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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 35 157 130 it is the complementary color RGB 220 98 125. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 35 157 130. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 35 157 130 shade: RGB 40 157 125, RGB 57 175 144, RGB 74 193 163, RGB 91 211 182 and RGB 108 229 201

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 35 157 130. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 35 157 130 shade: RGB 35 157 130, RGB 18 139 111, RGB 1 121 92, RGB 0 103 73 and RGB 0 85 54

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 35 157 130 shade: RGB 34 158 131, RGB 34 158 98, RGB 34 158 64, RGB 38 158 34 and RGB 72 158 34

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 35 157 130 shade: RGB 34 158 131, RGB 34 152 158, RGB 34 119 158, RGB 34 86 158 and RGB 34 52 158

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 35 157 130 shade matches the following richer shades: RGB 34 158 131, RGB 19 174 140 and RGB 3 190 148

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 35 157 130 shade: RGB 34 158 131, RGB 50 143 122, RGB 66 127 113, RGB 81 111 105 and RGB 97 96 96

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 35 157 130 shade: RGB 34 158 63, RGB 34 158 96, RGB 34 158 129, RGB 34 154 158 and RGB 34 121 158

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 35 157 130 shade: RGB 20 91 75, RGB 27 125 103, RGB 34 158 131, RGB 42 192 159 and RGB 63 212 179

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 35 157 130 shade: RGB 35 157 130, RGB 34 39 158 and RGB 158 80 34

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 35 157 130 shade: RGB 35 157 130, RGB 129 34 158 and RGB 158 129 34

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 35 157 130 shade: RGB 35 157 130, RGB 34 39 158, RGB 158 34 63 and RGB 158 154 34

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 35 157 130 shade: RGB 35 157 130, RGB 67 34 158, RGB 158 34 63 and RGB 125 158 34

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 78 / 0 / 17 / 38

HEX #239D82

RGB 35 157 130

HSL 166.72, 0.64%, 0.38%

LAB 58.12, -38.98, 4.88

 

Complementary color

CMYK 0 / 55 / 43 / 14

HEX #DC627D

RGB 220 98 125

HSL 346.72, 0.64%, 0.62%

LAB 57.49, 50.21, 8.77

 

CMYK 75 / 0 / 20 / 38

HEX #289D7D

RGB 40 157 125

HSL 163.59, 0.59%, 0.39%

LAB 58.08, -39.64, 7.67

 

CMYK 67 / 0 / 18 / 31

HEX #39AF90

RGB 57 175 144

HSL 164.24, 0.51%, 0.45%

LAB 64.6, -40.17, 6.41

 

CMYK 62 / 0 / 16 / 24

HEX #4AC1A3

RGB 74 193 163

HSL 164.87, 0.49%, 0.52%

LAB 71.04, -40.48, 5.29

 

CMYK 57 / 0 / 14 / 17

HEX #5BD3B6

RGB 91 211 182

HSL 165.5, 0.58%, 0.59%

LAB 77.39, -40.62, 4.26

 

CMYK 53 / 0 / 12 / 10

HEX #6CE5C9

RGB 108 229 201

HSL 166.12, 0.7%, 0.66%

LAB 83.68, -40.67, 3.33

 

CMYK 78 / 0 / 17 / 38

HEX #239D82

RGB 35 157 130

HSL 166.72, 0.64%, 0.38%

LAB 58.12, -38.98, 4.88

 

CMYK 87 / 0 / 20 / 45

HEX #128B6F

RGB 18 139 111

HSL 166.12, 0.77%, 0.31%

LAB 51.54, -37.88, 6.29

 

CMYK 99 / 0 / 24 / 53

HEX #01795C

RGB 1 121 92

HSL 165.5, 0.98%, 0.24%

LAB 44.88, -36.36, 7.88

 

CMYK 100 / 0 / 29 / 60

HEX #006749

RGB 0 103 73

HSL 162.52, 1%, 0.2%

LAB 38.17, -33.81, 9.8

 

CMYK 100 / 0 / 36 / 67

HEX #005536

RGB 0 85 54

HSL 158.12, 1%, 0.17%

LAB 31.26, -31.05, 11.88

 

CMYK 78 / 0 / 17 / 38

HEX #229E83

RGB 34 158 131

HSL 166.94, 0.65%, 0.38%

LAB 58.45, -39.26, 4.79

 

CMYK 78 / 0 / 38 / 38

HEX #229E62

RGB 34 158 98

HSL 150.97, 0.65%, 0.38%

LAB 57.73, -47.04, 22.21

 

CMYK 78 / 0 / 59 / 38

HEX #229E40

RGB 34 158 64

HSL 134.52, 0.65%, 0.38%

LAB 57.23, -52.8, 39.21

 

CMYK 76 / 0 / 78 / 38

HEX #269E22

RGB 38 158 34

HSL 118.06, 0.65%, 0.38%

LAB 57.06, -55.22, 51.44

 

CMYK 54 / 0 / 78 / 38

HEX #489E22

RGB 72 158 34

HSL 101.61, 0.65%, 0.38%

LAB 57.99, -47.58, 52.65

 

CMYK 78 / 0 / 17 / 38

HEX #229E83

RGB 34 158 131

HSL 166.94, 0.65%, 0.38%

LAB 58.45, -39.26, 4.79

 

CMYK 78 / 4 / 0 / 38

HEX #22989E

RGB 34 152 158

HSL 182.9, 0.65%, 0.38%

LAB 57.33, -28.64, -12.21

 

CMYK 78 / 25 / 0 / 38

HEX #22779E

RGB 34 119 158

HSL 198.87, 0.65%, 0.38%

LAB 46.98, -11.04, -28.07

 

CMYK 78 / 46 / 0 / 38

HEX #22569E

RGB 34 86 158

HSL 214.84, 0.65%, 0.38%

LAB 36.86, 9.43, -44.06

 

CMYK 78 / 67 / 0 / 38

HEX #22349E

RGB 34 52 158

HSL 231.29, 0.65%, 0.38%

LAB 27.48, 32.27, -59.3

 

CMYK 78 / 0 / 17 / 38

HEX #229E83

RGB 34 158 131

HSL 166.94, 0.65%, 0.38%

LAB 58.45, -39.26, 4.79

 

CMYK 89 / 0 / 20 / 32

HEX #13AE8C

RGB 19 174 140

HSL 166.84, 0.8%, 0.38%

LAB 63.59, -45, 7.11

 

CMYK 98 / 0 / 22 / 25

HEX #03BE94

RGB 3 190 148

HSL 166.52, 0.97%, 0.38%

LAB 68.74, -50.13, 10.04

 

CMYK 78 / 0 / 17 / 38

HEX #229E83

RGB 34 158 131

HSL 166.94, 0.65%, 0.38%

LAB 58.45, -39.26, 4.79

 

CMYK 65 / 0 / 15 / 44

HEX #328F7A

RGB 50 143 122

HSL 166.45, 0.48%, 0.38%

LAB 53.74, -32.5, 3.17

 

CMYK 48 / 0 / 11 / 50

HEX #427F71

RGB 66 127 113

HSL 166.23, 0.32%, 0.38%

LAB 48.92, -23.43, 1.5

 

CMYK 27 / 0 / 5 / 56

HEX #516F69

RGB 81 111 105

HSL 168, 0.16%, 0.38%

LAB 44.43, -12.27, -0.2

 

CMYK 0 / 1 / 1 / 62

HEX #616060

RGB 97 96 96

HSL 0, 0.01%, 0.38%

LAB 40.82, 0.4, 0.13

 

CMYK 78 / 0 / 60 / 38

HEX #229E3F

RGB 34 158 63

HSL 134.03, 0.65%, 0.38%

LAB 57.22, -52.93, 39.68

 

CMYK 78 / 0 / 39 / 38

HEX #229E60

RGB 34 158 96

HSL 150, 0.65%, 0.38%

LAB 57.69, -47.45, 23.25

 

CMYK 78 / 0 / 18 / 38

HEX #229E81

RGB 34 158 129

HSL 165.97, 0.65%, 0.38%

LAB 58.39, -39.79, 5.84

 

CMYK 78 / 3 / 0 / 38

HEX #229A9E

RGB 34 154 158

HSL 181.94, 0.65%, 0.38%

LAB 57.96, -29.62, -11.26

 

CMYK 78 / 23 / 0 / 38

HEX #22799E

RGB 34 121 158

HSL 197.9, 0.65%, 0.38%

LAB 47.6, -12.19, -27.09

 

CMYK 78 / 0 / 18 / 64

HEX #145B4B

RGB 20 91 75

HSL 166.48, 0.64%, 0.22%

LAB 34.27, -25.67, 3.09

 

CMYK 78 / 0 / 18 / 51

HEX #1B7D67

RGB 27 125 103

HSL 166.53, 0.64%, 0.3%

LAB 46.82, -32.89, 4.2

 

CMYK 78 / 0 / 17 / 38

HEX #229E83

RGB 34 158 131

HSL 166.94, 0.65%, 0.38%

LAB 58.45, -39.26, 4.79

 

CMYK 78 / 0 / 17 / 25

HEX #2AC09F

RGB 42 192 159

HSL 166.8, 0.64%, 0.46%

LAB 69.96, -45.69, 5.83

 

CMYK 70 / 0 / 16 / 17

HEX #3FD4B3

RGB 63 212 179

HSL 166.71, 0.63%, 0.54%

LAB 76.92, -46.52, 5.1

 

CMYK 78 / 0 / 17 / 38

HEX #239D82

RGB 35 157 130

HSL 166.72, 0.64%, 0.38%

LAB 58.12, -38.98, 4.88

 

CMYK 78 / 75 / 0 / 38

HEX #22279E

RGB 34 39 158

HSL 237.58, 0.65%, 0.38%

LAB 24.51, 40.38, -64.18

 

CMYK 0 / 49 / 78 / 38

HEX #9E5022

RGB 158 80 34

HSL 22.26, 0.65%, 0.38%

LAB 42.95, 29.05, 40.32

 

CMYK 78 / 0 / 17 / 38

HEX #239D82

RGB 35 157 130

HSL 166.72, 0.64%, 0.38%

LAB 58.12, -38.98, 4.88

 

CMYK 18 / 78 / 0 / 38

HEX #81229E

RGB 129 34 158

HSL 285.97, 0.65%, 0.38%

LAB 34.56, 56.98, -47.33

 

CMYK 0 / 18 / 78 / 38

HEX #9E8122

RGB 158 129 34

HSL 45.97, 0.65%, 0.38%

LAB 55.16, 1.38, 52.05

 

CMYK 78 / 0 / 17 / 38

HEX #239D82

RGB 35 157 130

HSL 166.72, 0.64%, 0.38%

LAB 58.12, -38.98, 4.88

 

CMYK 78 / 75 / 0 / 38

HEX #22279E

RGB 34 39 158

HSL 237.58, 0.65%, 0.38%

LAB 24.51, 40.38, -64.18

 

CMYK 0 / 78 / 60 / 38

HEX #9E223F

RGB 158 34 63

HSL 345.97, 0.65%, 0.38%

LAB 35.54, 51.42, 14.6

 

CMYK 0 / 3 / 78 / 38

HEX #9E9A22

RGB 158 154 34

HSL 58.06, 0.65%, 0.38%

LAB 62.08, -12.2, 58.38

 

CMYK 78 / 0 / 17 / 38

HEX #239D82

RGB 35 157 130

HSL 166.72, 0.64%, 0.38%

LAB 58.12, -38.98, 4.88

 

CMYK 58 / 78 / 0 / 38

HEX #43229E

RGB 67 34 158

HSL 255.97, 0.65%, 0.38%

LAB 26.17, 46.6, -61.35

 

CMYK 0 / 78 / 60 / 38

HEX #9E223F

RGB 158 34 63

HSL 345.97, 0.65%, 0.38%

LAB 35.54, 51.42, 14.6

 

CMYK 21 / 0 / 78 / 38

HEX #7D9E22

RGB 125 158 34

HSL 75.97, 0.65%, 0.38%

LAB 60.72, -28.54, 56.2

 

Description

Color code: RGB 35 157 130 | qconv.com Color code: RGB 35 157 130 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 35 red, 157 green and 130 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
35 157 130 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 78 cyan, none magenta, 17 yellow and 38 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
78% 0% 17% 38% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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