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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 35 193 172 it is the complementary color RGB 220 62 83. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 35 193 172. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 35 193 172 shade: RGB 40 193 167, RGB 57 211 186, RGB 74 229 205, RGB 91 247 224 and RGB 108 255 243

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 35 193 172. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 35 193 172 shade: RGB 35 193 172, RGB 18 175 153, RGB 1 157 134, RGB 0 139 115 and RGB 0 121 96

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 35 193 172 shade: RGB 35 193 172, RGB 35 193 130, RGB 35 193 87, RGB 35 193 44 and RGB 69 193 35

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 35 193 172 shade: RGB 35 193 172, RGB 35 172 193, RGB 35 129 193, RGB 35 86 193 and RGB 35 44 193

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 35 193 172 shade matches the following richer shades: RGB 35 193 172 and RGB 17 212 186

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 35 193 172 shade: RGB 35 193 172, RGB 54 175 159, RGB 72 156 145, RGB 91 138 131 and RGB 109 119 118

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 35 193 172 shade: RGB 35 193 88, RGB 35 193 130, RGB 35 193 172, RGB 35 172 193 and RGB 35 130 193

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 35 193 172 shade: RGB 22 124 110, RGB 29 159 141, RGB 35 193 172, RGB 52 217 195 and RGB 87 224 206

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 35 193 172 shade: RGB 35 193 172, RGB 46 35 193 and RGB 193 109 35

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 35 193 172 shade: RGB 35 193 172, RGB 172 35 193 and RGB 193 172 35

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 35 193 172 shade: RGB 35 193 172, RGB 46 35 193, RGB 193 35 56 and RGB 183 193 35

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 35 193 172 shade: RGB 35 193 172, RGB 93 35 193, RGB 193 35 56 and RGB 135 193 35

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 82 / 0 / 11 / 24

HEX #23C1AC

RGB 35 193 172

HSL 172.03, 0.69%, 0.45%

LAB 70.51, -43.35, -0.48

 

Complementary color

CMYK 0 / 72 / 62 / 14

HEX #DC3E53

RGB 220 62 83

HSL 352.03, 0.69%, 0.55%

LAB 51.02, 61.83, 24.79

 

CMYK 79 / 0 / 13 / 24

HEX #28C1A7

RGB 40 193 167

HSL 169.8, 0.66%, 0.46%

LAB 70.44, -44.24, 2.16

 

CMYK 73 / 0 / 12 / 17

HEX #39D3BA

RGB 57 211 186

HSL 170.26, 0.64%, 0.53%

LAB 76.68, -45.09, 0.98

 

CMYK 68 / 0 / 10 / 10

HEX #4AE5CD

RGB 74 229 205

HSL 170.71, 0.75%, 0.59%

LAB 82.86, -45.7, -0.08

 

CMYK 63 / 0 / 9 / 3

HEX #5BF7E0

RGB 91 247 224

HSL 171.15, 0.91%, 0.66%

LAB 88.98, -46.13, -1.06

 

CMYK 58 / 0 / 5 / 0

HEX #6CFFF3

RGB 108 255 243

HSL 175.1, 1%, 0.71%

LAB 92.21, -42.03, -6.14

 

CMYK 82 / 0 / 11 / 24

HEX #23C1AC

RGB 35 193 172

HSL 172.03, 0.69%, 0.45%

LAB 70.51, -43.35, -0.48

 

CMYK 90 / 0 / 13 / 31

HEX #12AF99

RGB 18 175 153

HSL 171.59, 0.81%, 0.38%

LAB 64.23, -41.99, 0.81

 

CMYK 99 / 0 / 15 / 38

HEX #019D86

RGB 1 157 134

HSL 171.15, 0.99%, 0.31%

LAB 57.89, -40.27, 2.24

 

CMYK 100 / 0 / 17 / 45

HEX #008B73

RGB 0 139 115

HSL 169.64, 1%, 0.27%

LAB 51.5, -37.86, 3.89

 

CMYK 100 / 0 / 21 / 53

HEX #007960

RGB 0 121 96

HSL 167.6, 1%, 0.24%

LAB 44.97, -35.33, 5.64

 

CMYK 82 / 0 / 11 / 24

HEX #23C1AC

RGB 35 193 172

HSL 172.03, 0.69%, 0.45%

LAB 70.51, -43.35, -0.48

 

CMYK 82 / 0 / 33 / 24

HEX #23C182

RGB 35 193 130

HSL 156.08, 0.69%, 0.45%

LAB 69.55, -53.62, 20.91

 

CMYK 82 / 0 / 55 / 24

HEX #23C157

RGB 35 193 87

HSL 139.75, 0.69%, 0.45%

LAB 68.89, -61.31, 42.04

 

CMYK 82 / 0 / 77 / 24

HEX #23C12C

RGB 35 193 44

HSL 123.42, 0.69%, 0.45%

LAB 68.52, -65.83, 59.31

 

CMYK 64 / 0 / 82 / 24

HEX #45C123

RGB 69 193 35

HSL 107.09, 0.69%, 0.45%

LAB 69.13, -60.75, 62.77

 

CMYK 82 / 0 / 11 / 24

HEX #23C1AC

RGB 35 193 172

HSL 172.03, 0.69%, 0.45%

LAB 70.51, -43.35, -0.48

 

CMYK 82 / 11 / 0 / 24

HEX #23ACC1

RGB 35 172 193

HSL 187.97, 0.69%, 0.45%

LAB 64.73, -27.33, -20.7

 

CMYK 82 / 33 / 0 / 24

HEX #2381C1

RGB 35 129 193

HSL 204.3, 0.69%, 0.45%

LAB 51.73, -3.93, -40.88

 

CMYK 82 / 55 / 0 / 24

HEX #2356C1

RGB 35 86 193

HSL 220.63, 0.69%, 0.45%

LAB 39.35, 23.24, -60.73

 

CMYK 82 / 77 / 0 / 24

HEX #232CC1

RGB 35 44 193

HSL 236.58, 0.69%, 0.45%

LAB 29.44, 49.43, -77.01

 

CMYK 82 / 0 / 11 / 24

HEX #23C1AC

RGB 35 193 172

HSL 172.03, 0.69%, 0.45%

LAB 70.51, -43.35, -0.48

 

CMYK 92 / 0 / 12 / 17

HEX #11D4BA

RGB 17 212 186

HSL 172, 0.85%, 0.45%

LAB 76.53, -48.7, 0.7

 

CMYK 82 / 0 / 11 / 24

HEX #23C1AC

RGB 35 193 172

HSL 172.03, 0.69%, 0.45%

LAB 70.51, -43.35, -0.48

 

CMYK 69 / 0 / 9 / 31

HEX #36AF9F

RGB 54 175 159

HSL 172.07, 0.53%, 0.45%

LAB 64.92, -36.73, -1.46

 

CMYK 54 / 0 / 7 / 39

HEX #489C91

RGB 72 156 145

HSL 172.14, 0.37%, 0.45%

LAB 59.16, -28.2, -1.99

 

CMYK 34 / 0 / 5 / 46

HEX #5B8A83

RGB 91 138 131

HSL 171.06, 0.21%, 0.45%

LAB 54.07, -17.58, -1.34

 

CMYK 8 / 0 / 1 / 53

HEX #6D7776

RGB 109 119 118

HSL 174, 0.04%, 0.45%

LAB 49.19, -3.94, -0.74

 

CMYK 82 / 0 / 54 / 24

HEX #23C158

RGB 35 193 88

HSL 140.13, 0.69%, 0.45%

LAB 68.9, -61.17, 41.58

 

CMYK 82 / 0 / 33 / 24

HEX #23C182

RGB 35 193 130

HSL 156.08, 0.69%, 0.45%

LAB 69.55, -53.62, 20.91

 

CMYK 82 / 0 / 11 / 24

HEX #23C1AC

RGB 35 193 172

HSL 172.03, 0.69%, 0.45%

LAB 70.51, -43.35, -0.48

 

CMYK 82 / 11 / 0 / 24

HEX #23ACC1

RGB 35 172 193

HSL 187.97, 0.69%, 0.45%

LAB 64.73, -27.33, -20.7

 

CMYK 82 / 33 / 0 / 24

HEX #2382C1

RGB 35 130 193

HSL 203.92, 0.69%, 0.45%

LAB 52.03, -4.52, -40.41

 

CMYK 82 / 0 / 11 / 51

HEX #167C6E

RGB 22 124 110

HSL 171.76, 0.7%, 0.29%

LAB 46.59, -31.01, -0.28

 

CMYK 82 / 0 / 11 / 38

HEX #1D9F8D

RGB 29 159 141

HSL 171.69, 0.69%, 0.37%

LAB 58.96, -37.49, -0.14

 

CMYK 82 / 0 / 11 / 24

HEX #23C1AC

RGB 35 193 172

HSL 172.03, 0.69%, 0.45%

LAB 70.51, -43.35, -0.48

 

CMYK 76 / 0 / 10 / 15

HEX #34D9C3

RGB 52 217 195

HSL 172, 0.68%, 0.53%

LAB 78.63, -45.88, -1

 

CMYK 61 / 0 / 8 / 12

HEX #57E0CE

RGB 87 224 206

HSL 172.12, 0.69%, 0.61%

LAB 81.73, -41.22, -2.24

 

CMYK 82 / 0 / 11 / 24

HEX #23C1AC

RGB 35 193 172

HSL 172.03, 0.69%, 0.45%

LAB 70.51, -43.35, -0.48

 

CMYK 76 / 82 / 0 / 24

HEX #2E23C1

RGB 46 35 193

HSL 244.18, 0.69%, 0.45%

LAB 28.47, 54.57, -78.59

 

CMYK 0 / 44 / 82 / 24

HEX #C16D23

RGB 193 109 35

HSL 28.1, 0.69%, 0.45%

LAB 54.44, 28.12, 52.57

 

CMYK 82 / 0 / 11 / 24

HEX #23C1AC

RGB 35 193 172

HSL 172.03, 0.69%, 0.45%

LAB 70.51, -43.35, -0.48

 

CMYK 11 / 82 / 0 / 24

HEX #AC23C1

RGB 172 35 193

HSL 292.03, 0.69%, 0.45%

LAB 43.98, 71.13, -52.6

 

CMYK 0 / 11 / 82 / 24

HEX #C1AC23

RGB 193 172 35

HSL 52.03, 0.69%, 0.45%

LAB 70.15, -6.1, 66.39

 

CMYK 82 / 0 / 11 / 24

HEX #23C1AC

RGB 35 193 172

HSL 172.03, 0.69%, 0.45%

LAB 70.51, -43.35, -0.48

 

CMYK 76 / 82 / 0 / 24

HEX #2E23C1

RGB 46 35 193

HSL 244.18, 0.69%, 0.45%

LAB 28.47, 54.57, -78.59

 

CMYK 0 / 82 / 71 / 24

HEX #C12338

RGB 193 35 56

HSL 352.03, 0.69%, 0.45%

LAB 42.5, 60.81, 29.29

 

CMYK 5 / 0 / 82 / 24

HEX #B7C123

RGB 183 193 35

HSL 63.8, 0.69%, 0.45%

LAB 75.03, -21.14, 70.26

 

CMYK 82 / 0 / 11 / 24

HEX #23C1AC

RGB 35 193 172

HSL 172.03, 0.69%, 0.45%

LAB 70.51, -43.35, -0.48

 

CMYK 52 / 82 / 0 / 24

HEX #5D23C1

RGB 93 35 193

HSL 262.03, 0.69%, 0.45%

LAB 32.66, 58.91, -71.53

 

CMYK 0 / 82 / 71 / 24

HEX #C12338

RGB 193 35 56

HSL 352.03, 0.69%, 0.45%

LAB 42.5, 60.81, 29.29

 

CMYK 30 / 0 / 82 / 24

HEX #87C123

RGB 135 193 35

HSL 82.03, 0.69%, 0.45%

LAB 71.83, -40.58, 66.22

 

Description

Color code: RGB 35 193 172 | qconv.com Color code: RGB 35 193 172 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 35 red, 193 green and 172 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
35 193 172 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 82 cyan, none magenta, 11 yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
82% 0% 11% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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