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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 34 225 81 it is the complementary color RGB 221 30 174. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 34 225 81. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 34 225 81 shade: RGB 39 225 76, RGB 56 243 95, RGB 73 255 114, RGB 90 255 133 and RGB 107 255 152

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 34 225 81. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 34 225 81 shade: RGB 34 225 81, RGB 17 207 62, RGB 0 189 43, RGB 0 171 24 and RGB 0 153 5

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 34 225 81 shade: RGB 35 225 81, RGB 39 225 35, RGB 90 225 35, RGB 142 225 35 and RGB 193 225 35

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 34 225 81 shade: RGB 35 225 81, RGB 35 225 133, RGB 35 225 184, RGB 35 214 225 and RGB 35 163 225

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 34 225 81 shade matches the following richer shades: RGB 35 225 81 and RGB 14 245 71

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 34 225 81 shade: RGB 35 225 81, RGB 55 204 92, RGB 75 184 102, RGB 95 164 112 and RGB 115 144 122

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 34 225 81 shade: RGB 92 225 35, RGB 41 225 35, RGB 35 225 79, RGB 35 225 130 and RGB 35 225 180

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 34 225 81 shade: RGB 21 156 54, RGB 26 192 67, RGB 35 225 81, RGB 71 229 110 and RGB 107 234 138

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 34 225 81 shade: RGB 34 225 81, RGB 35 142 225 and RGB 225 35 66

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 34 225 81 shade: RGB 34 225 81, RGB 79 35 225 and RGB 225 79 35

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 34 225 81 shade: RGB 34 225 81, RGB 35 142 225, RGB 225 35 180 and RGB 225 117 35

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 34 225 81 shade: RGB 34 225 81, RGB 35 85 225, RGB 225 35 180 and RGB 225 174 35

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 85 / 0 / 64 / 12

HEX #22E151

RGB 34 225 81

HSL 134.76, 0.76%, 0.51%

LAB 78.92, -72.25, 56.32

 

Complementary color

CMYK 0 / 86 / 21 / 13

HEX #DD1EAE

RGB 221 30 174

HSL 314.76, 0.76%, 0.49%

LAB 51.1, 78.86, -29.64

 

CMYK 83 / 0 / 66 / 12

HEX #27E14C

RGB 39 225 76

HSL 131.94, 0.76%, 0.52%

LAB 78.93, -72.31, 58.39

 

CMYK 77 / 0 / 61 / 5

HEX #38F35F

RGB 56 243 95

HSL 132.51, 0.89%, 0.59%

LAB 84.88, -73.9, 57.22

 

CMYK 71 / 0 / 55 / 0

HEX #49FF72

RGB 73 255 114

HSL 133.52, 1%, 0.64%

LAB 88.99, -73.1, 53.78

 

CMYK 65 / 0 / 48 / 0

HEX #5AFF85

RGB 90 255 133

HSL 135.64, 1%, 0.68%

LAB 89.57, -67.66, 45.79

 

CMYK 58 / 0 / 40 / 0

HEX #6BFF98

RGB 107 255 152

HSL 138.24, 1%, 0.71%

LAB 90.28, -61.35, 37.6

 

CMYK 85 / 0 / 64 / 12

HEX #22E151

RGB 34 225 81

HSL 134.76, 0.76%, 0.51%

LAB 78.92, -72.25, 56.32

 

CMYK 92 / 0 / 70 / 19

HEX #11CF3E

RGB 17 207 62

HSL 134.21, 0.85%, 0.44%

LAB 72.95, -69.98, 57.41

 

CMYK 100 / 0 / 77 / 26

HEX #00BD2B

RGB 0 189 43

HSL 133.65, 1%, 0.37%

LAB 66.95, -67.09, 58.01

 

CMYK 100 / 0 / 86 / 33

HEX #00AB18

RGB 0 171 24

HSL 128.42, 1%, 0.34%

LAB 60.95, -63.13, 57.76

 

CMYK 100 / 0 / 97 / 40

HEX #009905

RGB 0 153 5

HSL 121.96, 1%, 0.3%

LAB 54.86, -58.71, 56.01

 

CMYK 84 / 0 / 64 / 12

HEX #23E151

RGB 35 225 81

HSL 134.53, 0.76%, 0.51%

LAB 78.93, -72.16, 56.34

 

CMYK 83 / 0 / 84 / 12

HEX #27E123

RGB 39 225 35

HSL 118.74, 0.76%, 0.51%

LAB 78.7, -75.22, 71.23

 

CMYK 60 / 0 / 84 / 12

HEX #5AE123

RGB 90 225 35

HSL 102.63, 0.76%, 0.51%

LAB 79.7, -66.67, 72.5

 

CMYK 37 / 0 / 84 / 12

HEX #8EE123

RGB 142 225 35

HSL 86.21, 0.76%, 0.51%

LAB 81.69, -51.49, 75.01

 

CMYK 14 / 0 / 84 / 12

HEX #C1E123

RGB 193 225 35

HSL 70.11, 0.76%, 0.51%

LAB 84.64, -32.29, 78.71

 

CMYK 84 / 0 / 64 / 12

HEX #23E151

RGB 35 225 81

HSL 134.53, 0.76%, 0.51%

LAB 78.93, -72.16, 56.34

 

CMYK 84 / 0 / 41 / 12

HEX #23E185

RGB 35 225 133

HSL 150.95, 0.76%, 0.51%

LAB 79.56, -64.59, 32.76

 

CMYK 84 / 0 / 18 / 12

HEX #23E1B8

RGB 35 225 184

HSL 167.05, 0.76%, 0.51%

LAB 80.55, -53.52, 7.61

 

CMYK 84 / 5 / 0 / 12

HEX #23D6E1

RGB 35 214 225

HSL 183.47, 0.76%, 0.51%

LAB 78.4, -37.47, -17.43

 

CMYK 84 / 28 / 0 / 12

HEX #23A3E1

RGB 35 163 225

HSL 199.58, 0.76%, 0.51%

LAB 63.33, -11.73, -40.6

 

CMYK 84 / 0 / 64 / 12

HEX #23E151

RGB 35 225 81

HSL 134.53, 0.76%, 0.51%

LAB 78.93, -72.16, 56.34

 

CMYK 94 / 0 / 71 / 4

HEX #0EF547

RGB 14 245 71

HSL 134.81, 0.92%, 0.51%

LAB 84.92, -80.17, 66.56

 

CMYK 84 / 0 / 64 / 12

HEX #23E151

RGB 35 225 81

HSL 134.53, 0.76%, 0.51%

LAB 78.93, -72.16, 56.34

 

CMYK 73 / 0 / 55 / 20

HEX #37CC5C

RGB 55 204 92

HSL 134.9, 0.59%, 0.51%

LAB 72.74, -61.72, 44.38

 

CMYK 59 / 0 / 45 / 28

HEX #4BB866

RGB 75 184 102

HSL 134.86, 0.43%, 0.51%

LAB 67.08, -49.07, 32.51

 

CMYK 42 / 0 / 32 / 36

HEX #5FA470

RGB 95 164 112

HSL 134.78, 0.27%, 0.51%

LAB 61.79, -33.4, 20.34

 

CMYK 20 / 0 / 15 / 44

HEX #73907A

RGB 115 144 122

HSL 134.48, 0.12%, 0.51%

LAB 57.07, -14.84, 8.35

 

CMYK 59 / 0 / 84 / 12

HEX #5CE123

RGB 92 225 35

HSL 102, 0.76%, 0.51%

LAB 79.75, -66.2, 72.57

 

CMYK 82 / 0 / 84 / 12

HEX #29E123

RGB 41 225 35

HSL 118.11, 0.76%, 0.51%

LAB 78.72, -75.02, 71.26

 

CMYK 84 / 0 / 65 / 12

HEX #23E14F

RGB 35 225 79

HSL 133.89, 0.76%, 0.51%

LAB 78.91, -72.37, 57.14

 

CMYK 84 / 0 / 42 / 12

HEX #23E182

RGB 35 225 130

HSL 150, 0.76%, 0.51%

LAB 79.51, -65.13, 34.21

 

CMYK 84 / 0 / 20 / 12

HEX #23E1B4

RGB 35 225 180

HSL 165.79, 0.76%, 0.51%

LAB 80.46, -54.5, 9.59

 

CMYK 87 / 0 / 65 / 39

HEX #159C36

RGB 21 156 54

HSL 134.67, 0.76%, 0.35%

LAB 56.29, -54.88, 42.71

 

CMYK 86 / 0 / 65 / 25

HEX #1AC043

RGB 26 192 67

HSL 134.82, 0.76%, 0.43%

LAB 68.26, -64.37, 50.36

 

CMYK 84 / 0 / 64 / 12

HEX #23E151

RGB 35 225 81

HSL 134.53, 0.76%, 0.51%

LAB 78.93, -72.16, 56.34

 

CMYK 69 / 0 / 52 / 10

HEX #47E56E

RGB 71 229 110

HSL 134.81, 0.75%, 0.59%

LAB 81.02, -65.23, 45.99

 

CMYK 54 / 0 / 41 / 8

HEX #6BEA8A

RGB 107 234 138

HSL 134.65, 0.75%, 0.67%

LAB 83.86, -55.53, 36.16

 

CMYK 85 / 0 / 64 / 12

HEX #22E151

RGB 34 225 81

HSL 134.76, 0.76%, 0.51%

LAB 78.92, -72.25, 56.32

 

CMYK 84 / 37 / 0 / 12

HEX #238EE1

RGB 35 142 225

HSL 206.21, 0.76%, 0.51%

LAB 57.21, 0.27, -50.27

 

CMYK 0 / 84 / 71 / 12

HEX #E12342

RGB 225 35 66

HSL 350.21, 0.76%, 0.51%

LAB 49.01, 69.9, 32.61

 

CMYK 85 / 0 / 64 / 12

HEX #22E151

RGB 34 225 81

HSL 134.76, 0.76%, 0.51%

LAB 78.92, -72.25, 56.32

 

CMYK 65 / 84 / 0 / 12

HEX #4F23E1

RGB 79 35 225

HSL 253.89, 0.76%, 0.51%

LAB 34.6, 65.88, -86.93

 

CMYK 0 / 65 / 84 / 12

HEX #E14F23

RGB 225 79 35

HSL 13.89, 0.76%, 0.51%

LAB 53.73, 54.9, 53.83

 

CMYK 85 / 0 / 64 / 12

HEX #22E151

RGB 34 225 81

HSL 134.76, 0.76%, 0.51%

LAB 78.92, -72.25, 56.32

 

CMYK 84 / 37 / 0 / 12

HEX #238EE1

RGB 35 142 225

HSL 206.21, 0.76%, 0.51%

LAB 57.21, 0.27, -50.27

 

CMYK 0 / 84 / 20 / 12

HEX #E123B4

RGB 225 35 180

HSL 314.21, 0.76%, 0.51%

LAB 52.4, 79.51, -31.08

 

CMYK 0 / 48 / 84 / 12

HEX #E17523

RGB 225 117 35

HSL 25.89, 0.76%, 0.51%

LAB 60.65, 37.03, 59.73

 

CMYK 85 / 0 / 64 / 12

HEX #22E151

RGB 34 225 81

HSL 134.76, 0.76%, 0.51%

LAB 78.92, -72.25, 56.32

 

CMYK 84 / 62 / 0 / 12

HEX #2355E1

RGB 35 85 225

HSL 224.21, 0.76%, 0.51%

LAB 41.67, 36.03, -75.35

 

CMYK 0 / 84 / 20 / 12

HEX #E123B4

RGB 225 35 180

HSL 314.21, 0.76%, 0.51%

LAB 52.4, 79.51, -31.08

 

CMYK 0 / 23 / 84 / 12

HEX #E1AE23

RGB 225 174 35

HSL 43.89, 0.76%, 0.51%

LAB 73.8, 6.86, 70.74

 

Description

Color code: RGB 34 225 81 | qconv.com Color code: RGB 34 225 81 | qconv.com - big

With this color, green stands out from the other colors. The value that represents the green hue is greater than the other two values. It stands out far from the value for the red and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 34 red, 225 green and 81 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
34 225 81 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 85 cyan, none magenta, 64 yellow and 12 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
85% 0% 64% 12% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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