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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 35 54 171 it is the complementary color RGB 220 201 84. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 35 54 171. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 35 54 171 shade: RGB 40 54 166, RGB 57 72 185, RGB 74 90 204, RGB 91 108 223 and RGB 108 126 242

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 35 54 171. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 35 54 171 shade: RGB 35 54 171, RGB 18 36 152, RGB 1 18 133, RGB 0 0 114 and RGB 0 0 95

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 35 54 171 shade: RGB 34 53 169, RGB 52 34 169, RGB 88 34 169, RGB 124 34 169 and RGB 161 34 169

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 35 54 171 shade: RGB 34 53 169 and RGB 34 34 169

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 35 54 171 shade matches the following richer shades: RGB 34 53 169, RGB 18 41 185 and RGB 1 29 202

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 35 54 171 shade: RGB 34 53 169, RGB 51 65 152, RGB 67 77 136, RGB 84 89 119 and RGB 100 101 103

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 35 54 171 shade: RGB 34 126 169, RGB 34 90 169, RGB 34 54 169, RGB 50 34 169 and RGB 86 34 169

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 35 54 171 shade: RGB 20 31 100, RGB 27 42 135, RGB 34 53 169, RGB 41 64 203 and RGB 69 90 217

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 35 54 171 shade: RGB 35 54 171, RGB 169 34 162 and RGB 108 169 34

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 35 54 171 shade: RGB 35 54 171, RGB 169 34 54 and RGB 54 169 34

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 35 54 171 shade: RGB 35 54 171, RGB 169 34 162, RGB 169 149 34 and RGB 34 169 41

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 35 54 171 shade: RGB 35 54 171, RGB 169 34 122, RGB 169 149 34 and RGB 34 169 81

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 80 / 68 / 0 / 33

HEX #2336AB

RGB 35 54 171

HSL 231.62, 0.66%, 0.4%

LAB 29.25, 35.88, -64.24

 

Complementary color

CMYK 0 / 9 / 62 / 14

HEX #DCC954

RGB 220 201 84

HSL 51.62, 0.66%, 0.6%

LAB 80.53, -7.14, 59.23

 

CMYK 76 / 67 / 0 / 35

HEX #2836A6

RGB 40 54 166

HSL 233.33, 0.61%, 0.4%

LAB 29.01, 34.53, -61.61

 

CMYK 69 / 61 / 0 / 27

HEX #3948B9

RGB 57 72 185

HSL 232.97, 0.53%, 0.47%

LAB 36, 31.9, -61.46

 

CMYK 64 / 56 / 0 / 20

HEX #4A5ACC

RGB 74 90 204

HSL 232.62, 0.56%, 0.55%

LAB 42.96, 29.68, -61.17

 

CMYK 59 / 52 / 0 / 13

HEX #5B6CDF

RGB 91 108 223

HSL 232.27, 0.67%, 0.62%

LAB 49.83, 27.81, -60.84

 

CMYK 55 / 48 / 0 / 5

HEX #6C7EF2

RGB 108 126 242

HSL 231.94, 0.84%, 0.69%

LAB 56.61, 26.23, -60.53

 

CMYK 80 / 68 / 0 / 33

HEX #2336AB

RGB 35 54 171

HSL 231.62, 0.66%, 0.4%

LAB 29.25, 35.88, -64.24

 

CMYK 88 / 76 / 0 / 40

HEX #122498

RGB 18 36 152

HSL 231.94, 0.79%, 0.33%

LAB 22.5, 39, -63.85

 

CMYK 99 / 86 / 0 / 48

HEX #011285

RGB 1 18 133

HSL 232.27, 0.99%, 0.26%

LAB 16.17, 41.72, -62.55

 

CMYK 100 / 100 / 0 / 55

HEX #000072

RGB 0 0 114

HSL 240, 1%, 0.22%

LAB 10.67, 43.72, -59.55

 

CMYK 100 / 100 / 0 / 63

HEX #00005F

RGB 0 0 95

HSL 240, 1%, 0.19%

LAB 7.46, 38.4, -52.35

 

CMYK 80 / 69 / 0 / 34

HEX #2235A9

RGB 34 53 169

HSL 231.56, 0.67%, 0.4%

LAB 28.77, 35.69, -63.82

 

CMYK 69 / 80 / 0 / 34

HEX #3422A9

RGB 52 34 169

HSL 248, 0.67%, 0.4%

LAB 25.98, 48.22, -68.4

 

CMYK 48 / 80 / 0 / 34

HEX #5822A9

RGB 88 34 169

HSL 264, 0.67%, 0.4%

LAB 29.62, 52.49, -62.27

 

CMYK 27 / 80 / 0 / 34

HEX #7C22A9

RGB 124 34 169

HSL 280, 0.67%, 0.4%

LAB 34.59, 58.29, -53.95

 

CMYK 5 / 80 / 0 / 34

HEX #A122A9

RGB 161 34 169

HSL 296.44, 0.67%, 0.4%

LAB 40.55, 65.24, -44.04

 

CMYK 80 / 69 / 0 / 34

HEX #2235A9

RGB 34 53 169

HSL 231.56, 0.67%, 0.4%

LAB 28.77, 35.69, -63.82

 

CMYK 80 / 80 / 0 / 34

HEX #2222A9

RGB 34 34 169

HSL 240, 0.67%, 0.4%

LAB 24.79, 46.83, -70.4

 

CMYK 80 / 69 / 0 / 34

HEX #2235A9

RGB 34 53 169

HSL 231.56, 0.67%, 0.4%

LAB 28.77, 35.69, -63.82

 

CMYK 90 / 78 / 0 / 27

HEX #1229B9

RGB 18 41 185

HSL 231.74, 0.82%, 0.4%

LAB 27.34, 47.62, -75.76

 

CMYK 100 / 86 / 0 / 21

HEX #011DCA

RGB 1 29 202

HSL 231.64, 0.99%, 0.4%

LAB 27.16, 58.47, -86.1

 

CMYK 80 / 69 / 0 / 34

HEX #2235A9

RGB 34 53 169

HSL 231.56, 0.67%, 0.4%

LAB 28.77, 35.69, -63.82

 

CMYK 66 / 57 / 0 / 40

HEX #334198

RGB 51 65 152

HSL 231.68, 0.5%, 0.4%

LAB 31.23, 23.65, -49.48

 

CMYK 51 / 43 / 0 / 47

HEX #434D88

RGB 67 77 136

HSL 231.3, 0.34%, 0.4%

LAB 34.56, 13.41, -34.3

 

CMYK 29 / 25 / 0 / 53

HEX #545977

RGB 84 89 119

HSL 231.43, 0.17%, 0.4%

LAB 38.48, 5.51, -17.62

 

CMYK 3 / 2 / 0 / 60

HEX #646567

RGB 100 101 103

HSL 220, 0.01%, 0.4%

LAB 42.76, 0.04, -1.27

 

CMYK 80 / 25 / 0 / 34

HEX #227EA9

RGB 34 126 169

HSL 199.11, 0.67%, 0.4%

LAB 49.65, -11.09, -30.33

 

CMYK 80 / 47 / 0 / 34

HEX #225AA9

RGB 34 90 169

HSL 215.11, 0.67%, 0.4%

LAB 38.75, 11.12, -47.58

 

CMYK 80 / 68 / 0 / 34

HEX #2236A9

RGB 34 54 169

HSL 231.11, 0.67%, 0.4%

LAB 29.01, 35.05, -63.43

 

CMYK 70 / 80 / 0 / 34

HEX #3222A9

RGB 50 34 169

HSL 247.11, 0.67%, 0.4%

LAB 25.82, 48.04, -68.66

 

CMYK 49 / 80 / 0 / 34

HEX #5622A9

RGB 86 34 169

HSL 263.11, 0.67%, 0.4%

LAB 29.38, 52.21, -62.67

 

CMYK 80 / 69 / 0 / 61

HEX #141F64

RGB 20 31 100

HSL 231.75, 0.67%, 0.24%

LAB 15.74, 22.57, -41.93

 

CMYK 80 / 69 / 0 / 47

HEX #1B2A87

RGB 27 42 135

HSL 231.67, 0.67%, 0.32%

LAB 22.44, 29.49, -53.4

 

CMYK 80 / 69 / 0 / 34

HEX #2235A9

RGB 34 53 169

HSL 231.56, 0.67%, 0.4%

LAB 28.77, 35.69, -63.82

 

CMYK 80 / 68 / 0 / 20

HEX #2940CB

RGB 41 64 203

HSL 231.48, 0.66%, 0.48%

LAB 34.9, 41.64, -73.82

 

CMYK 68 / 59 / 0 / 15

HEX #455AD9

RGB 69 90 217

HSL 231.49, 0.66%, 0.56%

LAB 43.64, 33.42, -67.53

 

CMYK 80 / 68 / 0 / 33

HEX #2336AB

RGB 35 54 171

HSL 231.62, 0.66%, 0.4%

LAB 29.25, 35.88, -64.24

 

CMYK 0 / 80 / 4 / 34

HEX #A922A2

RGB 169 34 162

HSL 303.11, 0.67%, 0.4%

LAB 41.51, 65.72, -38.23

 

CMYK 36 / 0 / 80 / 34

HEX #6CA922

RGB 108 169 34

HSL 87.11, 0.67%, 0.4%

LAB 63.08, -40.21, 58.02

 

CMYK 80 / 68 / 0 / 33

HEX #2336AB

RGB 35 54 171

HSL 231.62, 0.66%, 0.4%

LAB 29.25, 35.88, -64.24

 

CMYK 0 / 80 / 68 / 34

HEX #A92236

RGB 169 34 54

HSL 351.11, 0.67%, 0.4%

LAB 37.56, 54.11, 23.39

 

CMYK 68 / 0 / 80 / 34

HEX #36A922

RGB 54 169 34

HSL 111.11, 0.67%, 0.4%

LAB 61.02, -55.93, 55.36

 

CMYK 80 / 68 / 0 / 33

HEX #2336AB

RGB 35 54 171

HSL 231.62, 0.66%, 0.4%

LAB 29.25, 35.88, -64.24

 

CMYK 0 / 80 / 4 / 34

HEX #A922A2

RGB 169 34 162

HSL 303.11, 0.67%, 0.4%

LAB 41.51, 65.72, -38.23

 

CMYK 0 / 12 / 80 / 34

HEX #A99522

RGB 169 149 34

HSL 51.11, 0.67%, 0.4%

LAB 61.69, -4.59, 58.41

 

CMYK 80 / 0 / 76 / 34

HEX #22A929

RGB 34 169 41

HSL 123.11, 0.67%, 0.4%

LAB 60.67, -58.8, 52.58

 

CMYK 80 / 68 / 0 / 33

HEX #2336AB

RGB 35 54 171

HSL 231.62, 0.66%, 0.4%

LAB 29.25, 35.88, -64.24

 

CMYK 0 / 80 / 28 / 34

HEX #A9227A

RGB 169 34 122

HSL 320.89, 0.67%, 0.4%

LAB 39.55, 60.14, -16.86

 

CMYK 0 / 12 / 80 / 34

HEX #A99522

RGB 169 149 34

HSL 51.11, 0.67%, 0.4%

LAB 61.69, -4.59, 58.41

 

CMYK 80 / 0 / 52 / 34

HEX #22A951

RGB 34 169 81

HSL 140.89, 0.67%, 0.4%

LAB 61.05, -54.15, 35.44

 

Description

Color code: RGB 35 54 171 | qconv.com Color code: RGB 35 54 171 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 35 red, 54 green and 171 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
35 54 171 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 80 cyan, 68 magenta, none yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
80% 68% 0% 33% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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