204 and RGB 34 34 204

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 35 203 200 shade matches the following richer shades: RGB 34 204 201 and RGB 15 224 220

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 35 203 200 shade: RGB 34 204 201, RGB 54 185 183, RGB 73 166 164, RGB 92 146 145 and RGB 112 127 127

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 35 203 200 shade: RGB 34 204 108, RGB 34 204 153, RGB 34 204 199, RGB 34 165 204 and RGB 34 119 204

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 35 203 200 shade: RGB 22 134 132, RGB 28 169 167, RGB 34 204 201, RGB 59 221 218 and RGB 94 227 225

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 35 203 200 shade: RGB 35 203 200, RGB 63 34 204 and RGB 204 131 34

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 35 203 200 shade: RGB 35 203 200, RGB 199 34 204 and RGB 204 199 34

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 35 203 200 shade: RGB 35 203 200, RGB 63 34 204, RGB 204 34 40 and RGB 176 204 34

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 35 203 200 shade: RGB 35 203 200, RGB 114 34 204, RGB 204 34 40 and RGB 125 204 34

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 83 / 0 / 1 / 20

HEX #23CBC8

RGB 35 203 200

HSL 178.93, 0.71%, 0.47%

LAB 74.34, -39.86, -10.05

 

Complementary color

CMYK 0 / 76 / 75 / 14

HEX #DC3437

RGB 220 52 55

HSL 358.93, 0.71%, 0.53%

LAB 49.43, 63.73, 39.23

 

CMYK 80 / 0 / 4 / 20

HEX #28CBC3

RGB 40 203 195

HSL 177.06, 0.67%, 0.48%

LAB 74.26, -40.9, -7.47

 

CMYK 74 / 0 / 3 / 13

HEX #39DDD6

RGB 57 221 214

HSL 177.44, 0.71%, 0.55%

LAB 80.43, -41.93, -8.49

 

CMYK 69 / 0 / 3 / 6

HEX #4AEFE9

RGB 74 239 233

HSL 177.82, 0.84%, 0.61%

LAB 86.54, -42.71, -9.41

 

CMYK 64 / 0 / 1 / 0

HEX #5BFFFC

RGB 91 255 252

HSL 178.9, 1%, 0.68%

LAB 92.03, -42.42, -11.11

 

CMYK 58 / 0 / 0 / 0

HEX #6CFFFF

RGB 108 255 255

HSL 180, 1%, 0.71%

LAB 92.54, -38.95, -11.86

 

CMYK 83 / 0 / 1 / 20

HEX #23CBC8

RGB 35 203 200

HSL 178.93, 0.71%, 0.47%

LAB 74.34, -39.86, -10.05

 

CMYK 90 / 0 / 2 / 27

HEX #12B9B5

RGB 18 185 181

HSL 178.56, 0.82%, 0.4%

LAB 68.14, -38.35, -8.94

 

CMYK 99 / 0 / 3 / 35

HEX #01A7A2

RGB 1 167 162

HSL 178.19, 0.99%, 0.33%

LAB 61.87, -36.52, -7.71

 

CMYK 100 / 0 / 4 / 42

HEX #00958F

RGB 0 149 143

HSL 177.58, 1%, 0.29%

LAB 55.56, -34.08, -6.31

 

CMYK 100 / 0 / 5 / 49

HEX #00837C

RGB 0 131 124

HSL 176.79, 1%, 0.26%

LAB 49.12, -31.56, -4.85

 

CMYK 83 / 0 / 1 / 20

HEX #22CCC9

RGB 34 204 201

HSL 178.94, 0.71%, 0.47%

LAB 74.66, -40.09, -10.12

 

CMYK 83 / 0 / 24 / 20

HEX #22CC9C

RGB 34 204 156

HSL 163.06, 0.71%, 0.47%

LAB 73.5, -52.07, 12.48

 

CMYK 83 / 0 / 46 / 20

HEX #22CC6E

RGB 34 204 110

HSL 146.82, 0.71%, 0.47%

LAB 72.66, -61.52, 35.42

 

CMYK 83 / 0 / 69 / 20

HEX #22CC40

RGB 34 204 64

HSL 130.59, 0.71%, 0.47%

LAB 72.16, -67.62, 55.84

 

CMYK 75 / 0 / 83 / 20

HEX #33CC22

RGB 51 204 34

HSL 114, 0.71%, 0.47%

LAB 72.23, -67.62, 65.71

 

CMYK 83 / 0 / 1 / 20

HEX #22CCC9

RGB 34 204 201

HSL 178.94, 0.71%, 0.47%

LAB 74.66, -40.09, -10.12

 

CMYK 83 / 21 / 0 / 20

HEX #22A2CC

RGB 34 162 204

HSL 194.82, 0.71%, 0.47%

LAB 62.12, -18.6, -30.85

 

CMYK 83 / 43 / 0 / 20

HEX #2274CC

RGB 34 116 204

HSL 211.06, 0.71%, 0.47%

LAB 48.5, 8.07, -52.31

 

CMYK 83 / 66 / 0 / 20

HEX #2246CC

RGB 34 70 204

HSL 227.29, 0.71%, 0.47%

LAB 36.14, 37.74, -72.38

 

CMYK 83 / 83 / 0 / 20

HEX #2222CC

RGB 34 34 204

HSL 240, 0.71%, 0.47%

LAB 29.01, 57.71, -84.15

 

CMYK 83 / 0 / 1 / 20

HEX #22CCC9

RGB 34 204 201

HSL 178.94, 0.71%, 0.47%

LAB 74.66, -40.09, -10.12

 

CMYK 93 / 0 / 2 / 12

HEX #0FE0DC

RGB 15 224 220

HSL 178.85, 0.87%, 0.47%

LAB 81.06, -44.39, -10.78

 

CMYK 83 / 0 / 1 / 20

HEX #22CCC9

RGB 34 204 201

HSL 178.94, 0.71%, 0.47%

LAB 74.66, -40.09, -10.12

 

CMYK 71 / 0 / 1 / 27

HEX #36B9B7

RGB 54 185 183

HSL 179.08, 0.55%, 0.47%

LAB 68.68, -34.63, -9.18

 

CMYK 56 / 0 / 1 / 35

HEX #49A6A4

RGB 73 166 164

HSL 178.71, 0.39%, 0.47%

LAB 62.82, -27.77, -7.3

 

CMYK 37 / 0 / 1 / 43

HEX #5C9291

RGB 92 146 145

HSL 178.89, 0.23%, 0.47%

LAB 56.96, -18.05, -5.14

 

CMYK 12 / 0 / 0 / 50

HEX #707F7F

RGB 112 127 127

HSL 180, 0.06%, 0.47%

LAB 52.01, -5.48, -1.87

 

CMYK 83 / 0 / 47 / 20

HEX #22CC6C

RGB 34 204 108

HSL 146.12, 0.71%, 0.47%

LAB 72.63, -61.86, 36.38

 

CMYK 83 / 0 / 25 / 20

HEX #22CC99

RGB 34 204 153

HSL 162, 0.71%, 0.47%

LAB 73.43, -52.78, 13.99

 

CMYK 83 / 0 / 2 / 20

HEX #22CCC7

RGB 34 204 199

HSL 178.24, 0.71%, 0.47%

LAB 74.6, -40.67, -9.12

 

CMYK 83 / 19 / 0 / 20

HEX #22A5CC

RGB 34 165 204

HSL 193.76, 0.71%, 0.47%

LAB 63.02, -20.18, -29.45

 

CMYK 83 / 42 / 0 / 20

HEX #2277CC

RGB 34 119 204

HSL 210, 0.71%, 0.47%

LAB 49.37, 6.2, -50.92

 

CMYK 84 / 0 / 1 / 47

HEX #168684

RGB 22 134 132

HSL 178.93, 0.72%, 0.31%

LAB 50.55, -29.12, -7.37

 

CMYK 83 / 0 / 1 / 34

HEX #1CA9A7

RGB 28 169 167

HSL 179.15, 0.72%, 0.39%

LAB 62.85, -34.57, -9.03

 

CMYK 83 / 0 / 1 / 20

HEX #22CCC9

RGB 34 204 201

HSL 178.94, 0.71%, 0.47%

LAB 74.66, -40.09, -10.12

 

CMYK 73 / 0 / 1 / 13

HEX #3BDDDA

RGB 59 221 218

HSL 178.89, 0.7%, 0.55%

LAB 80.57, -40.59, -10.39

 

CMYK 59 / 0 / 1 / 11

HEX #5EE3E1

RGB 94 227 225

HSL 179.1, 0.7%, 0.63%

LAB 83.31, -36.43, -9.95

 

CMYK 83 / 0 / 1 / 20

HEX #23CBC8

RGB 35 203 200

HSL 178.93, 0.71%, 0.47%

LAB 74.34, -39.86, -10.05

 

CMYK 69 / 83 / 0 / 20

HEX #3F22CC

RGB 63 34 204

HSL 250.24, 0.71%, 0.47%

LAB 30.78, 59.35, -81.16

 

CMYK 0 / 36 / 83 / 20

HEX #CC8322

RGB 204 131 34

HSL 34.24, 0.71%, 0.47%

LAB 60.94, 20.85, 59.22

 

CMYK 83 / 0 / 1 / 20

HEX #23CBC8

RGB 35 203 200

HSL 178.93, 0.71%, 0.47%

LAB 74.34, -39.86, -10.05

 

CMYK 2 / 83 / 0 / 20

HEX #C722CC

RGB 199 34 204

HSL 298.24, 0.71%, 0.47%

LAB 49.06, 78.02, -50.58

 

CMYK 0 / 2 / 83 / 20

HEX #CCC722

RGB 204 199 34

HSL 58.24, 0.71%, 0.47%

LAB 78.34, -15.2, 73.98

 

CMYK 83 / 0 / 1 / 20

HEX #23CBC8

RGB 35 203 200

HSL 178.93, 0.71%, 0.47%

LAB 74.34, -39.86, -10.05

 

CMYK 69 / 83 / 0 / 20

HEX #3F22CC

RGB 63 34 204

HSL 250.24, 0.71%, 0.47%

LAB 30.78, 59.35, -81.16

 

CMYK 0 / 83 / 80 / 20

HEX #CC2228

RGB 204 34 40

HSL 357.88, 0.71%, 0.47%

LAB 44.43, 63.52, 41.37

 

CMYK 14 / 0 / 83 / 20

HEX #B0CC22

RGB 176 204 34

HSL 69.88, 0.71%, 0.47%

LAB 77.6, -29.41, 72.5

 

CMYK 83 / 0 / 1 / 20

HEX #23CBC8

RGB 35 203 200

HSL 178.93, 0.71%, 0.47%

LAB 74.34, -39.86, -10.05

 

CMYK 44 / 83 / 0 / 20

HEX #7222CC

RGB 114 34 204

HSL 268.24, 0.71%, 0.47%

LAB 36.14, 64.56, -72.14

 

CMYK 0 / 83 / 80 / 20

HEX #CC2228

RGB 204 34 40

HSL 357.88, 0.71%, 0.47%

LAB 44.43, 63.52, 41.37

 

CMYK 39 / 0 / 83 / 20

HEX #7DCC22

RGB 125 204 34

HSL 87.88, 0.71%, 0.47%

LAB 74.61, -48.85, 68.74

 

Description

Color code: RGB 35 203 200 | qconv.com Color code: RGB 35 203 200 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 35 red, 203 green and 200 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
35 203 200 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 83 cyan, none magenta, 1 yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
83% 0% 1% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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