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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 35 196 211 it is the complementary color RGB 220 59 44. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 35 196 211. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 35 196 211 shade: RGB 40 196 206, RGB 57 214 225, RGB 74 232 244, RGB 91 250 255 and RGB 108 255 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 35 196 211. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 35 196 211 shade: RGB 35 196 211, RGB 18 178 192, RGB 1 160 173, RGB 0 142 154 and RGB 0 124 135

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 35 196 211 shade: RGB 34 195 210, RGB 34 147 210, RGB 34 100 210, RGB 34 52 210 and RGB 63 34 210

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 35 196 211 shade: RGB 34 195 210, RGB 34 147 210, RGB 34 100 210, RGB 34 52 210 and RGB 34 34 210

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 35 196 211 shade matches the following richer shades: RGB 34 195 210 and RGB 14 211 230

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 35 196 211 shade: RGB 34 195 210, RGB 54 179 190, RGB 73 162 170, RGB 93 146 151 and RGB 113 129 131

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 35 196 211 shade: RGB 34 210 131, RGB 34 210 178, RGB 34 195 210, RGB 34 148 210 and RGB 34 101 210

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 35 196 211 shade: RGB 22 129 139, RGB 28 162 175, RGB 34 195 210, RGB 62 209 223 and RGB 97 218 229

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 35 196 211 shade: RGB 35 196 211, RGB 84 34 210 and RGB 210 154 34

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 35 196 211 shade: RGB 35 196 211, RGB 210 34 195 and RGB 195 210 34

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 35 196 211 shade: RGB 35 196 211, RGB 84 34 210, RGB 210 48 34 and RGB 160 210 34

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 35 196 211 shade: RGB 35 196 211, RGB 137 34 210, RGB 210 48 34 and RGB 107 210 34

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 83 / 7 / 0 / 17

HEX #23C4D3

RGB 35 196 211

HSL 185.11, 0.72%, 0.48%

LAB 72.59, -33.32, -18.66

 

Complementary color

CMYK 0 / 73 / 80 / 14

HEX #DC3B2C

RGB 220 59 44

HSL 5.11, 0.72%, 0.52%

LAB 50.13, 61.11, 45.92

 

CMYK 81 / 5 / 0 / 19

HEX #28C4CE

RGB 40 196 206

HSL 183.61, 0.67%, 0.48%

LAB 72.49, -34.46, -16.09

 

CMYK 75 / 5 / 0 / 12

HEX #39D6E1

RGB 57 214 225

HSL 183.93, 0.74%, 0.55%

LAB 78.69, -35.59, -16.95

 

CMYK 70 / 5 / 0 / 4

HEX #4AE8F4

RGB 74 232 244

HSL 184.24, 0.89%, 0.62%

LAB 84.84, -36.47, -17.74

 

CMYK 64 / 2 / 0 / 0

HEX #5BFAFF

RGB 91 250 255

HSL 181.83, 1%, 0.68%

LAB 90.7, -39.36, -14.66

 

CMYK 58 / 0 / 0 / 0

HEX #6CFFFF

RGB 108 255 255

HSL 180, 1%, 0.71%

LAB 92.54, -38.95, -11.86

 

CMYK 83 / 7 / 0 / 17

HEX #23C4D3

RGB 35 196 211

HSL 185.11, 0.72%, 0.48%

LAB 72.59, -33.32, -18.66

 

CMYK 91 / 7 / 0 / 25

HEX #12B2C0

RGB 18 178 192

HSL 184.83, 0.83%, 0.41%

LAB 66.35, -31.69, -17.71

 

CMYK 99 / 8 / 0 / 32

HEX #01A0AD

RGB 1 160 173

HSL 184.53, 0.99%, 0.34%

LAB 60.04, -29.73, -16.66

 

CMYK 100 / 8 / 0 / 40

HEX #008E9A

RGB 0 142 154

HSL 184.68, 1%, 0.3%

LAB 53.68, -27.16, -15.46

 

CMYK 100 / 8 / 0 / 47

HEX #007C87

RGB 0 124 135

HSL 184.89, 1%, 0.26%

LAB 47.19, -24.49, -14.22

 

CMYK 84 / 7 / 0 / 18

HEX #22C3D2

RGB 34 195 210

HSL 185.11, 0.72%, 0.48%

LAB 72.24, -33.23, -18.64

 

CMYK 84 / 30 / 0 / 18

HEX #2293D2

RGB 34 147 210

HSL 201.48, 0.72%, 0.48%

LAB 57.9, -8.22, -40.78

 

CMYK 84 / 52 / 0 / 18

HEX #2264D2

RGB 34 100 210

HSL 217.5, 0.72%, 0.48%

LAB 44.39, 20.59, -62.37

 

CMYK 84 / 75 / 0 / 18

HEX #2234D2

RGB 34 52 210

HSL 233.86, 0.72%, 0.48%

LAB 32.81, 50.63, -81.35

 

CMYK 70 / 84 / 0 / 18

HEX #3F22D2

RGB 63 34 210

HSL 249.89, 0.72%, 0.48%

LAB 31.47, 61.03, -83.51

 

CMYK 84 / 7 / 0 / 18

HEX #22C3D2

RGB 34 195 210

HSL 185.11, 0.72%, 0.48%

LAB 72.24, -33.23, -18.64

 

CMYK 84 / 30 / 0 / 18

HEX #2293D2

RGB 34 147 210

HSL 201.48, 0.72%, 0.48%

LAB 57.9, -8.22, -40.78

 

CMYK 84 / 52 / 0 / 18

HEX #2264D2

RGB 34 100 210

HSL 217.5, 0.72%, 0.48%

LAB 44.39, 20.59, -62.37

 

CMYK 84 / 75 / 0 / 18

HEX #2234D2

RGB 34 52 210

HSL 233.86, 0.72%, 0.48%

LAB 32.81, 50.63, -81.35

 

CMYK 84 / 84 / 0 / 18

HEX #2222D2

RGB 34 34 210

HSL 240, 0.72%, 0.48%

LAB 29.76, 59.49, -86.42

 

CMYK 84 / 7 / 0 / 18

HEX #22C3D2

RGB 34 195 210

HSL 185.11, 0.72%, 0.48%

LAB 72.24, -33.23, -18.64

 

CMYK 94 / 8 / 0 / 10

HEX #0ED3E6

RGB 14 211 230

HSL 185.28, 0.89%, 0.48%

LAB 77.52, -35.53, -21.45

 

CMYK 84 / 7 / 0 / 18

HEX #22C3D2

RGB 34 195 210

HSL 185.11, 0.72%, 0.48%

LAB 72.24, -33.23, -18.64

 

CMYK 72 / 6 / 0 / 25

HEX #36B3BE

RGB 54 179 190

HSL 184.85, 0.56%, 0.48%

LAB 67.08, -29.69, -15.44

 

CMYK 57 / 5 / 0 / 33

HEX #49A2AA

RGB 73 162 170

HSL 184.95, 0.4%, 0.48%

LAB 61.79, -24.08, -12.2

 

CMYK 38 / 3 / 0 / 41

HEX #5D9297

RGB 93 146 151

HSL 185.17, 0.24%, 0.48%

LAB 57.19, -16.22, -8.22

 

CMYK 14 / 2 / 0 / 49

HEX #718183

RGB 113 129 131

HSL 186.67, 0.07%, 0.48%

LAB 52.78, -5.38, -3.07

 

CMYK 84 / 0 / 38 / 18

HEX #22D283

RGB 34 210 131

HSL 153.07, 0.72%, 0.48%

LAB 74.87, -59.77, 27.57

 

CMYK 84 / 0 / 15 / 18

HEX #22D2B2

RGB 34 210 178

HSL 169.09, 0.72%, 0.48%

LAB 75.85, -49.02, 4.04

 

CMYK 84 / 7 / 0 / 18

HEX #22C3D2

RGB 34 195 210

HSL 185.11, 0.72%, 0.48%

LAB 72.24, -33.23, -18.64

 

CMYK 84 / 30 / 0 / 18

HEX #2294D2

RGB 34 148 210

HSL 201.14, 0.72%, 0.48%

LAB 58.2, -8.79, -40.31

 

CMYK 84 / 52 / 0 / 18

HEX #2265D2

RGB 34 101 210

HSL 217.16, 0.72%, 0.48%

LAB 44.66, 19.95, -61.93

 

CMYK 84 / 7 / 0 / 45

HEX #16818B

RGB 22 129 139

HSL 185.13, 0.73%, 0.32%

LAB 49.17, -24.36, -13.55

 

CMYK 84 / 7 / 0 / 31

HEX #1CA2AF

RGB 28 162 175

HSL 185.31, 0.72%, 0.4%

LAB 60.94, -28.72, -16.4

 

CMYK 84 / 7 / 0 / 18

HEX #22C3D2

RGB 34 195 210

HSL 185.11, 0.72%, 0.48%

LAB 72.24, -33.23, -18.64

 

CMYK 72 / 6 / 0 / 13

HEX #3ED1DF

RGB 62 209 223

HSL 185.22, 0.72%, 0.56%

LAB 77.25, -33.27, -18.04

 

CMYK 58 / 5 / 0 / 10

HEX #61DAE5

RGB 97 218 229

HSL 185, 0.72%, 0.64%

LAB 80.93, -30.58, -15.63

 

CMYK 83 / 7 / 0 / 17

HEX #23C4D3

RGB 35 196 211

HSL 185.11, 0.72%, 0.48%

LAB 72.59, -33.32, -18.66

 

CMYK 60 / 84 / 0 / 18

HEX #5422D2

RGB 84 34 210

HSL 257.05, 0.72%, 0.48%

LAB 33.31, 62.73, -80.41

 

CMYK 0 / 27 / 84 / 18

HEX #D29A22

RGB 210 154 34

HSL 40.91, 0.72%, 0.48%

LAB 67.22, 10.98, 64.86

 

CMYK 83 / 7 / 0 / 17

HEX #23C4D3

RGB 35 196 211

HSL 185.11, 0.72%, 0.48%

LAB 72.59, -33.32, -18.66

 

CMYK 0 / 84 / 7 / 18

HEX #D222C3

RGB 210 34 195

HSL 305.11, 0.72%, 0.48%

LAB 50.44, 78.72, -43.08

 

CMYK 7 / 0 / 84 / 18

HEX #C3D222

RGB 195 210 34

HSL 65.11, 0.72%, 0.48%

LAB 80.63, -24.41, 75.61

 

CMYK 83 / 7 / 0 / 17

HEX #23C4D3

RGB 35 196 211

HSL 185.11, 0.72%, 0.48%

LAB 72.59, -33.32, -18.66

 

CMYK 60 / 84 / 0 / 18

HEX #5422D2

RGB 84 34 210

HSL 257.05, 0.72%, 0.48%

LAB 33.31, 62.73, -80.41

 

CMYK 0 / 77 / 84 / 18

HEX #D23022

RGB 210 48 34

HSL 4.77, 0.72%, 0.48%

LAB 46.88, 61.34, 47.24

 

CMYK 24 / 0 / 84 / 18

HEX #A0D222

RGB 160 210 34

HSL 77.05, 0.72%, 0.48%

LAB 78.28, -38.56, 72.67

 

CMYK 83 / 7 / 0 / 17

HEX #23C4D3

RGB 35 196 211

HSL 185.11, 0.72%, 0.48%

LAB 72.59, -33.32, -18.66

 

CMYK 35 / 84 / 0 / 18

HEX #8922D2

RGB 137 34 210

HSL 275.11, 0.72%, 0.48%

LAB 39.77, 68.99, -69.55

 

CMYK 0 / 77 / 84 / 18

HEX #D23022

RGB 210 48 34

HSL 4.77, 0.72%, 0.48%

LAB 46.88, 61.34, 47.24

 

CMYK 49 / 0 / 84 / 18

HEX #6BD222

RGB 107 210 34

HSL 95.11, 0.72%, 0.48%

LAB 75.66, -56.94, 69.37

 

Description

Color code: RGB 35 196 211 | qconv.com Color code: RGB 35 196 211 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 35 red, 196 green and 211 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
35 196 211 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 83 cyan, 7 magenta, none yellow and 17 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
83% 7% 0% 17% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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