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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 34 189 165 it is the complementary color RGB 221 66 90. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 34 189 165. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 34 189 165 shade: RGB 39 189 160, RGB 56 207 179, RGB 73 225 198, RGB 90 243 217 and RGB 107 255 236

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 34 189 165. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 34 189 165 shade: RGB 34 189 165, RGB 17 171 146, RGB 0 153 127, RGB 0 135 108 and RGB 0 117 89

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 34 189 165 shade: RGB 33 190 166, RGB 33 190 124, RGB 33 190 81, RGB 33 190 39 and RGB 70 190 33

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 34 189 165 shade: RGB 33 190 166, RGB 33 172 190, RGB 33 130 190, RGB 33 87 190 and RGB 33 45 190

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 34 189 165 shade matches the following richer shades: RGB 33 190 166 and RGB 15 208 178

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 34 189 165 shade: RGB 33 190 166, RGB 51 172 153, RGB 69 154 141, RGB 88 136 128 and RGB 106 118 116

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 34 189 165 shade: RGB 33 190 80, RGB 33 190 122, RGB 33 190 164, RGB 33 175 190 and RGB 33 133 190

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 34 189 165 shade: RGB 21 120 105, RGB 27 155 135, RGB 33 190 166, RGB 47 218 191 and RGB 82 224 202

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 34 189 165 shade: RGB 34 189 165, RGB 38 33 190 and RGB 190 101 33

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 34 189 165 shade: RGB 34 189 165, RGB 164 33 190 and RGB 190 164 33

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 34 189 165 shade: RGB 34 189 165, RGB 38 33 190, RGB 190 33 59 and RGB 185 190 33

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 34 189 165 shade: RGB 34 189 165, RGB 86 33 190, RGB 190 33 59 and RGB 138 190 33

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 82 / 0 / 13 / 26

HEX #22BDA5

RGB 34 189 165

HSL 170.71, 0.7%, 0.44%

LAB 69.08, -43.61, 1.26

 

Complementary color

CMYK 0 / 70 / 59 / 13

HEX #DD425A

RGB 221 66 90

HSL 350.71, 0.7%, 0.56%

LAB 51.84, 61.15, 21.72

 

CMYK 79 / 0 / 15 / 26

HEX #27BDA0

RGB 39 189 160

HSL 168.4, 0.66%, 0.45%

LAB 69.01, -44.47, 3.91

 

CMYK 73 / 0 / 14 / 19

HEX #38CFB3

RGB 56 207 179

HSL 168.87, 0.61%, 0.52%

LAB 75.28, -45.31, 2.7

 

CMYK 68 / 0 / 12 / 12

HEX #49E1C6

RGB 73 225 198

HSL 169.34, 0.72%, 0.58%

LAB 81.48, -45.9, 1.61

 

CMYK 63 / 0 / 11 / 5

HEX #5AF3D9

RGB 90 243 217

HSL 169.8, 0.86%, 0.65%

LAB 87.62, -46.3, 0.6

 

CMYK 58 / 0 / 7 / 0

HEX #6BFFEC

RGB 107 255 236

HSL 172.3, 1%, 0.71%

LAB 92, -43.96, -2.83

 

CMYK 82 / 0 / 13 / 26

HEX #22BDA5

RGB 34 189 165

HSL 170.71, 0.7%, 0.44%

LAB 69.08, -43.61, 1.26

 

CMYK 90 / 0 / 15 / 33

HEX #11AB92

RGB 17 171 146

HSL 170.26, 0.82%, 0.37%

LAB 62.78, -42.25, 2.59

 

CMYK 100 / 0 / 17 / 40

HEX #00997F

RGB 0 153 127

HSL 169.8, 1%, 0.3%

LAB 56.4, -40.55, 4.07

RGB 0 153 127

CMYK 100 / 0 / 20 / 47

HEX #00876C

RGB 0 135 108

HSL 168, 1%, 0.26%

LAB 49.99, -38.07, 5.78

RGB 0 135 108

CMYK 100 / 0 / 24 / 54

HEX #007559

RGB 0 117 89

HSL 165.64, 1%, 0.23%

LAB 43.42, -35.53, 7.6

RGB 0 117 89

CMYK 83 / 0 / 13 / 25

HEX #21BEA6

RGB 33 190 166

HSL 170.83, 0.7%, 0.44%

LAB 69.4, -43.85, 1.18

 

CMYK 83 / 0 / 35 / 25

HEX #21BE7C

RGB 33 190 124

HSL 154.78, 0.7%, 0.44%

LAB 68.46, -53.95, 22.63

 

CMYK 83 / 0 / 57 / 25

HEX #21BE51

RGB 33 190 81

HSL 138.34, 0.7%, 0.44%

LAB 67.83, -61.36, 43.62

 

CMYK 83 / 0 / 79 / 25

HEX #21BE27

RGB 33 190 39

HSL 122.29, 0.7%, 0.44%

LAB 67.5, -65.48, 59.86

 

CMYK 63 / 0 / 83 / 25

HEX #46BE21

RGB 70 190 33

HSL 105.86, 0.7%, 0.44%

LAB 68.2, -59.62, 62.45

 

CMYK 83 / 0 / 13 / 25

HEX #21BEA6

RGB 33 190 166

HSL 170.83, 0.7%, 0.44%

LAB 69.4, -43.85, 1.18

 

CMYK 83 / 9 / 0 / 25

HEX #21ACBE

RGB 33 172 190

HSL 186.88, 0.7%, 0.44%

LAB 64.6, -28.46, -19.24

 

CMYK 83 / 32 / 0 / 25

HEX #2182BE

RGB 33 130 190

HSL 202.93, 0.7%, 0.44%

LAB 51.84, -5.81, -38.99

 

CMYK 83 / 54 / 0 / 25

HEX #2157BE

RGB 33 87 190

HSL 219.36, 0.7%, 0.44%

LAB 39.34, 21.24, -59

 

CMYK 83 / 76 / 0 / 25

HEX #212DBE

RGB 33 45 190

HSL 235.41, 0.7%, 0.44%

LAB 29.2, 47.78, -75.62

 

CMYK 83 / 0 / 13 / 25

HEX #21BEA6

RGB 33 190 166

HSL 170.83, 0.7%, 0.44%

LAB 69.4, -43.85, 1.18

 

CMYK 93 / 0 / 14 / 18

HEX #0FD0B2

RGB 15 208 178

HSL 170.67, 0.87%, 0.44%

LAB 75.09, -49.26, 2.92

 

CMYK 83 / 0 / 13 / 25

HEX #21BEA6

RGB 33 190 166

HSL 170.83, 0.7%, 0.44%

LAB 69.4, -43.85, 1.18

 

CMYK 70 / 0 / 11 / 33

HEX #33AC99

RGB 51 172 153

HSL 170.58, 0.54%, 0.44%

LAB 63.76, -37.42, 0.18

 

CMYK 55 / 0 / 8 / 40

HEX #459A8D

RGB 69 154 141

HSL 170.82, 0.38%, 0.44%

LAB 58.32, -28.93, -0.96

 

CMYK 35 / 0 / 6 / 47

HEX #588880

RGB 88 136 128

HSL 170, 0.21%, 0.44%

LAB 53.21, -18.15, -0.87

 

CMYK 10 / 0 / 2 / 54

HEX #6A7674

RGB 106 118 116

HSL 170, 0.05%, 0.44%

LAB 48.61, -4.9, -0.43

 

CMYK 83 / 0 / 58 / 25

HEX #21BE50

RGB 33 190 80

HSL 137.96, 0.7%, 0.44%

LAB 67.82, -61.5, 44.08

 

CMYK 83 / 0 / 36 / 25

HEX #21BE7A

RGB 33 190 122

HSL 154.01, 0.7%, 0.44%

LAB 68.43, -54.37, 23.65

 

CMYK 83 / 0 / 14 / 25

HEX #21BEA4

RGB 33 190 164

HSL 170.06, 0.7%, 0.44%

LAB 69.35, -44.39, 2.2

 

CMYK 83 / 8 / 0 / 25

HEX #21AFBE

RGB 33 175 190

HSL 185.73, 0.7%, 0.44%

LAB 65.52, -29.93, -17.85

 

CMYK 83 / 30 / 0 / 25

HEX #2185BE

RGB 33 133 190

HSL 201.78, 0.7%, 0.44%

LAB 52.75, -7.56, -37.57

 

CMYK 83 / 0 / 13 / 53

HEX #157869

RGB 21 120 105

HSL 170.91, 0.7%, 0.28%

LAB 45.1, -30.7, 0.51

 

CMYK 83 / 0 / 13 / 39

HEX #1B9B87

RGB 27 155 135

HSL 170.63, 0.7%, 0.36%

LAB 57.49, -37.57, 1.12

 

CMYK 83 / 0 / 13 / 25

HEX #21BEA6

RGB 33 190 166

HSL 170.83, 0.7%, 0.44%

LAB 69.4, -43.85, 1.18

 

CMYK 78 / 0 / 12 / 15

HEX #2FDABF

RGB 47 218 191

HSL 170.53, 0.7%, 0.52%

LAB 78.76, -47.86, 1.31

 

CMYK 63 / 0 / 10 / 12

HEX #52E0CA

RGB 82 224 202

HSL 170.7, 0.7%, 0.6%

LAB 81.49, -43.07, -0.47

 

CMYK 82 / 0 / 13 / 26

HEX #22BDA5

RGB 34 189 165

HSL 170.71, 0.7%, 0.44%

LAB 69.08, -43.61, 1.26

 

CMYK 80 / 83 / 0 / 25

HEX #2621BE

RGB 38 33 190

HSL 241.91, 0.7%, 0.44%

LAB 27.35, 54.12, -78.7

 

CMYK 0 / 47 / 83 / 25

HEX #BE6521

RGB 190 101 33

HSL 25.99, 0.7%, 0.44%

LAB 52.25, 31.09, 51.23

 

CMYK 82 / 0 / 13 / 26

HEX #22BDA5

RGB 34 189 165

HSL 170.71, 0.7%, 0.44%

LAB 69.08, -43.61, 1.26

 

CMYK 14 / 83 / 0 / 25

HEX #A421BE

RGB 164 33 190

HSL 290.06, 0.7%, 0.44%

LAB 42.3, 69.68, -53.61

 

CMYK 0 / 14 / 83 / 25

HEX #BEA421

RGB 190 164 33

HSL 50.06, 0.7%, 0.44%

LAB 67.73, -3.26, 64.76

 

CMYK 82 / 0 / 13 / 26

HEX #22BDA5

RGB 34 189 165

HSL 170.71, 0.7%, 0.44%

LAB 69.08, -43.61, 1.26

 

CMYK 80 / 83 / 0 / 25

HEX #2621BE

RGB 38 33 190

HSL 241.91, 0.7%, 0.44%

LAB 27.35, 54.12, -78.7

 

CMYK 0 / 83 / 69 / 25

HEX #BE213B

RGB 190 33 59

HSL 350.06, 0.7%, 0.44%

LAB 41.77, 60.62, 26.43

 

CMYK 3 / 0 / 83 / 25

HEX #B9BE21

RGB 185 190 33

HSL 61.91, 0.7%, 0.44%

LAB 74.35, -18.86, 70.23

 

CMYK 82 / 0 / 13 / 26

HEX #22BDA5

RGB 34 189 165

HSL 170.71, 0.7%, 0.44%

LAB 69.08, -43.61, 1.26

 

CMYK 55 / 83 / 0 / 25

HEX #5621BE

RGB 86 33 190

HSL 260.25, 0.7%, 0.44%

LAB 31.31, 58.08, -72.01

 

CMYK 0 / 83 / 69 / 25

HEX #BE213B

RGB 190 33 59

HSL 350.06, 0.7%, 0.44%

LAB 41.77, 60.62, 26.43

 

CMYK 27 / 0 / 83 / 25

HEX #8ABE21

RGB 138 190 33

HSL 79.87, 0.7%, 0.44%

LAB 71.1, -38.19, 66.16

 

Description

Color code: RGB 34 189 165 | qconv.com Color code: RGB 34 189 165 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 34 red, 189 green and 165 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
34 189 165 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 82 cyan, none magenta, 13 yellow and 26 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
82% 0% 13% 26% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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