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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 35 71 173 it is the complementary color RGB 220 184 82. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 35 71 173. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 35 71 173 shade: RGB 40 71 168, RGB 57 89 187, RGB 74 107 206, RGB 91 125 225 and RGB 108 143 244

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 35 71 173. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 35 71 173 shade: RGB 35 71 173, RGB 18 53 154, RGB 1 35 135, RGB 0 17 116 and RGB 0 0 97

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 35 71 173 shade: RGB 35 71 173, RGB 36 35 173, RGB 73 35 173, RGB 111 35 173 and RGB 148 35 173

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 35 71 173 shade: RGB 35 71 173 and RGB 35 35 173

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 35 71 173 shade matches the following richer shades: RGB 35 71 173, RGB 18 63 190 and RGB 1 55 207

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 35 71 173 shade: RGB 35 71 173, RGB 52 79 156, RGB 69 87 139, RGB 86 95 122 and RGB 103 103 105

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 35 71 173 shade: RGB 35 145 173, RGB 35 109 173, RGB 35 72 173, RGB 35 35 173 and RGB 72 35 173

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 35 71 173 shade: RGB 21 43 105, RGB 28 57 139, RGB 35 71 173, RGB 42 85 207 and RGB 73 111 217

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 35 71 173 shade: RGB 35 71 173, RGB 164 35 173 and RGB 127 173 35

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 35 71 173 shade: RGB 35 71 173, RGB 173 35 72 and RGB 72 173 35

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 35 71 173 shade: RGB 35 71 173, RGB 164 35 173, RGB 173 136 35 and RGB 44 173 35

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 35 71 173 shade: RGB 35 71 173, RGB 173 35 141, RGB 173 136 35 and RGB 35 173 67

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 80 / 59 / 0 / 32

HEX #2347AD

RGB 35 71 173

HSL 224.35, 0.66%, 0.41%

LAB 33.73, 25.46, -58.09

 

Complementary color

CMYK 0 / 16 / 63 / 14

HEX #DCB852

RGB 220 184 82

HSL 44.35, 0.66%, 0.59%

LAB 76.13, 1.54, 55.3

 

CMYK 76 / 58 / 0 / 34

HEX #2847A8

RGB 40 71 168

HSL 225.47, 0.62%, 0.41%

LAB 33.53, 24.08, -55.43

 

CMYK 70 / 52 / 0 / 27

HEX #3959BB

RGB 57 89 187

HSL 225.23, 0.53%, 0.48%

LAB 40.58, 21.63, -55.2

 

CMYK 64 / 48 / 0 / 19

HEX #4A6BCE

RGB 74 107 206

HSL 225, 0.57%, 0.55%

LAB 47.53, 19.65, -54.93

 

CMYK 60 / 44 / 0 / 12

HEX #5B7DE1

RGB 91 125 225

HSL 224.78, 0.69%, 0.62%

LAB 54.37, 18.04, -54.68

 

CMYK 56 / 41 / 0 / 4

HEX #6C8FF4

RGB 108 143 244

HSL 224.56, 0.86%, 0.69%

LAB 61.1, 16.71, -54.45

 

CMYK 80 / 59 / 0 / 32

HEX #2347AD

RGB 35 71 173

HSL 224.35, 0.66%, 0.41%

LAB 33.73, 25.46, -58.09

 

CMYK 88 / 66 / 0 / 40

HEX #12359A

RGB 18 53 154

HSL 224.56, 0.79%, 0.34%

LAB 26.76, 28.77, -58.07

 

CMYK 99 / 74 / 0 / 47

HEX #012387

RGB 1 35 135

HSL 224.78, 0.99%, 0.27%

LAB 19.87, 32.55, -57.65

 

CMYK 100 / 85 / 0 / 55

HEX #001174

RGB 0 17 116

HSL 231.21, 1%, 0.23%

LAB 13.6, 36.39, -55.95

 

CMYK 100 / 100 / 0 / 62

HEX #000061

RGB 0 0 97

HSL 240, 1%, 0.19%

LAB 7.8, 39.01, -53.13

 

CMYK 80 / 59 / 0 / 32

HEX #2347AD

RGB 35 71 173

HSL 224.35, 0.66%, 0.41%

LAB 33.73, 25.46, -58.09

 

CMYK 79 / 80 / 0 / 32

HEX #2423AD

RGB 36 35 173

HSL 240.43, 0.66%, 0.41%

LAB 25.55, 47.73, -71.55

 

CMYK 58 / 80 / 0 / 32

HEX #4923AD

RGB 73 35 173

HSL 256.52, 0.66%, 0.41%

LAB 28.47, 51.16, -66.62

 

CMYK 36 / 80 / 0 / 32

HEX #6F23AD

RGB 111 35 173

HSL 273.04, 0.66%, 0.41%

LAB 33.13, 56.61, -58.8

 

CMYK 14 / 80 / 0 / 32

HEX #9423AD

RGB 148 35 173

HSL 289.13, 0.66%, 0.41%

LAB 38.75, 63.15, -49.43

 

CMYK 80 / 59 / 0 / 32

HEX #2347AD

RGB 35 71 173

HSL 224.35, 0.66%, 0.41%

LAB 33.73, 25.46, -58.09

 

CMYK 80 / 80 / 0 / 32

HEX #2323AD

RGB 35 35 173

HSL 240, 0.66%, 0.41%

LAB 25.49, 47.67, -71.64

 

CMYK 80 / 59 / 0 / 32

HEX #2347AD

RGB 35 71 173

HSL 224.35, 0.66%, 0.41%

LAB 33.73, 25.46, -58.09

 

CMYK 91 / 67 / 0 / 25

HEX #123FBE

RGB 18 63 190

HSL 224.3, 0.83%, 0.41%

LAB 32.7, 36.08, -69.86

 

CMYK 100 / 73 / 0 / 19

HEX #0137CF

RGB 1 55 207

HSL 224.27, 0.99%, 0.41%

LAB 32.36, 46.79, -80.38

 

CMYK 80 / 59 / 0 / 32

HEX #2347AD

RGB 35 71 173

HSL 224.35, 0.66%, 0.41%

LAB 33.73, 25.46, -58.09

 

CMYK 67 / 49 / 0 / 39

HEX #344F9C

RGB 52 79 156

HSL 224.42, 0.5%, 0.41%

LAB 35.44, 15.96, -45.1

 

CMYK 50 / 37 / 0 / 45

HEX #45578B

RGB 69 87 139

HSL 224.57, 0.34%, 0.41%

LAB 37.74, 8.43, -31.08

 

CMYK 30 / 22 / 0 / 52

HEX #565F7A

RGB 86 95 122

HSL 225, 0.17%, 0.41%

LAB 40.52, 3.26, -16.32

 

CMYK 2 / 2 / 0 / 59

HEX #676769

RGB 103 103 105

HSL 240, 0.01%, 0.41%

LAB 43.66, 0.42, -1.13

 

CMYK 80 / 16 / 0 / 32

HEX #2391AD

RGB 35 145 173

HSL 192.17, 0.66%, 0.41%

LAB 55.71, -20.06, -23.24

 

CMYK 80 / 37 / 0 / 32

HEX #236DAD

RGB 35 109 173

HSL 207.83, 0.66%, 0.41%

LAB 44.68, 0.65, -40.48

 

CMYK 80 / 58 / 0 / 32

HEX #2348AD

RGB 35 72 173

HSL 223.91, 0.66%, 0.41%

LAB 34, 24.79, -57.65

 

CMYK 80 / 80 / 0 / 32

HEX #2323AD

RGB 35 35 173

HSL 240, 0.66%, 0.41%

LAB 25.49, 47.67, -71.64

 

CMYK 58 / 80 / 0 / 32

HEX #4823AD

RGB 72 35 173

HSL 256.09, 0.66%, 0.41%

LAB 28.37, 51.04, -66.79

 

CMYK 80 / 59 / 0 / 59

HEX #152B69

RGB 21 43 105

HSL 224.29, 0.67%, 0.25%

LAB 19.67, 16.06, -38.79

 

CMYK 80 / 59 / 0 / 45

HEX #1C398B

RGB 28 57 139

HSL 224.32, 0.66%, 0.33%

LAB 26.84, 20.88, -48.69

 

CMYK 80 / 59 / 0 / 32

HEX #2347AD

RGB 35 71 173

HSL 224.35, 0.66%, 0.41%

LAB 33.73, 25.46, -58.09

 

CMYK 80 / 59 / 0 / 19

HEX #2A55CF

RGB 42 85 207

HSL 224.36, 0.66%, 0.49%

LAB 40.4, 29.86, -67.12

 

CMYK 66 / 49 / 0 / 15

HEX #496FD9

RGB 73 111 217

HSL 224.17, 0.65%, 0.57%

LAB 49.25, 20.83, -58.44

 

CMYK 80 / 59 / 0 / 32

HEX #2347AD

RGB 35 71 173

HSL 224.35, 0.66%, 0.41%

LAB 33.73, 25.46, -58.09

 

CMYK 5 / 80 / 0 / 32

HEX #A423AD

RGB 164 35 173

HSL 296.09, 0.66%, 0.41%

LAB 41.39, 66.23, -45.04

 

CMYK 27 / 0 / 80 / 32

HEX #7FAD23

RGB 127 173 35

HSL 80, 0.66%, 0.41%

LAB 65.37, -34.72, 60.22

 

CMYK 80 / 59 / 0 / 32

HEX #2347AD

RGB 35 71 173

HSL 224.35, 0.66%, 0.41%

LAB 33.73, 25.46, -58.09

 

CMYK 0 / 80 / 58 / 32

HEX #AD2348

RGB 173 35 72

HSL 343.91, 0.66%, 0.41%

LAB 38.82, 56.09, 13.77

 

CMYK 58 / 0 / 80 / 32

HEX #48AD23

RGB 72 173 35

HSL 103.91, 0.66%, 0.41%

LAB 62.83, -53.09, 56.94

 

CMYK 80 / 59 / 0 / 32

HEX #2347AD

RGB 35 71 173

HSL 224.35, 0.66%, 0.41%

LAB 33.73, 25.46, -58.09

 

CMYK 5 / 80 / 0 / 32

HEX #A423AD

RGB 164 35 173

HSL 296.09, 0.66%, 0.41%

LAB 41.39, 66.23, -45.04

 

CMYK 0 / 21 / 80 / 32

HEX #AD8823

RGB 173 136 35

HSL 43.91, 0.66%, 0.41%

LAB 58.62, 4.37, 55.44

 

CMYK 75 / 0 / 80 / 32

HEX #2CAD23

RGB 44 173 35

HSL 116.09, 0.66%, 0.41%

LAB 62.12, -59.02, 56.02

 

CMYK 80 / 59 / 0 / 32

HEX #2347AD

RGB 35 71 173

HSL 224.35, 0.66%, 0.41%

LAB 33.73, 25.46, -58.09

 

CMYK 0 / 80 / 18 / 32

HEX #AD238D

RGB 173 35 141

HSL 313.91, 0.66%, 0.41%

LAB 41.23, 63.27, -25.92

 

CMYK 0 / 21 / 80 / 32

HEX #AD8823

RGB 173 136 35

HSL 43.91, 0.66%, 0.41%

LAB 58.62, 4.37, 55.44

 

CMYK 80 / 0 / 61 / 32

HEX #23AD43

RGB 35 173 67

HSL 133.91, 0.66%, 0.41%

LAB 62.21, -57.35, 43.57

 

Description

Color code: RGB 35 71 173 | qconv.com Color code: RGB 35 71 173 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 35 red, 71 green and 173 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
35 71 173 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 80 cyan, 59 magenta, none yellow and 32 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
80% 59% 0% 32% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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