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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 34 153 134 it is the complementary color RGB 221 102 121. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 34 153 134. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 34 153 134 shade: RGB 39 153 129, RGB 56 171 148, RGB 73 189 167, RGB 90 207 186 and RGB 107 225 205

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 34 153 134. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 34 153 134 shade: RGB 34 153 134, RGB 17 135 115, RGB 0 117 96, RGB 0 99 77 and RGB 0 81 58

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 34 153 134 shade: RGB 33 154 135, RGB 33 154 102, RGB 33 154 70, RGB 33 154 37 and RGB 62 154 33

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 34 153 134 shade: RGB 33 154 135, RGB 33 141 154, RGB 33 108 154, RGB 33 76 154 and RGB 33 43 154

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 34 153 134 shade matches the following richer shades: RGB 33 154 135, RGB 18 169 145 and RGB 3 185 156

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 34 153 134 shade: RGB 33 154 135, RGB 49 139 125, RGB 64 124 114, RGB 79 108 104 and RGB 95 93 93

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 34 153 134 shade: RGB 33 154 70, RGB 33 154 102, RGB 33 154 134, RGB 33 142 154 and RGB 33 110 154

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 34 153 134 shade: RGB 19 87 76, RGB 26 120 105, RGB 33 154 135, RGB 41 188 165 and RGB 59 212 187

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 34 153 134 shade: RGB 34 153 134, RGB 37 33 154 and RGB 154 86 33

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 34 153 134 shade: RGB 34 153 134, RGB 134 33 154 and RGB 154 134 33

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 34 153 134 shade: RGB 34 153 134, RGB 37 33 154, RGB 154 33 54 and RGB 150 154 33

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 34 153 134 shade: RGB 34 153 134, RGB 74 33 154, RGB 154 33 54 and RGB 114 154 33

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 78 / 0 / 12 / 40

HEX #229986

RGB 34 153 134

HSL 170.42, 0.64%, 0.37%

LAB 56.92, -36.22, 0.88

 

Complementary color

CMYK 0 / 54 / 45 / 13

HEX #DD6679

RGB 221 102 121

HSL 350.42, 0.64%, 0.63%

LAB 58.28, 48.24, 12.23

 

CMYK 75 / 0 / 16 / 40

HEX #279981

RGB 39 153 129

HSL 167.37, 0.59%, 0.38%

LAB 56.88, -36.97, 3.67

 

CMYK 67 / 0 / 13 / 33

HEX #38AB94

RGB 56 171 148

HSL 168, 0.51%, 0.45%

LAB 63.43, -37.53, 2.5

 

CMYK 61 / 0 / 12 / 26

HEX #49BDA7

RGB 73 189 167

HSL 168.62, 0.47%, 0.51%

LAB 69.9, -37.86, 1.45

 

CMYK 57 / 0 / 10 / 19

HEX #5ACFBA

RGB 90 207 186

HSL 169.23, 0.55%, 0.58%

LAB 76.28, -38.04, 0.5

 

CMYK 52 / 0 / 9 / 12

HEX #6BE1CD

RGB 107 225 205

HSL 169.83, 0.66%, 0.65%

LAB 82.58, -38.12, -0.38

 

CMYK 78 / 0 / 12 / 40

HEX #229986

RGB 34 153 134

HSL 170.42, 0.64%, 0.37%

LAB 56.92, -36.22, 0.88

 

CMYK 87 / 0 / 15 / 47

HEX #118773

RGB 17 135 115

HSL 169.83, 0.78%, 0.3%

LAB 50.32, -35.09, 2.2

 

CMYK 100 / 0 / 18 / 54

HEX #007560

RGB 0 117 96

HSL 169.23, 1%, 0.23%

LAB 43.61, -33.57, 3.69

 

CMYK 100 / 0 / 22 / 61

HEX #00634D

RGB 0 99 77

HSL 166.67, 1%, 0.19%

LAB 36.85, -30.96, 5.51

 

CMYK 100 / 0 / 28 / 68

HEX #00513A

RGB 0 81 58

HSL 162.96, 1%, 0.16%

LAB 29.89, -28.24, 7.48

 

CMYK 79 / 0 / 12 / 40

HEX #219A87

RGB 33 154 135

HSL 170.58, 0.65%, 0.37%

LAB 57.25, -36.51, 0.79

 

CMYK 79 / 0 / 34 / 40

HEX #219A66

RGB 33 154 102

HSL 154.21, 0.65%, 0.37%

LAB 56.48, -44.75, 18.32

 

CMYK 79 / 0 / 55 / 40

HEX #219A46

RGB 33 154 70

HSL 138.35, 0.65%, 0.37%

LAB 55.96, -50.68, 34.74

 

CMYK 79 / 0 / 76 / 40

HEX #219A25

RGB 33 154 37

HSL 121.98, 0.65%, 0.37%

LAB 55.65, -54.47, 48.99

 

CMYK 60 / 0 / 79 / 40

HEX #3E9A21

RGB 62 154 33

HSL 105.62, 0.65%, 0.37%

LAB 56.33, -48.88, 51.27

 

CMYK 79 / 0 / 12 / 40

HEX #219A87

RGB 33 154 135

HSL 170.58, 0.65%, 0.37%

LAB 57.25, -36.51, 0.79

 

CMYK 79 / 8 / 0 / 40

HEX #218D9A

RGB 33 141 154

HSL 186.45, 0.65%, 0.37%

LAB 53.71, -24.5, -15.38

 

CMYK 79 / 30 / 0 / 40

HEX #216C9A

RGB 33 108 154

HSL 202.81, 0.65%, 0.37%

LAB 43.33, -6.15, -31.41

 

CMYK 79 / 51 / 0 / 40

HEX #214C9A

RGB 33 76 154

HSL 218.68, 0.65%, 0.37%

LAB 33.62, 14.41, -46.88

 

CMYK 79 / 72 / 0 / 40

HEX #212B9A

RGB 33 43 154

HSL 235.04, 0.65%, 0.37%

LAB 24.9, 36.46, -61.1

 

CMYK 79 / 0 / 12 / 40

HEX #219A87

RGB 33 154 135

HSL 170.58, 0.65%, 0.37%

LAB 57.25, -36.51, 0.79

 

CMYK 89 / 0 / 14 / 34

HEX #12A991

RGB 18 169 145

HSL 170.46, 0.81%, 0.37%

LAB 62.12, -41.61, 2.21

 

CMYK 98 / 0 / 16 / 27

HEX #03B99C

RGB 3 185 156

HSL 170.44, 0.97%, 0.37%

LAB 67.37, -46.02, 3.69

 

CMYK 79 / 0 / 12 / 40

HEX #219A87

RGB 33 154 135

HSL 170.58, 0.65%, 0.37%

LAB 57.25, -36.51, 0.79

 

CMYK 65 / 0 / 10 / 45

HEX #318B7D

RGB 49 139 125

HSL 170.67, 0.48%, 0.37%

LAB 52.51, -29.98, -0.35

 

CMYK 48 / 0 / 8 / 51

HEX #407C72

RGB 64 124 114

HSL 170, 0.32%, 0.37%

LAB 47.91, -22.14, -0.58

 

CMYK 27 / 0 / 4 / 58

HEX #4F6C68

RGB 79 108 104

HSL 171.72, 0.16%, 0.37%

LAB 43.34, -11.48, -1.2

 

CMYK 0 / 2 / 2 / 63

HEX #5F5D5D

RGB 95 93 93

HSL 0, 0.01%, 0.37%

LAB 39.67, 0.8, 0.28

 

CMYK 79 / 0 / 55 / 40

HEX #219A46

RGB 33 154 70

HSL 138.35, 0.65%, 0.37%

LAB 55.96, -50.68, 34.74

 

CMYK 79 / 0 / 34 / 40

HEX #219A66

RGB 33 154 102

HSL 154.21, 0.65%, 0.37%

LAB 56.48, -44.75, 18.32

 

CMYK 79 / 0 / 13 / 40

HEX #219A86

RGB 33 154 134

HSL 170.08, 0.65%, 0.37%

LAB 57.23, -36.79, 1.32

 

CMYK 79 / 8 / 0 / 40

HEX #218E9A

RGB 33 142 154

HSL 185.95, 0.65%, 0.37%

LAB 54.03, -25.01, -14.9

 

CMYK 79 / 29 / 0 / 40

HEX #216E9A

RGB 33 110 154

HSL 201.82, 0.65%, 0.37%

LAB 43.96, -7.35, -30.43

 

CMYK 78 / 0 / 13 / 66

HEX #13574C

RGB 19 87 76

HSL 170.29, 0.64%, 0.21%

LAB 32.87, -23.53, 0.43

 

CMYK 78 / 0 / 13 / 53

HEX #1A7869

RGB 26 120 105

HSL 170.43, 0.64%, 0.29%

LAB 45.18, -30.12, 0.64

 

CMYK 79 / 0 / 12 / 40

HEX #219A87

RGB 33 154 135

HSL 170.58, 0.65%, 0.37%

LAB 57.25, -36.51, 0.79

 

CMYK 78 / 0 / 12 / 26

HEX #29BCA5

RGB 41 188 165

HSL 170.61, 0.64%, 0.45%

LAB 68.86, -42.51, 0.96

 

CMYK 72 / 0 / 12 / 17

HEX #3BD4BB

RGB 59 212 187

HSL 170.2, 0.64%, 0.53%

LAB 77.04, -45.02, 0.98

 

CMYK 78 / 0 / 12 / 40

HEX #229986

RGB 34 153 134

HSL 170.42, 0.64%, 0.37%

LAB 56.92, -36.22, 0.88

 

CMYK 76 / 79 / 0 / 40

HEX #25219A

RGB 37 33 154

HSL 241.98, 0.65%, 0.37%

LAB 23.05, 42.66, -64.15

 

CMYK 0 / 44 / 79 / 40

HEX #9A5621

RGB 154 86 33

HSL 26.28, 0.65%, 0.37%

LAB 43.71, 23.97, 41.36

 

CMYK 78 / 0 / 12 / 40

HEX #229986

RGB 34 153 134

HSL 170.42, 0.64%, 0.37%

LAB 56.92, -36.22, 0.88

 

CMYK 13 / 79 / 0 / 40

HEX #86219A

RGB 134 33 154

HSL 290.08, 0.65%, 0.37%

LAB 34.98, 57.52, -44.17

 

CMYK 0 / 13 / 79 / 40

HEX #9A8621

RGB 154 134 33

HSL 50.08, 0.65%, 0.37%

LAB 56.12, -3.27, 53.15

 

CMYK 78 / 0 / 12 / 40

HEX #229986

RGB 34 153 134

HSL 170.42, 0.64%, 0.37%

LAB 56.92, -36.22, 0.88

 

CMYK 76 / 79 / 0 / 40

HEX #25219A

RGB 37 33 154

HSL 241.98, 0.65%, 0.37%

LAB 23.05, 42.66, -64.15

 

CMYK 0 / 79 / 65 / 40

HEX #9A2136

RGB 154 33 54

HSL 349.59, 0.65%, 0.37%

LAB 34.45, 49.95, 18.81

 

CMYK 3 / 0 / 79 / 40

HEX #969A21

RGB 150 154 33

HSL 61.98, 0.65%, 0.37%

LAB 61.4, -15.81, 57.82

 

CMYK 78 / 0 / 12 / 40

HEX #229986

RGB 34 153 134

HSL 170.42, 0.64%, 0.37%

LAB 56.92, -36.22, 0.88

 

CMYK 52 / 79 / 0 / 40

HEX #4A219A

RGB 74 33 154

HSL 260.33, 0.65%, 0.37%

LAB 26.38, 46.9, -58.54

 

CMYK 0 / 79 / 65 / 40

HEX #9A2136

RGB 154 33 54

HSL 349.59, 0.65%, 0.37%

LAB 34.45, 49.95, 18.81

 

CMYK 26 / 0 / 79 / 40

HEX #729A21

RGB 114 154 33

HSL 79.83, 0.65%, 0.37%

LAB 58.79, -31.19, 54.47

 

Description

Color code: RGB 34 153 134 | qconv.com Color code: RGB 34 153 134 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 34 red, 153 green and 134 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
34 153 134 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 78 cyan, none magenta, 12 yellow and 40 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
78% 0% 12% 40% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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